{"id":639677,"date":"2024-09-26T18:29:41","date_gmt":"2024-09-26T15:29:41","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/trace-mountains-is-scaling-new-heights\/"},"modified":"2024-09-26T18:29:41","modified_gmt":"2024-09-26T15:29:41","slug":"trace-mountains-is-scaling-new-heights","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/trace-mountains-is-scaling-new-heights\/","title":{"rendered":"#Trace Mountains is scaling new heights"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a2e97264c5a6\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a2e97264c5a6\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/trace-mountains-is-scaling-new-heights\/#Dave_Benton_discusses_gaining_clarity_and_channeling_Tom_Petty_on_his_new_solo_album_Into_The_Burning_Blue\" >Dave Benton discusses gaining clarity and channeling Tom Petty on his new solo album, Into The Burning Blue.<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"deck\"><span class=\"ez-toc-section\" id=\"Dave_Benton_discusses_gaining_clarity_and_channeling_Tom_Petty_on_his_new_solo_album_Into_The_Burning_Blue\"><\/span>Dave Benton discusses gaining clarity and channeling Tom Petty on his new solo album, <i>Into The Burning Blue<\/i>. <span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><\/p>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<div id=\"content_block-264404\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_lkz1qq\/trace-mountains.jpg 2400w,\" sizes=\"100vw\" alt=\"Trace Mountains is scaling new heights\"><\/p>\n<p><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      Trace Mountains<br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>      Sam Soard<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-264400\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <i>Into The Burning Blue<\/i>, Dave Benton\u2019s fourth album under the Trace Mountains moniker, is his most ambitious yet. The days of the singer-songwriter\u2019s country-inspired bedroom recordings are firmly in the past: in their place are nods to widescreen \u201880s rock gods Tom Petty and Bruce Springsteen. The album conjures images of wide open roads and endless possibilities while Benton himself is going through some form of hell, plundering the dying embers of a relationship and picking himself up to go again.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-264408\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-264401\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            There have always been hints of boldness on Benton\u2019s solo recordings ever since he began releasing them following the dissolution of his band LVL UP. On the 2018 album <i>A Partner To Lean On<\/i> highlight \u201cTurn Twice\u201d he layered his vocals in Auto-Tune and played with drum machines to create a crunchy, digitized form of communication. 2020\u2019s<i>Lost In The Country<\/i>, meanwhile, packs alien synths and howling feedback into the gaps between his lovingly crafted and introspective songs.  The production on <i>Burning Blue<\/i> is comparatively clear and puts Trace Mountains firmly in the lane as bands like The War On Drugs and My Morning Jacket have come to call their own in the last decade. <\/p>\n<p>Speaking earlier this month via Zoom, Benton is thoughtful and considerate of the reasons for the change in sound, chiefly his long term love of Petty and a desire to move away from the country-adjacent sound many indie artists have leaned into in recent years. \u201cI felt like I got it out of my system,\u201d he says when it comes to the idea of writing a song for pedal steel guitar again. He also discussed his side gig teaching songwriting classes and the recent 10th anniversary shows he played with his former LVL UP bandmates. <\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-264406\" class=\"content_block breaker triple_gutter_right triple_gutter_left embed\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Trace Mountains - Friend (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gLkg201HiiI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-264409\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-264402\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>The FADER: Tell me about the headspace you were in while writing <i>Into The Burning Blue<\/i>.<\/b><\/p>\n<p>            <b>Dave Benton:<\/b> I wrote it while straddling the end of a relationship. A lot of the time I write songs about things that I&#8217;m feeling that I don&#8217;t really realize at the time. About half of the songs on the album started that way, songs where I thought I was writing about something else but eventually became a window into my actual feelings on the situation. <\/p>\n<p>            There&#8217;s a song called \u201cCrawling Back to You.\u201d I was really into that Tom Petty album, <i>Wildflowers<\/i>. A friend told me about how Petty would take words from other songs and recontextualized them in his lyrics so that&#8217;s what I was trying to do with that one as a way of writing more <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a>ly about people&#8217;s struggles with addiction. That&#8217;s not something that is personal to my life but was in the back of my mind. I wanted to write a song about that and looking back now I can see I was drawing from my situation of feeling stuck.<\/p>\n<p>            Then half of the songs were written directly in the aftermath of that [break-up] and just trying to give myself some kind of creative routine in order to feel good.<\/p>\n<p>            <b>There is a notable change in sound from <i>House of Confusion<\/i> and the other albums you have put out. How would you describe the sound of this new album?<\/b><\/p>\n<p>            There is a big \u201880s pop and rock influence on the album. It\u2019s one of the main reasons I wanted to work with [producer] Craig Hendrix, who is in Japanese Breakfast. That music, Petty, Bruce Springsteen, was one of the very first things we discussed when we started working together on new music. I knew he could help me execute this more \u201880s rock vision that I had. <\/p>\n<p>            <b>What do you think was pushing you in that direction?<\/b><\/p>\n<p>            I had a false start a year earlier with some songs, including \u201cCrawling Back To You,\u201d that had that folk country sound I was leaning into in the past. I just thought I wanted to do something bigger and different this time. I think I saw a lot of my peers and people that I looked up to doing the country thing and doing it really, really well. That&#8217;s kind of the music that I really tend to gravitate towards, but I was thinking about the music that I used to make as a kid and wanted to go for this pop-rock thing. I thought it would be fun to go back to what I was originally chasing and let other people do that country thing.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-264405\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Trace_Mountains_-_Press_Photo_1_by_Alyx_Soard_mqgavp\/trace-mountains.jpg 2400w,\" sizes=\"100vw\" alt=\"Trace Mountains is scaling new heights\"><\/p>\n<p><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      Trace Mountains<br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>      Alyx Soard<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-264403\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>You have mentioned Tom Petty, and his lyrics in particular, as a major influence. What is it that makes him stand out to you as a songwriter?<\/b><\/p>\n<p>            I love listening to <i>Wildflowers<\/i>. It is his divorce album and at that time in my life it just worked for me. There is a simplicity to songs like \u201cHard On Me\u201d and \u201cTo Find A Friend\u201d that really resonates with me, a guy in his early 30s who was so into maintaining this relationship to the detriment of my friendships and really losing touch with people. I was having a hard time with that and not really understanding how that was affecting me on a deeper emotional level. <\/p>\n<p>            <b>\u201cIn A Dream\u201d began as a prompt in a songwriting workshop you teach. Can you remember what that initial prompt was?<\/b><\/p>\n<p>            I teach these classes on Zoom, just small group workshops with, like, five people in them. We often pair up and give each other prompts so one of my students, Ethan, gave me this recording that he made of these frog mating sounds from a river. And he was like, \u2018incorporate this.\u2019 I had the guitar part already and I was chopping up the sample that he gave me and made a little soundscape with that. It wasn&#8217;t really a prompt that was designed to get any specific lyrics out of me or anything like that. You can kind of hear it, though. It&#8217;s like the glitchy kind of sounding tape thing that comes in every now and again.<\/p>\n<p>            <b>\u201cFriend\u201d is another standout moment on the album. What role do you see that song playing?<\/b><\/p>\n<p>            That is just such a direct lyrical moment. I think it\u2019s the only song I have ever written that came out of me in one day. It felt really sad to me but also good to get it out of my head. <\/p>\n<p>            <b>And then there is \u201cHard to Accept.\u201d That song feels like a turn in a more optimistic direction\u2026<\/b><\/p>\n<p>            Yeah, definitely. It\u2019s about a breakdown of communication and also my hopes for the future but also being a little bit naive and hoping that things are going to get better. That&#8217;s where my head goes with it. It\u2019s the \u2018OK, we&#8217;re moving on\u2019 moment on the album. Like, \u2018This is hard, but we&#8217;re just doing it and let\u2019s see what h<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ens.\u2019<\/p>\n<p>            <b>Finally, you just played a <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> of 10th anniversary shows with LVL Up. How was that experience? <\/b><\/p>\n<p>            It was so cool. Mike [Caridi] texted me last year and said the 10 year anniversary of [2014 album] <i>Hoodwink\u2019d<\/i> was coming up and would we be interested in doing a repress. That conversation then grew into the idea of playing live again. It had been a while since we all hung out and it just felt good to be back together again and to look back on the band. It was definitely unexpected that we could play that many shows in New York, too, but we were having a good time and just wanted to keep it going. <\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">David Renshaw<\/span><br \/>\n  <\/span><\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-mediaa\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2024\/09\/26\/trace-mountains-into-the-burning-blue-interview\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dave Benton discusses gaining clarity and channeling Tom Petty on his new solo album, Into The Burning Blue. Trace Mountains \u00a0 Sam Soard Into The Burning Blue, Dave Benton\u2019s fourth album under the Trace Mountains moniker, is his most ambitious yet. The days of the singer-songwriter\u2019s country-inspired bedroom recordings are firmly in the past: in&#8230;<\/p>\n","protected":false},"author":1,"featured_media":639678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_494,w_948,x_45,y_285,f_auto,q_auto:eco\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_eefbvk\/Trace_Mountains_-_Album_Release_Press_Photo_2_by_Sam_Soard_eefbvk.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[87510,114078],"class_list":["post-639677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-rock","tag-trace-mountains"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/639677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=639677"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/639677\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/639678"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=639677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=639677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=639677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}