{"id":643770,"date":"2024-11-08T18:10:39","date_gmt":"2024-11-08T15:10:39","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-body-are-beating-on-the-gates-of-hell\/"},"modified":"2024-11-08T18:10:39","modified_gmt":"2024-11-08T15:10:39","slug":"the-body-are-beating-on-the-gates-of-hell","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-body-are-beating-on-the-gates-of-hell\/","title":{"rendered":"#The Body are beating on the gates of hell"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a36e77a430b0\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a36e77a430b0\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/the-body-are-beating-on-the-gates-of-hell\/#Chip_King_and_Lee_Buford_continue_to_hammer_out_their_uncompromisingly_dark_vision\" >Chip King and Lee Buford continue to hammer out their uncompromisingly dark vision.<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"deck\"><span class=\"ez-toc-section\" id=\"Chip_King_and_Lee_Buford_continue_to_hammer_out_their_uncompromisingly_dark_vision\"><\/span>Chip King and Lee Buford continue to hammer out their uncompromisingly dark vision.<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><\/p>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<div id=\"content_block-265387\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_a4tqan\/the-body-photo-by-zachary-harrell-jones.jpg 2400w,\" sizes=\"100vw\" alt=\"The Body are beating on the gates of hell\"><\/p>\n<p><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      The Body. Photo by Zachary Harrell Jones<br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-265388\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <i>The Crying Out of Things<\/i> is a nine-track album by The Body. But like most of synthesist\/percussionist Lee Buford and guitarist\/vocalist Chip King\u2019s LP-length odysseys, the end of one track and the start of another often feels as arbitrary as it does organic. Even before opener \u201cLast Things\u201d rolls to a halt, the record has reached critical mass as a howling, wounded beast charging full speed toward oblivion. The seven brief breaks we\u2019re granted before King\u2019s distorted guitar grinds the closing track \u201cAll Worries\u201d into an unholy ending are more mile markers than merciful reprieves.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-265389\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/2fhTQMymeBwdEcjh4pDPc2?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n          <\/p>\n<p>\n            <iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/the-crying-out-of-things\/1763961896\"><\/iframe>\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-265417\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-265390\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            King and Buford have been at this for a while. Prolific as a duo and even more so in collaboration, the Rhode Islanders have made a name for themselves over the past quarter century as one of the heaviest outfits in the world, out-harrowing some of the world&#8217;s most harrowing acts. Most recently, they hooked up with Berlin-via-Jersey screamer\/producer Felicia Chen (aka Dis Fig) for <i>Orchards of a Futile Heaven<\/i>, an album in which they largely play the role of \u201cbacking band,\u201d but with such a fierce intensity it would be difficult to call their sounds supportive.\n          <\/p>\n<p>\n            On <i>The Crying Out of Things<\/i>, King and Buford\u2019s sound is completely distilled once more. The record is not a crude, all-out offensive; the death-march drums and murmured vocals that begin \u201cLast Things\u201d do little to prepare us for the hell lying just ahead, when King begins to strum punishing power chords into his guitar and his screams start lashing like wind. A track later, \u201cRemoval\u201d plays out like the death rattle of a bombed-out Berlin club \u2014 its ultra-precise, bassy rhythm and dubby vocal drops underscoring unwieldy static and King\u2019s untameable wailing.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-265391\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            The Body\u2019s extremity is never tempered, but tracks like \u201cCareless and Worn\u201d and \u201cA Premonition\u201d \u2014 which both feature inspired, funereal horn playing from King and Buford\u2019s frequent partner in crime Dan Blacksburg \u2014 are slow-churning enough to allow every facet of their heaviness to be <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>reciated. Album centerpiece \u201cLess Meaning,\u201d meanwhile, courses with a manic charge that\u2019s deadly to the touch from start to finish.\n          <\/p>\n<p>\n            As the record roars on, unyielding at any speed, its outlook grows bleaker and bleaker. Though dynamic in many respects, its ultimate end is monolithic. King and Buford never stop beating at the gates of hell, demanding entry in measured approaches and in bursts of desperation.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-265393\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/The_Body_by_Zachary_Harrell_Jones_1_eclbug\/the-body-photo-by-zachary-harrell-jones.jpg 2400w,\" sizes=\"100vw\" alt=\"The Body are beating on the gates of hell\"><\/p>\n<p><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      The Body. Photo by Zachary Harrell Jones<br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-265392\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            By the time <i>The Crying Out of Things<\/i> reaches its back half, its scorched atmosphere is self-sustaining, a matter of ritual. The mystery vocals that meander across \u201cThe Citadel Unconquered\u201d are effaced from the primeval scrum of \u201cEnd of Line.\u201d And \u201cThe Building\u201d throbs with a pulse that somehow sounds even more ancient and evil. An ominously inchoate guest spot from Dis Fig helps the latter track achieve this muddled sense of hopelessness before the song explodes into the album\u2019s most satisfying climax, King\u2019s yowls commingling with Chan\u2019s more guttural vocalizations as Buford indulges in nu-metal decadence on the production side.\n          <\/p>\n<p>\n            It would be a discredit to call \u201cAll Worries\u201d a denouement to all this action, but there\u2019s a sense of finality here that\u2019s absent on the rest of the record. Buford\u2019s drums slow to a crawl as King\u2019s guitar becomes a dominant force, expanding to an orchestra as his voice takes the shape of a Gregorian chant. It\u2019s as if The Body have finally been granted access to the eternal abyss, their earthly preoccupations disappearing as they descend to its deepest circle.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Raphael Helfand<\/span><br \/>\n  <\/span><\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-mediaa\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2024\/11\/08\/the-body-the-crying-out-of-things-review\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chip King and Lee Buford continue to hammer out their uncompromisingly dark vision. The Body. Photo by Zachary Harrell Jones \u00a0 The Crying Out of Things is a nine-track album by The Body. But like most of synthesist\/percussionist Lee Buford and guitarist\/vocalist Chip King\u2019s LP-length odysseys, the end of one track and the start of&#8230;<\/p>\n","protected":false},"author":1,"featured_media":643771,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_532,w_1021,x_0,y_295,f_auto,q_auto:eco\/The_Body_by_Zachary_Harrell_Jones_ijl4kn\/The_Body_by_Zachary_Harrell_Jones_ijl4kn.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[87510,75687],"class_list":["post-643770","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-rock","tag-the-body"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/643770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=643770"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/643770\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/643771"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=643770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=643770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=643770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}