{"id":623151,"date":"2024-06-04T22:12:01","date_gmt":"2024-06-04T19:12:01","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/watch-anand-patwardhan-makes-the-personal-political\/"},"modified":"2024-06-04T22:12:01","modified_gmt":"2024-06-04T19:12:01","slug":"watch-anand-patwardhan-makes-the-personal-political","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/watch-anand-patwardhan-makes-the-personal-political\/","title":{"rendered":"Watch Anand Patwardhan Makes the Personal Political"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3dca15d9579\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3dca15d9579\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-anand-patwardhan-makes-the-personal-political\/#%E2%80%9CWatch_Online_Anand_Patwardhan_Makes_the_Personal_Political%E2%80%9D\" >&#8220;Watch Online Anand Patwardhan Makes the Personal Political&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-anand-patwardhan-makes-the-personal-political\/#%E2%80%9CAnand_Patwardhan_Makes_the_Personal_Political%E2%80%9D\" >&#8220;Anand Patwardhan Makes the Personal Political&#8221;<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CWatch_Online_Anand_Patwardhan_Makes_the_Personal_Political%E2%80%9D\"><\/span>&#8220;Watch Online Anand Patwardhan Makes the Personal Political&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9CAnand_Patwardhan_Makes_the_Personal_Political%E2%80%9D\"><\/span>&#8220;Anand Patwardhan Makes the Personal Political&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    India\u2019s premiere DIY documentarian Anand Patwardhan turns his lens homeward in \u201cThe World Is Family,\u201d a personal chronicle of India\u2019s freedom movement and its contemporary cultural milieu. Through interviews with his aging parents and their friends and family, the director transforms his collection of lo-fi footage and old, monochrome photographs into a patchwork of political memory, resulting in one of the most moving films this year.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Patwardhan\u2019s 1992 breakout \u201cRam ke Naam\u201d (\u201cIn the Name of God\u201d) was a prescient chronicle of India\u2019s growing Hindu supremacist movement, while several of his other works, like \u201cJai Bhim Comrade\u201d from 2011, shed light on the country\u2019s caste hegemony. These perspectives and more inform his familial portrait too, which seeks to explore the intimate details of his parent\u2019s youth under British rule, his uncles\u2019 revolutionary activities alongside Mahatma Gandhi, and the ways in which the Gandhian dream of secular liberation has succeeded and failed in the years since India\u2019s independence in 1947.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    That year proves pivotal for Patwardhan\u2019s narrative, since it also saw the Partition of India and Pakistan, as well as the subsequent mass migration of millions, including his family. Through interviews casually conducted in the mid-2000s \u2014 home videos that weren\u2019t originally intended for cinematic use \u2014 the filmmaker creates a living archive of forgotten family ties in lieu of available documentation and images from the era. A visit to his mother\u2019s ancestral, pre-Partition home (a rare opportunity for Indians and Pakistanis) reveals that it\u2019s now a hospital, run by a kindly Pakistani doctor who\u2019s eager for her to visit, but the red tape and militarism engulfing both countries complicates even small acts of friendship. Scant footage exists of Patwardhan\u2019s uncles, the known revolutionaries Rau and Achyut, but hearing tales of their personal exploits from those who knew them makes them feel more real, more tactile \u2014 and it makes their absence felt. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Patwardhan paints a wider picture of Indian society by acknowledging the advantages of his upbringing, and how his \u201chigher\u201d caste ensured economic stability. The film\u2019s narrative and even its original, Sanskrit-language title wrestle with these notions of privilege; \u201cVasudhaiva Kutumbakam\u201d (or \u201cthe world is one family\u201d) is a phrase found in ancient Hindu texts, and a concept in direct contradiction with the religion\u2019s entrenched, caste-ist power structures \u2014 a collectivist notion Patwardhan attempts to embody through his filmmaking.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    He unfurls India\u2019s <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">social<\/a> stratification through subtle forms of drama, and through seemingly fleeting interactions \u2014 for instance, with Hindu and Muslim children, to gauge their perspectives on the country\u2019s trajectory \u2014 during his journey across locations important to his family history. His uncles\u2019 names are engraved on faded public plaques, but these impromptu interviews with India\u2019s youth, conducted near places and monuments built to a history slowly being overwritten, are more revelatory than any direct or verbose indictment of modern systems.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    For the most part, his lo-fi digital lens remains trained on his parents. His mother Nirmala\u2019s sharp, acerbic wit makes for a humorous unraveling of the past, though the similarity between her high-pitched voice and that of her son\u2019s yields frequent, albeit welcome confusion about which of them is actually speaking in some moments. The audience is invited into the most intimate of worlds, where loved ones speak in a unified voice. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Similarly, Patwardhan\u2019s jolly father Balu speaks in slurred, subtitled speech, owing to a medical condition. This depiction tugs at the heartstrings, not only because it forces the audience to more closely read his expressions of love, longing and jest, but because Patwardhan instinctively understands every word he utters without the need of interpretation. The captions are only for the viewer\u2019s benefit.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    In this way, the proximity of the camera (and of the director\u2019s disembodied voice) to Patwardhan\u2019s family becomes a constant reminder of the deeply personal dynamics at play between interviewer and subject, even when the larger history of India\u2019s freedom struggle is the topic at hand. This filmmaking <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>roach lends aesthetic credence to the age-old refrain: \u201cThe personal is political.\u201d However, the complexities of that notion are also thoughtfully broached. \u201cThe World is Family,\u201d by way of objections raised by Nirmala, also questions Patwardhan\u2019s intent, and the increasingly blurred line between his filmmaking as a personal album and as a pragmatic political record for all the world to see \u2014 a matter of cinematic ethics that yields increasingly discomforting personal portraits the more Patwardhan\u2019s parents age and the more they discuss their impending deaths.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Through his personal study of his family, Patwardhan endears us to the entwined history of Nirmala, Balu, Rau, Achyut, Gandhi and India as a whole. And as he reaches several inevitable crossroads, from personal grief to dismay over the country\u2019s divisive direction, \u201cThe World Is Family\u201d becomes a deeply affecting, immensely powerful cinematic lamentation of lost stories and details, and a desperate act of personal and political preservation before time runs out. \u00a0<\/p>\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/watch-movies-tv-series\/\" target=\"_blank\" rel=\"noopener\">Watch Movies &#038; TV Series <\/a><\/span>category<\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/variety.com\/2024\/film\/reviews\/the-world-is-family-review-anand-patwardhan-1236023714\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Watch Online Anand Patwardhan Makes the Personal Political&#8221; &#8220;Anand Patwardhan Makes the Personal Political&#8221; India\u2019s premiere DIY documentarian Anand Patwardhan turns his lens homeward in \u201cThe World Is Family,\u201d a personal chronicle of India\u2019s freedom movement and its contemporary cultural milieu. Through interviews with his aging parents and their friends and family, the director transforms&#8230;<\/p>\n","protected":false},"author":1,"featured_media":623152,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/variety.com\/wp-content\/uploads\/2024\/06\/worldisfamily_01.jpg?w=1000&h=563&crop=1","fifu_image_alt":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-623151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watch-movies-tv-seriess"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/623151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=623151"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/623151\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/623152"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=623151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=623151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=623151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}