{"id":68291,"date":"2020-09-16T20:00:11","date_gmt":"2020-09-16T17:00:11","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/violation-review-tiff-2020-film\/"},"modified":"2020-09-16T20:00:11","modified_gmt":"2020-09-16T17:00:11","slug":"violation-review-tiff-2020-film","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/violation-review-tiff-2020-film\/","title":{"rendered":"#Violation Review: TIFF 2020 \u2013 \/Film"},"content":{"rendered":"

“#Violation Review: TIFF 2020 \u2013 \/Film<\/strong>”<\/p>\n

\n

\"violation<\/a><\/p>\n

Rage, betrayal, confusion, and bloodshed are the driving factors of\u00a0Violation<\/em><\/strong>, an unflinchingly brutal, often quite gruesome story of a woman who goes to extreme lengths following a terrible incident. Writer-directors\u00a0Madeleine Sims-Fewer<\/strong> and Dusty Mancinelli<\/strong> do not shy away from the violence, employing meticulously crafted practical effects to portray a jaw-dropping series<\/a> of events. But while there\u2019s genuine dreamy-nightmarish artistry on display here, there\u2019s also a scattershot app<\/a>roach that, while intentional, does more harm than good.<\/p>\n

Co-director Sims-Fewer stars as\u00a0Miriam, whose relationship to\u00a0Caleb (Obi Abili<\/strong>) seems to be at a dead end. The couple head to a lakeside cabin owned by\u00a0Dylan (Jesse LaVercombe<\/strong>) and his wife Greta (Anna Maguire<\/strong>), who is also Miriam\u2019s sister. The sisters seem loving and caring at first, but there\u2019s something lurking beneath the surface, and things are only further complicated by how well Miriam and Dylan seem to get along. They spend multiple moments together, just the two of them, while their spouses are elsewhere.
\nBut the ominous atmosphere \u2013 lots of shots of cold, empty landscapes; ashes swirling in water; a wolf chowing down on a rabbit in slow motion; insects perched on dry fingers; mirror reflections that make it look as if there\u2019s an identical world hanging upside down above our heads \u2013 indicates something very, very bad is going to happen. And it does. Several very bad things, in fact. Before Violation<\/i>\u00a0ends we\u2019ll have witnessed sexual assault, savage violence, bloodletting, and a dismemberment sequence that never, ever cuts away, even as limbs are severed and the bone underneath is exposed.<\/p>\n

The pervasive feeling of dread and horror is pitch-perfect, and Sims-Fewer and Mancinelli are quite skilled at getting under your skin. Discomfort prevails in nearly every frame \u2013 even scenes where nothing outwardly disturbing is happening have the power to give the viewer the chills. All of this works, and works exceedingly well. Unfortunately, the same can\u2019t be said for the storytelling approach.<\/p>\n

To mimic Miriam\u2019s fractured mind,\u00a0Violation<\/em> is presented out-of-sequence, nonlinear, with the scenes jumping back and forth in time without warning. The viewer has to do some work here and try to figure out just\u00a0when<\/em> some things are supposed to be happening, and while I have no complaints about this approach in theory, it doesn\u2019t do\u00a0Violation<\/em> any favors. Instead, it creates an overwhelmingly confusing atmosphere that saps the story being told here of much of its energy.<\/p>\n

What a damn shame that is, because there\u2019s much here worth fixating on. Alfred Hitchcock once said, \u201cIn films, murders are always very clean. I show how difficult it is and what a messy thing it is to kill a man,\u201d and\u00a0Violation<\/em> is following that same concept as it depicts the strain of homicide. The murder that takes place here (I\u2019m trying to be as vague as possible to avoid spoilers) is not done in a cold-blooded, thoughtless manner. It\u2019s full of rage and confusion, and it only gets worse from there. As\u00a0Violation<\/em> is entirely from Miriam\u2019s point-of-view, we\u2019re experiencing the stress she undergoes as she both commits the act and then has to deal with what comes after. We can feel the physical, emotional, and mental strain preying on her as she goes about her grim work. We can sense her psychological deterioration.<\/p>\n

Sims-Fewer is excellent in these scenes \u2013 we can feel the anxiety, the rage, the confusion, the horror all burning through her. When she pauses in the midst of a particularly nasty task in order to vomit, it feels\u00a0real \u2013 as if the actor was really halting to puke from all the stress and blood. But again and again, all of these cinematic accomplishments are derailed by the movie\u2019s insistence to jump around in time. To make matters worse, whenever\u00a0Violation<\/em> stops its time-warping in order to just remain on one fixed path, you sense the stronger, more remarkable film it could have been. It\u2019s right\u00a0there<\/em>, screaming at us, showing us what could\u2019ve been had the filmmakers simply dispersed with their scattered storytelling concept.
\n\/Film Rating: 6.5 out of 10<\/strong><\/p>\n

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“#Violation Review: TIFF 2020 \u2013 \/Film” Rage, betrayal, confusion, and bloodshed are the driving factors of\u00a0Violation, an unflinchingly brutal, often quite gruesome story of a woman who goes to extreme lengths following a terrible incident. Writer-directors\u00a0Madeleine Sims-Fewer and Dusty Mancinelli do not shy away from the violence, employing meticulously crafted practical effects to portray a…<\/p>\n","protected":false},"author":1,"featured_media":68292,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/violation-review.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[1568,50324,1570,4901,1406,7598,67304,27142,68737],"class_list":["post-68291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-featured-stories-sidebar","tag-ce","tag-features","tag-film-festivals","tag-horror","tag-movie-reviews","tag-tiff-2020","tag-toronto","tag-violation"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/68291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=68291"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/68291\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/68292"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=68291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=68291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=68291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}