{"id":673348,"date":"2025-06-03T23:45:16","date_gmt":"2025-06-03T20:45:16","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/revisiting-scott-walkers-final-masterpiece\/"},"modified":"2025-06-03T23:45:16","modified_gmt":"2025-06-03T20:45:16","slug":"revisiting-scott-walkers-final-masterpiece","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/revisiting-scott-walkers-final-masterpiece\/","title":{"rendered":"Revisiting Scott Walker\u2019s final masterpiece"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a299d554043f\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a299d554043f\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/revisiting-scott-walkers-final-masterpiece\/#In_a_late_career_full_of_absurdly_experimental_works_Scott_Walkers_%E2%80%9CSDSS141613B_Zercon_A_Flagpole_Sitter%E2%80%9D_stands_out_as_one_of_his_most_ambitious\" >In a late career full of absurdly experimental works, Scott Walker\u2019s \u201cSDSS1416+13B (Zercon, A Flagpole Sitter)\u201d stands out as one of his most ambitious.<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"deck\"><span class=\"ez-toc-section\" id=\"In_a_late_career_full_of_absurdly_experimental_works_Scott_Walkers_%E2%80%9CSDSS141613B_Zercon_A_Flagpole_Sitter%E2%80%9D_stands_out_as_one_of_his_most_ambitious\"><\/span>In a late career full of absurdly experimental works, Scott Walker\u2019s \u201cSDSS1416+13B (Zercon, A Flagpole Sitter)\u201d stands out as one of his most ambitious.<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><\/p>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<div id=\"content_block-271222\" class=\"content_block paragraph image triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_gqpuyj\/scott-walker-zercon-a-flagpole-sitter-song-meaning.jpg 2400w,\" sizes=\"100vw\" alt=\"Revisiting Scott Walker\u2019s final masterpiece\"><\/p>\n<p><span class=\"img_caption\"><\/p>\n<p>  <span class=\"credit\"><\/p>\n<p>      Jamie Hawkesworth via 4AD<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-271220\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <i>Apollo Frequencies is a <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> exploring sounds that seem to come from another world. In this week\u2019s edition, we dive into American-British auteur Scott Walker\u2019s most unhinged song.<\/i>\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-271216\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            No one ever has or ever will do it quite like Scott Walker. In his 60-year recording career, he went from teen idol to pop innovator to washed-up crooner to reclusive mad scientist. Born Noel Scot Engel in Hamilton, Ohio, he spent his teen years in Los Angeles and then moved to London with his new band, The Walker Brothers \u2014 none of them brothers and none of them surnamed Walker. There, they found massive success with songs like \u201c<a rel=\"nofollow\" target=\"_blank\" target=\"_new\" href=\"https:\/\/www.youtube.com\/watch?v=Q11ium_-Lv8\">The Sun Ain\u2019t Gonna Shine Anymore<\/a>,\u201d inspiring a craze akin to a regional Beatlemania (a reverse British invasion, if you will).\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>\n            The Walker Brothers made schmaltzy, overproduced \u201960s pop a la Tom Jones and barely played their own instruments. Other than their good looks, their only real asset was Scott\u2019s voice, a quavering baritone meant for far greater things. In 1967, he left the group to start his solo career, releasing five increasingly strange albums (<i>Scott 1\u20134<\/i> and <i>\u2019Til the Band Comes In<\/i>) that took perilous risks while staying within the era\u2019s Middle-Of-the-Road (MOR) format. Then the bottom fell out: His original songs and Jacques Brel covers weren\u2019t selling, and, tr<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ed in a long-term label contract, he was forced into singing <a rel=\"nofollow\" target=\"_blank\" target=\"_new\" href=\"https:\/\/www.youtube.com\/watch?v=onVoIeXJJ10&amp;ab_channel=GuidaP.\">ill-advised covers<\/a> for the first half of the \u201970s.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-271217\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            When Philips Records finally dropped him, he went full recluse, surfacing in 1978 to write the only four great songs on the Walker Brothers\u2019 reunion album <i>Nite Flights<\/i>, and again in 1984 to release <i>Climate of Hunter<\/i>, a wonderfully bizarre hybrid of \u201980s rock and brazen experimentalism. His last three solo albums \u2014 <i>Tilt<\/i> (1995), <i>The Drift<\/i> (2006), and <i><a rel=\"nofollow\" target=\"_blank\" target=\"_new\" href=\"https:\/\/www.theguardian.com\/music\/2012\/nov\/29\/scott-walker-bish-bosch-review\">Bish Bosch<\/a><\/i> (2012) \u2014 dove further into the deep end, extremely challenging records that seemed to preclude any possibility of enjoyment. By then, his career had formed an inverse arc to that of the artist-as-hero\u2019s journey archetype: Too strange to continue his massive success as a pop idol, he suffered a decade of binge drinking and self-hatred and emerged a different beast. While some fans were distraught by his heel turn, he gained legions of new enthusiasts, many of whom (myself included) have remained loyal Scott stans long past his death in 2019.\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>\n            Of that final era, his most sonically ambitious album was <i>The Drift<\/i>, the making of which was documented by director Stephen Kijak in <i><a rel=\"nofollow\" target=\"_blank\" target=\"_new\" href=\"https:\/\/www.amazon.com\/Scott-Walker-30-Century-Man\/dp\/B00227A81A\">Scott Walker: 30 Century Man<\/a><\/i>. For that record, Walker asked an orchestral string section to play like airplanes crashing; built a human-sized wooden box with internal mics to be a canvas for slamming pint glasses and a rolling giant thimble; and had his percussionist spar with a side of beef to emulate the sound of a mob mutilating the hanged bodies of Benito Mussolini and his mistress, Clara Pitacci. Relative to that record, <i>Bish Bosch<\/i> feels at times like spaghetti thrown at a wall but contains moments of intense brilliance. Take, for instance, the pure chaos of the project\u2019s centerpiece \u2014 a 22-minute song named after a distant, long-dead dwarf star called SDSS1416+13B, one of the coldest known objects in the universe.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-271221\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"SDSS1416+13B (Zercon, A Flagpole Sitter)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/J8gBUHC6XeY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-271218\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            \u201cSDSS1416+13B (Zercon, A Flagpole Sitter)\u201d tells a fictional tale of the final minutes in the life of the historical figure Zercon, a diminutive jester in the court of Attila the Hun. Delivered mostly in the first person, the track begins with an atonal a capella full of profane insults. \u201cIf shit were music \/ La da da, la da da \/ You\u2019d be a brass band,\u201d Scott-as-Zercon sings. Then a doomsday guitar note sounds, and he begins to spout a mix of erudite mythology references and bathroom wall jokes, including phone numbers read in Roman numerals. He sings of a botched circumcision, a \u201cwormy anus,\u201d severed \u201creeking gonads\u201d fed to a \u201cshrunken face,\u201d and a Roman \u201cwho\u2019s proof that Greeks fucked bears.\u201d We\u2019re only halfway through. Later, Zercon climbs a pole, and the rest of the story is told from his rising perspective. When he reaches the top, lightyears from Earth, he realizes he\u2019s a goner. \u201cIt\u2019s so cold! Infrared!\u201d he moans. \u201cWhat if I freeze and drop into the darkness?\u201d\n          <\/p>\n<p>\n            Listening to \u201cZercon\u201d from start to finish is a feat of endurance, but that hasn\u2019t stopped it from inspiring a multitude of deep-dive essays and <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">Reddit<\/a> <a rel=\"nofollow\" target=\"_blank\" target=\"_new\" href=\"https:\/\/www.reddit.com\/r\/scottwalker\/comments\/b3g2u5\/3part_analysis_on_zercon_a_flagpole_sitter\/\">threads<\/a> by amateur Scottheads expounding on its brilliance. (It\u2019s also been an object of ridicule, an example of Walker\u2019s ur-abstruse pretension, though these can be found in virtually all of his solo works). It reminds me of the best scenes in Alejandro Jodorowski\u2019s <i>Santa Sangre<\/i>, an epic circus film so ambitious in both breadth and depravity that even when it fails (and it often does), it\u2019s still fascinating. The song paints images of road-rashed bellies, Reagan sodomizing Gorbachev, and a screamed passage about an unnatural son throwing his mother\u2019s food back at her. But just when it threatens to topple off the rails, it hangs on by the edge of a wheel, hurtling with purpose toward its final moments.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-271219\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            Its ending is surprisingly poignant, considering we\u2019ve just listened to 20 minutes of poo and pee jokes. Picture the life of a fifth-century dwarf, groomed to entertain a famously sadistic ruler: Under unspeakably cruel conditions, he survives by debasing himself. During one such humiliation ritual, he turns the tables on Attila and then escapes, not west through Europe or east through Asia, but into the sky. As his torturer disappears in the distance below, he finally tastes freedom, but he soon climbs past a point of no return. In his last moments, surrounded by the blackness of dead stars, he realizes he\u2019s dying. His human body becomes a celestial one, frozen in space until, many centuries later, Scott Walker arrives to sing his story.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-271223\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4oWUnRY3vid51jMl8oXKtE?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-271224\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/bish-bosch\/571979563\"><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Raphael Helfand<\/span><br \/>\n  <\/span><\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/category\/social-mediaa\/\" target=\"_blank\" >Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2025\/06\/03\/scott-walker-zercon-a-flagpole-sitter-song-meaning\" target=\"_blank\" >Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a late career full of absurdly experimental works, Scott Walker\u2019s \u201cSDSS1416+13B (Zercon, A Flagpole Sitter)\u201d stands out as one of his most ambitious. Jamie Hawkesworth via 4AD Apollo Frequencies is a series exploring sounds that seem to come from another world. In this week\u2019s edition, we dive into American-British auteur Scott Walker\u2019s most unhinged&#8230;<\/p>\n","protected":false},"author":1,"featured_media":673349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_494,w_950,x_0,y_0,f_auto,q_auto:eco\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_noi2ty\/jamie_hawkesworth_scottwalker_exclusive2_copy_1_noi2ty.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[156181,87515,156856],"class_list":["post-673348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-apollo-frequencies","tag-experimental","tag-scott-walker"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/673348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=673348"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/673348\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/673349"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=673348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=673348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=673348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}