{"id":623475,"date":"2024-06-07T17:15:00","date_gmt":"2024-06-07T14:15:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/watch-becoming-karl-lagerfeld-review-a-surface-level-portrait\/"},"modified":"2024-06-07T17:15:00","modified_gmt":"2024-06-07T14:15:00","slug":"watch-becoming-karl-lagerfeld-review-a-surface-level-portrait","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/watch-becoming-karl-lagerfeld-review-a-surface-level-portrait\/","title":{"rendered":"Watch &#8216;Becoming Karl Lagerfeld&#8217; Review: A Surface-Level Portrait"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a26903e59646\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a26903e59646\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-becoming-karl-lagerfeld-review-a-surface-level-portrait\/#%E2%80%9CWatch_Online_%E2%80%98Becoming_Karl_Lagerfeld_Review_A_Surface-Level_Portrait%E2%80%9D\" >&#8220;Watch Online &#8216;Becoming Karl Lagerfeld&#8217; Review: A Surface-Level Portrait&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-becoming-karl-lagerfeld-review-a-surface-level-portrait\/#%E2%80%9C%E2%80%98Becoming_Karl_Lagerfeld_Review_A_Surface-Level_Portrait%E2%80%9D\" >&#8220;&#8216;Becoming Karl Lagerfeld&#8217; Review: A Surface-Level Portrait&#8221;<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CWatch_Online_%E2%80%98Becoming_Karl_Lagerfeld_Review_A_Surface-Level_Portrait%E2%80%9D\"><\/span>&#8220;Watch Online &#8216;Becoming Karl Lagerfeld&#8217; Review: A Surface-Level Portrait&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9C%E2%80%98Becoming_Karl_Lagerfeld_Review_A_Surface-Level_Portrait%E2%80%9D\"><\/span>&#8220;&#8216;Becoming Karl Lagerfeld&#8217; Review: A Surface-Level Portrait&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Fashion designers, it seems, come in pairs. At least they do on television: earlier this year, <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">App<\/a>le TV+ drama \u201cThe New Look\u201d positioned Christian Dior and Coco Chanel as foils in the wake of World War II, contrasting Dior\u2019s forward-looking idealism with the aging Chanel\u2019s history of Nazi collaboration. This week, a new Hulu mini<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> may be titled \u201cBecoming Karl Lagerfeld,\u201d but it develops the now-iconic German craftsman (played by crossover German star Daniel Br\u00fchl) as a counterpoint to Yves Saint Laurent (Arnaud Valois), Lagerfeld\u2019s frenemy, rival and fellow legendary clothier.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    The show is not the first account of Lagerfeld\u2019s rise to do so. \u201cBecoming Karl Lagerfeld\u201d is adapted from Rapha\u00eblle Bacqu\u00e9\u2019s \u201cKaiser Karl,\u201d a posthumous biography released the year after Lagerfeld\u2019s death, at 85, in 2019. (Bacqu\u00e9 is credited as a co-creator of \u201cBecoming Karl Lagerfeld\u201d alongside Isabelle Degeorges and Arnaud de Cr\u00e9miers.) But the largely French-language series focuses on the 1970s \u2014 the same period covered by Alicia Drake\u2019s \u201cThe Beautiful Fall,\u201d a true dual portrait of creative genius. The framing makes sense; the decade marked both Saint Laurent\u2019s and Lagerfeld\u2019s ascent, before his appointment at Chanel in 1983 would cement his place at the top of fashion\u2019s hierarchy. For the purposes of \u201cBecoming Karl Lagerfeld,\u201d the opulent setting and dichotomy of personalities also offset a largely surface-level portrait of a man who values professional success over all.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    To those more familiar with its main characters as names on a label than flesh-and-blood individuals, \u201cBecoming Karl Lagerfeld\u201d is efficient in establishing Lagerfeld and Saint Laurent as equal, yet opposite archetypes. Saint Laurent is the dreamy wunderkind, an auteur who upended <em>haute couture <\/em>at an early age. Lagerfeld is the anonymous workhorse, a hand for hire who finds himself entering middle age without a label or aesthetic of his own. The two men\u2019s choices in their romantic partners speaks to what they lack in themselves. Saint Laurent\u2019s longtime companion, Pierre Berg\u00e9 (Alex Lutz), managed his business, freeing Yves to concentrate on designing clothes. Lagerfeld\u2019s lover, Jacques de Bascher (Th\u00e9odore Pellerin), was a younger, dilettantish dandy who exaggerated his familial ties to the French aristocracy.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    If anything, \u201cBecoming Karl Lagerfeld\u201d distinguishes itself less in its take on Lagerfeld himself than on de Bascher, who\u2019s ultimately portrayed as the human cost of the namesake mogul\u2019s ambitions. That\u2019s a relatively sympathetic slant on a kept man who cheated on Lagerfeld with Saint Laurent, among others, and never established a career of his own. But the French Canadian Pellerin, who starred opposite Kirsten Dunst in \u201cOn Becoming a God in Central Florida,\u201d has rightly earned a reputation as one of our most exciting young actors, and it\u2019s thrilling to see him stretch his wings across the pond. Br\u00fchl\u2019s Lagerfeld is more opaque, a scowling, emotionally distant presence who claims not to have a lover in Jacques because he doesn\u2019t, or maybe can\u2019t, fall in love. He\u2019s too busy trying to make his mark on the fashion house Chlo\u00e9, fighting with founder Gaby Aghion (Agn\u00e8s Jaoui) over everything from whether to expand into fragrance to a potential partnership in the business.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    \u201cBecoming Karl Lagerfeld\u201d chooses to omit de Bascher\u2019s eventual death due to complications from AIDS, one of many topics it leaves off the table in favor of concentrating on Lagerfeld\u2019s professional trajectory. (Even then, we hear about Lagerfeld\u2019s talent more than we see it demonstrated; as for Saint Laurent, there\u2019s no mention of Le Smoking or the other foundations on which his legend was built.) The designer\u2019s lifelong issues with body image and binge eating are alluded to \u2014 there\u2019s a fabulous shot of Br\u00fchl in a ruffle shirt and printed pajama set chomping down on a chocolate bar \u2014 but never explored in-depth. Nor are the ways in which Lagerfeld projected those attitudes onto others, often with comments about women\u2019s bodies, like insulting Adele as \u201ctoo fat,\u201d that barreled into the offensive. His worst offense in \u201cBecoming Karl Lagerfeld\u201d is to sabotage Jacques\u2019 dreams of becoming a filmmaker, which appears to be an invention of the show. The story simplifies a complex, uncategorizable relationship into yet another alpha male unable to tolerate his partner\u2019s independence.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    What \u201cBecoming Karl Lagerfeld\u201d has in lieu of a more candid take on its protagonist\u2019s flaws is immersive eye candy and targeted concision. It\u2019s hard to resent a journey into the gay Parisian nightlife of yesteryear from directors J\u00e9r\u00f4me Salle and Audrey Estrougo, nor a recreation of the wedding of Paloma Picasso (Jeanne Damas), the artist\u2019s daughter and \u201cIt\u201d girl associate of both Lagerfeld and Saint Laurent. There\u2019s also some relief in how the series eschews the docudrama clich\u00e9 of telling us what befell the major players in title cards before the end credits. In this, \u201cBecoming Karl Lagerfeld\u201d is a major improvement over the bloated, overly sentimental \u201cThe New Look.\u201d It simply wants to do its job and move on; in that sense, it\u2019s as fitting a tribute to the peripatetic Lagerfeld as any.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    <em>All six episodes of \u201cBecoming Karl Lagerfeld\u201d are now streaming on Hulu.<\/em><\/p>\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/watch-movies-tv-series\/\" target=\"_blank\" rel=\"noopener\">Watch Movies &#038; TV Series <\/a><\/span>category<\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/variety.com\/2024\/tv\/tv-reviews\/becoming-karl-lagerfeld-review-daniel-bruhl-hulu-1236027913\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Watch Online &#8216;Becoming Karl Lagerfeld&#8217; Review: A Surface-Level Portrait&#8221; &#8220;&#8216;Becoming Karl Lagerfeld&#8217; Review: A Surface-Level Portrait&#8221; Fashion designers, it seems, come in pairs. At least they do on television: earlier this year, Apple TV+ drama \u201cThe New Look\u201d positioned Christian Dior and Coco Chanel as foils in the wake of World War II, contrasting Dior\u2019s&#8230;<\/p>\n","protected":false},"author":1,"featured_media":623476,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/variety.com\/wp-content\/uploads\/2024\/06\/Becoming-Karl-Lagerfeld-Daniel-Bruhl-Theodore-Pellerin-3.jpg?w=1000&h=563&crop=1","fifu_image_alt":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-623475","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watch-movies-tv-seriess"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/623475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=623475"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/623475\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/623476"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=623475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=623475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=623475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}