{"id":647170,"date":"2024-12-19T04:00:42","date_gmt":"2024-12-19T01:00:42","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/these-2024-albums-master-the-art-of-transgression\/"},"modified":"2024-12-19T04:00:42","modified_gmt":"2024-12-19T01:00:42","slug":"these-2024-albums-master-the-art-of-transgression","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/these-2024-albums-master-the-art-of-transgression\/","title":{"rendered":"#These 2024 albums master the art of transgression"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a406fc127a40\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a406fc127a40\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/these-2024-albums-master-the-art-of-transgression\/#skaiwaters_gigi_Cindy_Lees_Diamond_Jubilee_and_DJ_Anderson_do_Paraisos_Queridao_couldnt_be_more_different_but_each_flaunts_convention_in_its_own_way\" >skaiwater\u2019s #gigi, Cindy Lee\u2019s Diamond Jubilee, and DJ Anderson do Para\u00edso\u2019s Querid\u00e3o couldn\u2019t be more different, but each flaunts convention in its own way.<\/a><ul class='ez-toc-list-level-5' ><li class='ez-toc-heading-level-5'><ul class='ez-toc-list-level-5' ><li class='ez-toc-heading-level-5'><ul class='ez-toc-list-level-5' ><li class='ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/these-2024-albums-master-the-art-of-transgression\/#skaiwaters_gigi_a_stubbornly_original_surprise_success\" >skaiwater\u2019s #gigi, a stubbornly original surprise success<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/these-2024-albums-master-the-art-of-transgression\/#Cindy_Lees_Diamond_Jubilee_a_press-resistant_critical_darling\" >Cindy Lee\u2019s Diamond Jubilee, a press-resistant critical darling<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/these-2024-albums-master-the-art-of-transgression\/#DJ_Anderson_do_Paraisos_Queridao_a_drumless_dance-floor_demolisher\" >DJ Anderson do Para\u00edso\u2019s Querid\u00e3o, a drumless dance-floor demolisher<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2 class=\"deck\"><span class=\"ez-toc-section\" id=\"skaiwaters_gigi_Cindy_Lees_Diamond_Jubilee_and_DJ_Anderson_do_Paraisos_Queridao_couldnt_be_more_different_but_each_flaunts_convention_in_its_own_way\"><\/span>skaiwater\u2019s <i>#gigi<\/i>, Cindy Lee\u2019s <i>Diamond Jubilee<\/i>, and DJ Anderson do Para\u00edso\u2019s <i>Querid\u00e3o<\/i> couldn\u2019t be more different, but each flaunts convention in its own way.<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><\/p>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<div id=\"content_block-266212\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/transgressive_records_qr6qtv\/design-by-cady-siregar.jpg 2400w,\" sizes=\"100vw\" alt=\"These 2024 albums master the art of transgression\"><\/p>\n<p><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      Design by Cady Siregar.<br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-266220\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            Every project on our 50 Best Albums of 2024 list strained against one <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">social<\/a> more or another, from Charli XCX\u2019s unapologetically hyper-charged late-millennial pop, with its <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">theme<\/a>s of partying into your 30s while considering parenthood and the complexities of fem friendship, to Bladee\u2019s depressed bangers, transcending their core audience of disaffected young men to reach an audience that included those who occasionally touch grass; from Kim Gordon\u2019s nihilist boomer rage rap to the unbridled youthful energy of POLO PERKS , FearDorian, and AyooLii; and from Mount Eerie\u2019s \u201cpop-punk\u201d essays on impermanence to d0llywood1\u2019s diaristic digicore.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-266296\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-266221\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            There are three albums, though, that stand out for me as the ones in our top 50 that most ingeniously sinned against the conventions of contemporary music and the industry around it: a jarring and genre-bucking rap project that\u2019s found crossover success due to the sheer undeniability of its sneaky pop anthems, a time-hopping saga released as independently as a record can be in 2024, and a baile funk LP that drops the style\u2019s unmistakable percussive floor from under the listener, revealing something darkly irresistible in the negative space below.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-266222\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"skaiwaters_gigi_a_stubbornly_original_surprise_success\"><\/span>\n        skaiwater\u2019s <i>#gigi<\/i>, a stubbornly original surprise success<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/5yYtz3hPgOc2XAh5eDjDBa?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n          <\/p>\n<p>\n            <iframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/gigi\/1751973282\"><\/iframe>\n          <\/p>\n<p>\n            \u201cRemember when \u2018SAD!\u2019 by XXXTentacion was the #1 song in the country and it was, like, on regular top 40 radio??\u201d our hip-hop correspondent Vivian Medithi  once texted me, describing the rarified air skaiwater breathes on, <i>#gigi<\/i>, The FADER\u2019s favorite album of 2024. There\u2019s something apparently impenetrable about the speaker-destroying 808s and stylistic glitches that recur at countless, irregular intervals across the record\u2019s 13 tracks \u2014 like the hard shell of a Warhead when it first slides between the teeth and rests on the tongue. Despite the sour solidity of these songs, they\u2019re still candy-coated, and their inherent sweetness has helped them earn the approval of a broader cross-section of listeners. As with XXX\u2019s blown-out proto-rage, skaiwater\u2019s fried fragments will hit immediately for some, less so for others unaccustomed to the omnivorous, shapeshifting ethos of our current Soundcloud micro-epoch.\n          <\/p>\n<p>\n            Luckily, skaiwater\u2019s aura is much less noxious than X\u2019s, as well as those of more clearly aligned contemporaries such as Playboi Carti and Lil Uzi Vert, the latter of whom joined her on a remix of her 2022 megahit \u201c#miles.\u201d She\u2019s also more versatile: Borrowing beat skeletons from baile funk (\u201crichest girl alive\u201d), Jersey club (\u201cchoke\u201d), ultra-saturated mid-\u201910s trap (\u201cheavy metal\u201d), New Orleans bounce (\u201cplay\u201d), and, in a surprising number of cases, throwback R&amp;B, skaiwater demonstrates an eclecticism that could only be fostered in an age of infinite accessibility. Counting Paramore, beabadoobie, Clairo, and Alex G among her influences (alongside more obvious ones like X, Carti, and Uzi), she\u2019s a world-class genre clasher, performing delightfully destructive crash tests on each new style she integrates. On <i>#gigi<\/i>, skaiwater has her cake and eats it too, finding mass appeal in her emphatically original songs.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-266297\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-266224\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"Cindy_Lees_Diamond_Jubilee_a_press-resistant_critical_darling\"><\/span>\n        Cindy Lee\u2019s <i>Diamond Jubilee<\/i>, a press-resistant critical darling<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=369930710\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/cindylee.bandcamp.com\/album\/diamond-jubilee\">Diamond Jubilee by Cindy Lee<\/a><\/iframe>\n          <\/p>\n<p>\n            <i>Diamond Jubilee<\/i> made its first transgression against the DSPs\u2019 algorithmic monopoly before its first lucky listener pressed play on the two-hour, two-minute, 22-second magnum opus from the mind of ex-Women bandleader Patrick Flegel. Unlike the two wide-released previous projects from their drag alter ego Cindy Lee, this year\u2019s record appeared unceremoniously on a <a rel=\"nofollow\" target=\"_blank\" target=\"_new\" href=\"https:\/\/www.geocities.ws\/ccqsk\/\">clunky Geocities website<\/a> \u2014 wherein the only option for purchasing it digitally was to personally PayPal Pat \u2014 and on YouTube as a single, ultra-long track. It\u2019s now been made available as a 3XLP and as a 32-track Bandcamp stream, but for seven months, it accumulated accolade after accolade in a purely organic fashion, via gushing reviews unfacilitated by publicists or label reps. <i>Diamond Jubilee<\/i> was, in fact, so successful that Flegel canceled their tour behind the album halfway through because the hype had become too extreme for them to handle.\n          <\/p>\n<p>\n            Of course, the purity of <i>Diamond Jubilee<\/i>\u2019s release cycle is far from its only transgression. Gender and genre are immediately exposed before Flegel as petty constraints to be cast aside, resulting in an album that outplays every archetype it tries on at its own <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/game\/\" data-internallinksmanager029f6b8e52c=\"7\" title=\"Game\" target=\"_blank\" rel=\"noopener\">game<\/a>, like a Greek god bestowing true love on a non-deity but ultimately moving on. Lee\u2019s not-entirely-corporeal status, embodied but in many ways unreal, contributes to an album that is often heartwrenchingly wistful. Like a phantasm trapped in radio waves, she slides from station to station, often submerging herself in the static between them. There, she sings to past friends and lovers with a longing that burns intensely but somehow still feels as ephemeral as the breeze. In the end, whether ghost, god, or girl, Flegel\u2019s feminine side weaves music that sounds like nothing else released this year, and likely for years to come.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-266225\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"DJ_Anderson_do_Paraisos_Queridao_a_drumless_dance-floor_demolisher\"><\/span>\n        DJ Anderson do Para\u00edso\u2019s <i>Querid\u00e3o<\/i>, a drumless dance-floor demolisher<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2388881655\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/nyegenyegetapes.bandcamp.com\/album\/querid-o\">Querid\u00e3o by DJ Anderson do Para\u00edso<\/a><\/iframe>\n          <\/p>\n<p>\n            As the explosive sounds of Brazilian baile funk reach more and more ears in the northern hemisphere, the genre has quickly become a favorite of club DJs. Though easily identifiable, as many dance musics are, by a signature repetitive rhythm, funk is an inherently transgressive genre, with every new Rio de Janeiro and S\u00e3o Paulo DJ seemingly hell-bent on making crazier sounds than the last. But in Belo Horizonte, roughly 400 kilometers north and 500 miles west of the coast, a new strain called funk mineiro is inverting this trend, producing some of the hardest-hitting tracks in the world through the power of suggestion.\n          <\/p>\n<p>\n            At the forefront of this scene is DJ Anderson do Para\u00edso, who dropped not one but two of the best baile funk records of 2024. The first of these was <i>Querid\u00e3o<\/i>, a Nyege Nyege Tapes release that compiled new tracks and greatest hits for a massive introduction to one of the most exciting artists on Earth. Here, we enter a dark realm where drums are almost entirely absent, replaced by detuned bass blasts that resound like stones hitting whatever lies beneath a bottomless pit. Anderson\u2019s transgression is not one of excess but one of withholding, proving that funk\u2019s essential ferocity is magnified, not weakened, when de-fleshed.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Raphael Helfand<\/span><br \/>\n  <\/span><\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/category\/social-mediaa\/\" target=\"_blank\" >Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2024\/12\/18\/these-2024-albums-master-the-art-of-transgression\" target=\"_blank\" >Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>skaiwater\u2019s #gigi, Cindy Lee\u2019s Diamond Jubilee, and DJ Anderson do Para\u00edso\u2019s Querid\u00e3o couldn\u2019t be more different, but each flaunts convention in its own way. Design by Cady Siregar. \u00a0 Every project on our 50 Best Albums of 2024 list strained against one social more or another, from Charli XCX\u2019s unapologetically hyper-charged late-millennial pop, with its&#8230;<\/p>\n","protected":false},"author":1,"featured_media":647171,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_533,w_1024,x_0,y_1,f_auto,q_auto:eco\/transgressive_records_eq0w8v\/transgressive_records_eq0w8v.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[28101,151360,152315,87515,70532,87510,150567],"class_list":["post-647170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-pop","tag-cindy-lee","tag-dj-anderson-do-paraiso","tag-experimental","tag-hip-hop","tag-rock","tag-skaiwater"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/647170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=647170"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/647170\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/647171"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=647170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=647170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=647170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}