{"id":638976,"date":"2024-09-20T16:15:00","date_gmt":"2024-09-20T13:15:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/watch-finally-a-great-fashion-drama\/"},"modified":"2024-09-20T16:15:00","modified_gmt":"2024-09-20T13:15:00","slug":"watch-finally-a-great-fashion-drama","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/watch-finally-a-great-fashion-drama\/","title":{"rendered":"Watch Finally, a Great Fashion Drama"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3c588e31ab2\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3c588e31ab2\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-finally-a-great-fashion-drama\/#%E2%80%9CWatch_Online_Finally_a_Great_Fashion_Drama%E2%80%9D\" >&#8220;Watch Online Finally, a Great Fashion Drama&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-finally-a-great-fashion-drama\/#%E2%80%9CFinally_a_Great_Fashion_Drama%E2%80%9D\" >&#8220;Finally, a Great Fashion Drama&#8221;<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CWatch_Online_Finally_a_Great_Fashion_Drama%E2%80%9D\"><\/span>&#8220;Watch Online Finally, a Great Fashion Drama&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9CFinally_a_Great_Fashion_Drama%E2%80%9D\"><\/span>&#8220;Finally, a Great Fashion Drama&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    As a setting for a TV show, fashion is a little like the restaurant industry: a rich, untapped source of detail and conflict, hindered by the logistical complexity of bringing its insular world to the screen. And just as \u201cThe Bear\u201d was preceded by a legion of competitive reality shows, plus a misbegotten adaptation of Anthony Bourdain\u2019s \u201cKitchen Confidential\u201d starring a young Bradley Cooper, the French drama \u201cLa Maison\u201d is the latest of many attempts to make couture into compelling drama. \u201cProject Runway\u201d remains an un<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">script<\/a>ed institution, but recent scripted efforts have ranged from dutifully reverential (\u201cBecoming Karl Lagerfeld\u201d) to confoundingly inept (\u201cThe New Look,\u201d which also aired on Apple TV+).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Unlike these earlier <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a>, which fictionalized the lives of icons like Yves Saint Laurent and Coco Chanel, \u201cLa Maison\u201d gives itself the freedom to take liberties. Perhaps relatedly, it\u2019s by far the strongest of the recent efforts to graft fashion onto entertainment. Created and showrun by Jos\u00e9 Caltagirone and Valentine Milville and executive produced by Alex Berger (\u201cThe Bureau\u201d), \u201cLa Maison\u201d is frothier than its inevitable comparison to \u201cSuccession\u201d will imply, and hardly avoids the inherent issues with communicating creative genius and massive investments on a limited budget. Yet when freed of the obligation to pay homage to bygone legends, \u201cLa Maison\u201d can build a story around messy, bitchy, absurdly wealthy <em>people. <\/em>And rather than remain mired in the past, the show can make voraciously watchable hay of a contemporary industry in flux.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Just because \u201cLa Maison\u201d doesn\u2019t invoke its inspirations by name doesn\u2019t mean they don\u2019t exist. The titular fashion house, Ledu, is a revered global brand that\u2019s one of the last independently owned clothiers in France. In size and structure, it\u2019s comparable to Chanel \u2014 though its demanding designer, Vincent (Lambert Wilson), is also a member of the eponymous family, like if Lagerfeld were one of the Wertheimers. The Ledu clan\u2019s chief rivals, the Rovels, own a luxury conglomerate that\u2019s earned them the largest fortune in France. The Rovels stand in for the Arnaults of LVMH, the mega-company that served as the presenting sponsor of the recent Paris Olympics. (LVMH has also been parodied on \u201cEmily in Paris\u201d \u2014\u00a0unfortunately, the reigning title holder for TV\u2019s biggest fashion series. I told you the situation was dire!)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Even viewers who don\u2019t recognize these references, however, will find much to earn their attention. Vincent is caught on tape delivering a racist, John Galliano-esque tirade, plunging the house into an epochal PR crisis. His longtime muse turned second-in-command, Perle Foster (Amira Casar), hatches a radical plan to save Ledu: recruit Paloma Castel (Zita Hanrot), the daughter of Vincent\u2019s long-dead lover, to take the reins. Paloma and her partner Ye-Ji (Park Ji-min) run an eco-conscious Berlin line that\u2019s closer to outsider art than commerce, making her hire a major adjustment for everyone involved.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Paloma\u2019s ascension plays out in parallel with a plot by Rovel matriarch Diane (Carole Bouquet) to vanquish Ledu once and for all. Vincent\u2019s brother Victor (Pierre Deladonchamps) defected long ago, marrying Diane\u2019s wallflower daughter (Florence Loiret Caille) after a sibling falling-out. (He still keeps up an extended affair with Perle, though \u2014 these people <em>are <\/em>French.) Diane, obsessed with cementing supremacy over snobs who look down on her new money, hunts for other targets who might help her acquire a majority stake. One is Vincent\u2019s insecure nephew Robinson (Antoine Renartz), a petulant nepo baby who dreams of a line bearing his own name, not just his family\u2019s. Robinson\u2019s mother Marie (Anne Consigny) tends to ignore the business in favor of her vanity art foundation, but has some potential blackmail material rattling around her walk-in closet.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    As Americans, it\u2019s amusing to see titans of retail, as opposed to finance or media, depicted as a country\u2019s symbolic elite. (\u201cSuccession\u2019s\u201d Roy analogy tracks better here: the Ledus own a private island and release family photos for optics, just like our favorite pseudo-Murdochs.) But that also means there\u2019s a novelty in the tensions mined by \u201cLa Maison,\u201d even when it reduces some characters to archetypes in doing so. Paloma is often used as a repository for every clich\u00e9 about <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">social<\/a>ly aware young people the writers can think of; she can barely open her mouth without mentioning waste reduction, gender equality or body positivity. Still, when was the last time TV dug into the concept of \u201cgreenwashing,\u201d or the slow subsuming of standalone designers by international luxury groups? Or featured a cameo by Balmain\u2019s Olivier Rousteing, treating the creative director like a celebrity? Casar\u2019s Perle emerges as a more nuanced heroine, a woman who\u2019s grown from passive model to active executive without the recognition to match.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    \u201cLa Maison\u201d is densely plotted yet feather-light, cramming corporate espionage and terminal diagnoses into its headlong 10-episode sprint. (Paloma seems to design, launch and manufacture her debut collection in a matter of weeks.) Its pace and levity recall \u201cCall My Agent!\u201d and \u201cDrops of God,\u201d two other French-language series to gain some traction stateside in the last few years. But in a way, \u201cLa Maison\u201d is just making up for lost time. For a long time, a worthwhile show built around fashion has been the Hollywood equivalent of a designer\u2019s sketch \u2014\u00a0a hypothetical lacking execution. With \u201cLa Maison,\u201d it\u2019s finally ready for the runway.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    <em>The first two episodes of \u201cLa Maison\u201d are now available to stream on Apple TV+, with remaining episodes airing weekly on Fridays.<\/em><\/p>\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/watch-movies-tv-seriess\/\" target=\"_blank\" rel=\"noopener\">Watch Movies &#038; TV Series <\/a><\/span>category<\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/variety.com\/2024\/tv\/tv-reviews\/la-maison-review-apple-tv-fashion-1236150976\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Watch Online Finally, a Great Fashion Drama&#8221; &#8220;Finally, a Great Fashion Drama&#8221; As a setting for a TV show, fashion is a little like the restaurant industry: a rich, untapped source of detail and conflict, hindered by the logistical complexity of bringing its insular world to the screen. And just as \u201cThe Bear\u201d was preceded&#8230;<\/p>\n","protected":false},"author":1,"featured_media":638977,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/variety.com\/wp-content\/uploads\/2024\/09\/La-Maison-Variety-Review.jpg?w=1000&h=563&crop=1","fifu_image_alt":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-638976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watch-movies-tv-seriess"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/638976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=638976"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/638976\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/638977"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=638976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=638976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=638976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}