{"id":629572,"date":"2024-08-02T16:00:00","date_gmt":"2024-08-02T13:00:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/bette-midler-looks-back-on-her-life-career-highs-and-lows\/"},"modified":"2024-08-02T16:00:00","modified_gmt":"2024-08-02T13:00:00","slug":"bette-midler-looks-back-on-her-life-career-highs-and-lows","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/bette-midler-looks-back-on-her-life-career-highs-and-lows\/","title":{"rendered":"#Bette Midler Looks Back on Her Life, Career Highs and Lows"},"content":{"rendered":"
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\n A quarter-century ago, frustrated by Hollywood\u2019s paucity of good roles for middle-aged women, Bette Milder renounced the industry, declaring, \u201cMovies<\/a> are over for me.\u201d Today, at 78, with a new comedy in theaters and a handful of other flicks burbling in development, she\u2019s obviously had second thoughts. \u201cWhen did I say that?\u201d she asks. \u201cI must have been in the dumps. I\u2019m often in the dumps.\u201d <\/p>\n

\n Any artist might find themselves in the dumps, and Midler, an admitted chronic tsuris<\/em> sufferer, may have spent periods of her six-decade-plus career feeling down, even momentarily out of fashion, but she inevitably locates one opportunity or another to propel herself up. Because Midler can do it all \u2014 sing, act, tell jokes and hoof pretty well, too, even imprisoned onstage in a mermaid costume \u2014 her career has been marked by a kind of Whac-a-Mole movement around the industry, flourishing in one genre only to skedaddle when her mood, or her opportunities, changed. She\u2019s triumphed in music, the movies, on tour, in Vegas and on Broadway. Television might have proved a hair less triumphant \u2014 her autobiographical 2000 CBS sitcom, Bette<\/em>, didn\u2019t survive a season \u2014 but it did yield a lot of great lines about her faux enmity for Sally Field, who, in winning the 1980 best actress Oscar over Midler\u2019s debut film performance in The Rose<\/em>, first deprived Midler of the \u201cO\u201d in her EGOT. Midler also has made a mark outside the industry as a philanthropist, founding New York Restoration Project, which for almost 30 years has created parks, green spaces and gardens for New York City\u2019s underserved communities. <\/p>\n

\n Midler fans will rejoice in the fact that iconic actresses are now enjoying a cultural moment. \u201cThere\u2019s been a bunch of these movies, like Book Club<\/em> and 80 for Brady<\/em>,\u201d Midler says. \u201cIt\u2019s all women of a certain age. We\u2019re old-timers who have been through a lot, are very well-known and kind of loved by the population.\u201d In The Fabulous Four<\/em>, in theaters July 26, Midler\u2019s libertine widow, Marilyn, faces off against uptight cat enthusiast Lou (Susan Sarandon), aiming to resolve a decades-long simmering feud over a man \u2014 with encouragement from mutual friends played by Megan Mullally and Sheryl Lee Ralph. Here, the legend joins THR<\/em> to break down the highlights \u2014 and lowlights \u2014 of an extraordinary life and brilliant career. <\/p>\n

\n What trait do you think is most responsible for your success? <\/strong><\/p>\n

\n This kind of compulsion, a determination. I was just going to make it no matter what. In my defense, I couldn\u2019t do anything else. I\u2019d had jobs before and had always failed at them. When I was a salesgirl, I was completely bewildered when someone came in to return something. I wouldn\u2019t understand how it was done. I worked for Western Union for months. I didn\u2019t understand how to send a telegram. So, it\u2019s not that I didn\u2019t try to do other things, but if it didn\u2019t have a performative aspect to it, I didn\u2019t know how it was done. And I was terribly lucky. <\/p>\n

\n You grew up in Hawaii, moved to New York City and ended up on Broadway in <\/strong>Fiddler on the Roof <\/em><\/strong>in 1967. But then you got your big break when you played at the Continental Baths in 1970, a gay bathhouse on the Upper West Side. <\/strong><\/p>\n

\n Yeah, I used to say that was going to be my tombstone: \u201cShe started her career at the Continental Baths.\u201d I always say that I was liberated by people who were in the closet but seeking liberation.<\/p>\n

\n As soon as you incorporated the Divine Miss M persona, you took off. Did having to compete with anonymous sex in a venue where attendees wear towels inform how outrageous your act was?<\/strong><\/p>\n

\n They were wearing bathrobes \u2014 occasionally, they would wear a towel. Everyone thinks I should have been so shocked. But I had started in community theater when I was about 14. There were plenty of gay people around, and I often went out to their clubs with them on a Saturday or after a performance. I saw drag queens when I was 14, it didn\u2019t faze me. It was all show business.<\/p>\n

\n Atlantic Records co-founder Ahmet Ertegun saw you perform at a Manhattan nightclub and immedia<\/a>tely signed you \u2014 but admitted it was hard to market you, because you weren\u2019t jazz, you weren\u2019t pop or rock. You sang a lot of old songs. Do you feel like you\u2019ve always been hard to categorize? <\/strong><\/p>\n

\n Probably. But I think that I made a category for myself. I sang what I loved, I wore what I liked, and I did what I was good at, and people enjoyed it. I built this character that allowed me to say and do anything. I forget who it was that said not being successful is a failure of imagination. I sometimes believe that\u2019s true. <\/p>\n

\n When was the first time you realized you were famous?<\/strong><\/p>\n

\n It wasn\u2019t evident until I moved from nightclubs to theaters to Carnegie Hall and then to arenas. That\u2019s when I really hit the big time, because all the travel<\/a> changed. Before you were riding in a car or a truck or a bus, and next thing you knew, you were on a private plane, after my first couple of movies in the \u201980s. I remember the first time my label booked me into The Connaught [hotel in London], and the butler arrived to ask if there was anything I needed. That\u2019s when I said, \u201cOh, this is something different.\u201d <\/p>\n

\n Did you have that Beatles experience \u2014 that crush of people descending on you?<\/strong><\/p>\n

\n I did, I did. And I cannot say that it was the most thrilling thing that ever happ<\/a>ened. It could be pretty scary. And when I watch old footage of The Beatles or Liz Taylor getting crushed, it\u2019s a little bit of a trigger for me, but fortunately, those days are past and I have a whole skill set of passing completely unnoticed.<\/p>\n

\n How do you go unnoticed?<\/strong><\/p>\n

\n Well, now I\u2019m invisible because I\u2019m old. But in the old days, I had no makeup and very down-market clothes, and I would put a hat on my head or a turban. And nobody wants to know you with a turban on your head.<\/p>\n

\n You were an unpopular girl in high school. You graduated in 1963 but got to live a fantasy in that you returned victorious 10 years later, playing a packed stadium in Honolulu. Was that experience wonderful?<\/strong><\/p>\n

\n It was absolutely fantastic. Everybody turned out. We had a luau and dancing girls, and I ate kalua pig. My old crew from high school came. My mom and dad came. I was shocked because my dad, he didn\u2019t want to come, but he came anyway. It was everything it was cracked up to be.<\/p>\n

\n Were you able to visit the homes of any of your tormentors and say,\u00a0How you like me now<\/em>?<\/mark><\/strong><\/p>\n

\n No, you don\u2019t go to your tormentors\u2019 homes. Your tormenters don\u2019t want you in their homes.<\/mark><\/p>\n

\n I\u2019m surprised to hear you say your father, Fred, a painter on the local Navy base, came to the concert. I had read that he barely ever saw you perform. <\/strong><\/p>\n

\n Very rarely. Very rarely. <\/p>\n

\n Do you think your father\u2019s lack of support motivated you to succeed?<\/strong><\/p>\n

\n It did. It was disappointing, but I kind of got it. He was very straitlaced. He was very puritanical and was the enforcer in his family, and he hated that role. But if he saw his sister smoking, he\u2019d beat the crap out of her, that kind of thing. Old school. But he was what he was. He did the best he could. He provided three square meals. He never struck my mother. Love and child-rearing were a different thing in those days. If you didn\u2019t behave, you got the belt. People didn\u2019t talk about their frickin\u2019 feelings every five minutes. They just didn\u2019t.<\/p>\n

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Midler with husband Martin von Haselberg and daughter Sophie.<\/span><\/p>\n

Bruce Glikas\/FilmMagic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\n You\u2019ve said that you brought much of yourself into the role of the doomed rock star in <\/strong>The Rose<\/em><\/strong>. It\u2019s a magnificent performance, but it\u2019s also one of the most painful, unpleasant depictions of show business on film. Did you ever feel like stardom was all too much? <\/strong><\/p>\n

\n That\u2019s a good question. The thought must have crossed my mind. Sometimes the adrenaline in live performing is completely overwhelming, and it is very, very hard to bear. I will say that. And I felt that I knew the stresses of having an overbearing manager, which I had at the time. <\/p>\n

\n Yes, the late Aaron Russo, who convinced you to do the film. Before you worked together, he asked you what you wanted. You said, \u201cMake me a legend.\u201d And here we are. <\/strong><\/p>\n

\n That sounds like something I would say.<\/p>\n

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Bette Midler with onetime manager Aaron Russo, who convinced her to take the role of the tragic Janis Joplin-like rock star in The Rose.<\/span><\/p>\n

Ron Galella\/Ron Galella Collection via Getty Images<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\n He was in love with you, and you dated for a time. Your fights were legendary.<\/mark><\/strong><\/p>\n

\n Well, that\u2019s hyperbole. Maybe once or twice. I miss him. I think of him often. I never met anyone quite like him. I still meet people who say, \u201cOh, wasn\u2019t he a gangster?\u201d And I say, \u201cNo, he was just this Jewish guy.\u201d Everyone thinks he was some Italian mobster. And now I\u2019m going to hear from the Italians. I remember Aaron came to me backstage when I was doing Divine Madness<\/em>, my first show after I fired him. I was throwing up from nerves and something terrible had happened to my hair \u2014 it had turned white. And he said, \u201cYou look like an albino out there. You need to come back to me.\u201d I mean, the scene was so Jimmy Cagney and Doris Day, in that movie [1955\u2019s\u00a0Love Me Or Leave Me<\/em>] about [early 20th<\/sup>\u00a0Century stage and screen star] Ruth Etting and her manager.\u00a0<\/mark><\/p>\n

\n So, do you think managers like Aaron Russo should be given credit for making careers?<\/mark><\/strong><\/p>\n

\n Oh, absolutely, if they\u2019re good. Do I think they\u2019re worth more than 15 percent? No.<\/mark><\/p>\n

\n What was the worst creative note you ever got?<\/mark><\/strong><\/p>\n

\n \u201cSing disco.\u201d And unfortunately, I did sing disco and it was practically the end of my creative life.\u00a0<\/mark><\/p>\n

\n Interesting. You did one disco album [1979\u2019s\u00a0Thighs and Whispers<\/em>]. Did it not do well?\u00a0<\/mark><\/strong><\/p>\n

\n It laid an egg, as they used to say, and I actually never really recovered from it. It was so far removed from what I believed in and loved, and I felt like such a sellout trying to chase the charts.\u00a0In those days, the label A&R man was kind of in charge, and I didn\u2019t have the guts to stand up to the label.\u00a0I actually love dancing and dance music, but I [performed] these strange, odd numbers that were pandering, and I thought, that\u2019s not for me. I don\u2019t want to pander to anybody. And it was just an odd time my life. I really did lose track of where I was. And that\u2019s not a good thing when you\u2019re a performing artist. My recording career was very checkered. Some albums were really good and some albums would just lay there. But this one was particularly odious, the disco.<\/mark><\/p>\n

\n Starting in 1980, after\u00a0The Rose<\/em>, you turned to making movies. Given how much love you got from your live audiences, it\u2019s a little hard to imagine trading that kind of adulation for sitting on a movie set, waiting all day to get called, and maybe getting the occasional compliment from your director.\u00a0<\/mark><\/strong><\/p>\n

\n The performing, of course, it\u2019s great, it\u2019s fantastic, but it\u2019s hard on your body because it was two hours in heels, sweating, trying to remember lines, where you\u2019re going, sometimes literally crawling under the stage wearing a mermaid tail. It was rough. After that, movie sets were like a holiday. I\u2019m very basic. I always did a movie when I wanted a vacation because you got a breakfast burrito, which I loved. They fed you and you got to sit around and read for hours on end.<\/mark>\u00a0<\/p>\n

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Bette Midler in The Rose<\/em>, 1979.<\/span><\/p>\n

Courtesy Everett Collection<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\n Early on, your act was pretty overtly sexual. You\u2019d do this song \u201cLong John Blues,\u201d about a dentist with a very big \u201cdrill\u201d who instructs you to \u201copen wide\u201d so he can \u201cfill [your] hole.\u201d Were you what they now call sex positive in your personal life?<\/strong><\/p>\n

\n Absolutely. Absolutely. You know, you\u2019re only young once. I had such fun. I had a lot of boyfriends. We did it all. And it was great fun until it wasn\u2019t. And then everything came to a screeching halt and life intervened. <\/p>\n

\n Who\u2019s the sexiest famous man you\u2019ve ever encountered?<\/strong><\/p>\n

\n I\u2019ve encountered<\/em>? Jesus Christ. OK. David Bowie. Mick Jagger. <\/p>\n

\n So why did all your fun come to a screeching halt?<\/strong><\/p>\n

\n Well, AIDS for one. There were people leaving, dying, having breakdowns. I came to a fork in the road, privately and personally, and I said, \u201cThis is not going to end well, so let\u2019s just stop.\u201d So I did. That\u2019s kind of when I started trying to be a little more responsible. It\u2019s all part of growing up. Most people do grow up. And I did. It took me a minute, but I did. I married, I had a daughter, and nothing will tighten up your lifestyle like a child.<\/p>\n

\n In 1984, you married Martin von Hasselberg, who performed as Harry Kipper in a performance art duo called The Kipper Kids. Do you call him Martin or Harry?<\/mark><\/strong><\/p>\n

\n I call him both.<\/mark><\/p>\n

\n You\u2019ve been married for forty years. What\u2019s the secret to your long marriage?<\/mark><\/strong><\/p>\n

\n Separate bedrooms. My husband is a snorer. I used to be a champion sleeper. Not now. I don\u2019t sleep at all. So I didn\u2019t want to stay up. There you go.<\/mark><\/p>\n

\n In 1986, you gave birth to your daughter Sophie von Hasselberg. Did you actually tell her that if she got into show business that you would never speak to her again?\u00a0<\/mark><\/strong><\/p>\n

\n No, I said \u201cI\u2019ll kill you.\u201d Which is worse.<\/mark><\/p>\n

\n Sophie has a pretty impressive list of comedic roles on IMDb. She\u2019s produced some stuff. And she\u2019s even got a small role in\u00a0The Fabulous Four<\/em>. So how goes the silent treatment?<\/mark><\/strong><\/p>\n

\n I was so wrong. I never should have done that. But I was afraid for her because I was afraid of the rejection. I was just afraid. She had learned Chinese. She hitchhiked from Beijing to the Uyghurs in China. I mean, she is very intrepid. But then she came home and said, \u201cI want to be an actor.\u201d And we were like,\u00a0\u201cOh, really?\u201d But then we backed her and she\u2019s so happy. She\u2019s never happier than she is when she\u2019s performing. <\/mark><\/p>\n

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The comedy stars (from left) Susan Sarandon, Midler, Sheryl Lee Ralph and Megan Mullally. Decades ago, the paucity of middle-aged roles had Midler declaring, \u201cMovies are over for me.\u201d <\/span><\/p>\n

Courtesy of Bleecker Street<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\n There are several YouTube videos of millennial women recording themselves weeping while watching the end of <\/strong>Beaches<\/em><\/strong>. Were there tears on the set of the film?<\/strong><\/p>\n

\n We all sort of wept when we shot that final scene down at Crystal Cove in California, which is very, very beautiful. But Garry Marshall was Garry Marshall, and he runs a really happy set. So even when things didn\u2019t go well or turn out so good, he was the king of chicken salad from chickenshit. He could turn a scene so that you suddenly saw it in a whole different light, so that it was not just funny, but got roars.<\/p>\n

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Garry Marshall directed Midler and co-star Barbara Hershey on the set of Beaches<\/em> (1988). <\/span><\/p>\n

Buena Vista Pictures\/Courtesy Everett Collection.<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\n Imagine I told you I was going to work with one of your collaborators and I needed guidance. What would you tell me about working with Barry Manilow, your first accompanist and arranger, who started with you at the Baths?<\/strong><\/p>\n

\n Be funny. Be engaged, and be on your toes. And know your scales.<\/p>\n

\n Bob Dylan, with whom you dueted\u00a0in 1975 on his song \u201cBuckets of Rain\u201d?<\/strong><\/p>\n

\n I would say, \u201cDon\u2019t get in the car afterward. He\u2019s a terrible driver.\u201d <\/p>\n

\n Dustin Hoffman, whom you stripped to his underwear while he was playing piano in your 1977 CBS special, \u201cOl\u2019 Red Hair Is Back\u201d?<\/strong><\/p>\n

\n Just say yes. Agree to everything\u00a0he says, but then don\u2019t do any of it.<\/p>\n

\n How about Nick Nolte and Richard Dreyfuss, with whom you starred in 1986\u2019s <\/strong>Down and Out in Beverly Hills<\/em><\/strong>?<\/strong><\/p>\n

\n Fabulous! They\u2019re both fabulous. But don\u2019t get in the car with either one of them.<\/p>\n

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Down and Out <\/em>in Beverly Hills (1986) had Midler starring opposite Richard Dreyfuss (left) and Nick Nolte, about whom she says: \u201cFabulous. They\u2019re both fabulous.\u201d<\/span><\/p>\n

Buena Vista Pictures\/Courtesy Everett Collection<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\n Former CBS head Les Moonves, who convinced you that starring in the 2000 sitcom <\/strong>Bette<\/em><\/strong>, based on your life, was a fantastic idea?<\/strong><\/p>\n

\n Don\u2019t listen to him. That was a terrible idea! <\/p>\n

\n Vulture<\/em><\/strong> recently ranked the 37 contributors to 1985\u2019s charity single \u201cWe Are the World\u201d and put Smokey Robinson and you at positions 29 and 30, respectively, <\/strong>to protest you two not being featured prominently. The writer wrote, \u201cHow did these two legends not get solos?\u201d<\/strong> <\/strong><\/p>\n

\n I don\u2019t know. I think they wanted Quincy [Jones\u2019] artists, and Quincy had the final say. I actually was right in the center front, but then they moved me to [the side next to] La Toya [Jackson]. I don\u2019t know why he did it, but I really did feel like it was a thing, and it was a little bit hurtful, but I got over it. <\/p>\n

\n You\u2019ve been clear on social media about your negative feelings about Donald Trump\u2019s administration, and he\u2019s insulted you as well on social media. <\/strong><\/p>\n

\n Oh many times. But it\u2019s all performative. I\u2019m sure he hates my guts, but it\u2019s a performance. And I think it\u2019s so interesting because he probably wanted to be an actor or a comic, and he probably would\u2019ve been a pretty successful one, because he does have a certain look and a certain brashness and a bravado, and he has certain people who enjoy him. As a performer, I think he probably would\u2019ve been a sensation, but he\u2019s performing in a role for which he is not suited. That\u2019s my problem with him. I think it\u2019s very, very dangerous because it\u2019s very hard for some people to separate the performative aspect of Donald Trump with the actual governing and administrative, managerial \u2014 all those truly serious, diplomatic things about the job. You cannot hand over the reins of government and the nuclear codes to someone who is as much of a flibbertigibbet as this guy. <\/p>\n

\n He\u2019s said some truly terrible things about you. <\/strong><\/p>\n

\n Yes. Just the other day, in the paper, he said, \u201cI had her to my apartment. She says the nastiest things.\u201d I only have one Donald Trump story, and this is it: It must\u2019ve been the \u201990s. He called my office and said, \u201cWe\u2019re having a birthday party for Andr\u00e9 Leon Talley [Vogue<\/em>\u2018s former creative director who died in 2022] and we\u2019d like Ms. Midler to come.\u201d So I thought, well, Andr\u00e9, we love him! So my husband and I went to Trump Tower, and I get to the apartment, and this is the party: Andr\u00e9, me, my husband, Donald Trump and Melania. That was the party. I was so confused because I loved Andr\u00e9 and I would do anything for him. And I didn\u2019t know Mr. Trump at all. For years I\u2019d think, \u201cWhat was that about?\u201d Finally, years later, I realized, \u201cOh, it must\u2019ve had something to do with Vogue<\/em> and he said he wanted to meet me.\u201d Andr\u00e9 delivered me to him. Because other than that, it made absolutely no sense.<\/p>\n

\n One last question: You are so associated with the Divine Miss M persona, who you often described as \u201csleazy.\u201d She\u2019s bawdy. She\u2019s tacky. But offstage Bette is a big reader, a philanthropist, a homebody with extraordinarily refined taste, as anyone who ever saw your Fifth Avenue penthouse in\u00a0Architectural Digest<\/em>\u00a0would be able to see. There\u2019s a huge schism between the two. Has there always been?<\/mark><\/strong><\/p>\n

\n I just love The Divine at rock bottom. I think there\u2019s room for both. You can be a duchess and a brothel keeper, too. It\u2019s something that I do wrestle with from time to time because sometimes I meet people and I know that they\u2019re expecting The Divine, and yet I just can\u2019t gin it up and I just have to be who I am. And sometimes I think they\u2019re a little bit let down, and that\u2019s a little bit sad, but it\u2019s something that I did to myself.\u00a0<\/mark><\/p>\n

\n This story first appeared in the July 31 issue of The Hollywood Reporter magazine. Click here to subscribe<\/a><\/em>.<\/p>\n<\/p><\/div>\n

If you liked the article, do not forget to share it with your friends. Follow us on\u00a0Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n

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If you want to read more Like this articles, you can visit our Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n

Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

A quarter-century ago, frustrated by Hollywood\u2019s paucity of good roles for middle-aged women, Bette Milder renounced the industry, declaring, \u201cMovies are over for me.\u201d Today, at 78, with a new comedy in theaters and a handful of other flicks burbling in development, she\u2019s obviously had second thoughts. \u201cWhen did I say that?\u201d she asks. \u201cI…<\/p>\n","protected":false},"author":1,"featured_media":629573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2024\/07\/22fea_icon-midler-web.jpg?w=1440&h=810&crop=1","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[17798],"class_list":["post-629572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-bette-midler"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/629572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=629572"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/629572\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/629573"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=629572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=629572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=629572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}