{"id":6952,"date":"2020-06-12T19:00:00","date_gmt":"2020-06-12T16:00:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/how-did-this-get-made-a-conversation-with-sam-firstenberg-director-of-ninja-3-the-domination\/"},"modified":"2020-06-12T19:00:00","modified_gmt":"2020-06-12T16:00:00","slug":"how-did-this-get-made-a-conversation-with-sam-firstenberg-director-of-ninja-3-the-domination","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/how-did-this-get-made-a-conversation-with-sam-firstenberg-director-of-ninja-3-the-domination\/","title":{"rendered":"#How Did This Get Made: A Conversation With Sam Firstenberg, Director of \u2018Ninja 3: The Domination\u2019"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3be26d167f6\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3be26d167f6\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/how-did-this-get-made-a-conversation-with-sam-firstenberg-director-of-ninja-3-the-domination\/#PART_1_The_Hollywood_Way\" >PART 1: The Hollywood Way<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/how-did-this-get-made-a-conversation-with-sam-firstenberg-director-of-ninja-3-the-domination\/#PART_2_%E2%80%9CAnd_this_was_how_suddenly_I_found_myself_a_director_of_action_movies%E2%80%9D\" >PART 2: \u201cAnd this was how, suddenly,\u00a0I found myself a director of action movies.\u201d<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/how-did-this-get-made-a-conversation-with-sam-firstenberg-director-of-ninja-3-the-domination\/#Continue_Reading_How_Did_This_Get_Made_%3E%3E\" >Continue Reading How Did This Get Made >><\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#How Did This Get Made: A Conversation With Sam Firstenberg, Director of \u2018Ninja 3: The Domination\u2019<\/strong>&#8221;<\/p>\n<div id=\"main-bot\">\n<div>\n<div>\n<p>                            <img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"300\"  src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Ninja-The-Domination-700x300.jpg\"  width=\"700\"><\/img><\/p>\n<p><span>This week, the gang at <\/span><strong><i>How Did This Get Made? <\/i><\/strong><span>covered<\/span>\u00a0<b><i>Ninja 3: The Domination<\/i><\/b><span> (1984), the final entry in Cannon Films\u2019 so-called \u201cNinja Trilogy\u201d\u00a0<\/span><\/p>\n<p><span>The director of <\/span><b><i>Ninja 3<\/i><\/b><span>, <strong>Sam Firstenberg<\/strong>, is an interesting guy with many stories about his unlikely journey from Jerusalem to Hollywood. So many, in fact, that we\u2019re going to save his tales about breaking into the business, working for Cannon in its heyday and directing the iconic cult classic <\/span><b><i>Breakin\u2019 2: Electric Boogaloo <\/i><\/b><span>for a separate piece in the near future.\u00a0<\/span><\/p>\n<p><span>Today, instead, we\u2019re just going to put on our most Sherlockholmesian deerstalker and investigate how <\/span><i><span>did <\/span><\/i><b><i>Ninja 3: The Domination<\/i><\/b><span> got made. Which begins\u2014a couple years earlier\u2014with a film called <\/span><b><i>Enter the Ninja.\u00a0<\/i><\/b><\/p>\n<p><i><span>[AUTHOR\u2019S NOTE: the interview below has been lightly edited for clarity]<\/span><\/i><\/p>\n<h2><span class=\"ez-toc-section\" id=\"PART_1_The_Hollywood_Way\"><\/span><b>PART 1: The Hollywood Way<\/b><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><b>SAM FIRSTENBERG: <\/b><span>So [at that time, circa 1981] Cannon had small offices in Sunset Boulevard. And they were trying their hand at horror. Because the cheapest genre <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> [to make] are horror.\u00a0<\/span><\/p>\n<p><i><span>For example, a few of the first productions under the Cannon Group\u2019s \u201cGolan-Globus\u201d banner were the slasher films <\/span><\/i><b><i>Schizoid<\/i><\/b><i><span> (1980), <\/span><\/i><b><i>New Year\u2019s Evil<\/i><\/b><i><span> (1980) and <\/span><\/i><b><i>Hospital Massacre<\/i><\/b><i><span> (1981).<\/span><\/i><span>\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>So they started with horror movies. But they didn\u2019t have a lot of success.\u00a0<\/span><span>But action, they understood. So one thing led to another and they produced a movie which was called <\/span><b><i>Enter the Ninja<\/i><\/b><span>. Menahem Golan directed this. There was a guy named Mike Stone\u2014a famous martial artist\u2014and he was involved with putting it together. They recruited the Italian actor Franco Nero to be the star of the movie, and there was a villain [played by] Sho Kosugi and they went to the Philippines and made the movie. And the movie had a moderate success.<\/span><\/p>\n<p><b><i>Enter the Ninja<\/i><\/b><i><span> first opened in France and Germany in late summer 1981 and then eventually made its way to Los Angeles the following year.\u00a0<\/span><\/i><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>Now remember this was an independent company, Cannon. And like every other small company, they <\/span><i><span>really <\/span><\/i><span>wanted to secure distribution from one of the major studios. It\u2019s called to \u201cpick up\u201d\u2014to \u201cpick up the movie\u201d\u2014and Cannon wanted their movies to get picked up from one of the major studios. Like Universal or Warner Bros. or MGM. But it\u2019s not an easy task.\u00a0<\/span><\/p>\n<p><b>BJH: <\/b><span>Right, of course. Getting distribution is tough.\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>Yes. Because those companies are asking for a certain level of quality before they\u2019re willing to pick up a movie. They will not pick up very cheap-looking movies.<\/span><\/p>\n<p><b>BJH: <\/b><span>So was Cannon able to get distribution for <\/span><b><i>Enter the Ninja<\/i><\/b><b>?\u00a0<\/b><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>No. They were struggling. So Cannon would distribute their own movies throughout the country; and internationally; and also on video (it was the beginning of cassette era). And [with <\/span><b><i>Enter the Ninja<\/i><\/b><span>], Cannon had a moderate success. But they were struggling.\u00a0<\/span><\/p>\n<p><b>BJH:<\/b><span> Right.\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>Also: at this time, no one in the western world knew this word \u201cNinja.\u201d There were some martial arts movies [that got distribution in the United States] but not ninja movies. There were \u201ckung fu\u201d movies, but no ninja movies. And besides, the whole concept was crazy anyway because the \u201cninja\u201d is a negative character in the Japanese\/Samurai mythology. They were the assassins of the Shoguns. They were not the positive character. And suddenly, here\u2014we and Cannon and Golan\u2014we took the \u201cninja\u201d and made them the hero; the good guy; the protagonist! Anyway, so <\/span><b><i>Enter the Ninja <\/i><\/b><span>went out in the market and had a moderate success. The company said: okay, we are doing better in action than we are doing in horror. So what do we do? Im<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a>tely: sequel! This is the Hollywood way.\u00a0<\/span><\/p>\n<p><b>BJH:<\/b><span> Ha!\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG:<\/b><span> For the sequel, Cannon thought Franco Nero was not the right actor, but they were <\/span><i><span>very <\/span><\/i><span>impressed with Sho Kosugi [who had played the foil to Nero]. So they decided to make a movie with him. With Sho Kosugi. And they called it <\/span><b><i>Revenge of the Ninja<\/i><\/b><i><span>. <\/span><\/i><span>There was a writer, Jim Silke, and he started work on the <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">script<\/a><\/span><\/p>\n<p><b>BJH: <\/b><span>Okay. And at what point did you get involved?\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG:<\/b><span> This is really\u2026it\u2019s funny because this is <\/span><i><span>almost <\/span><\/i><span>the truth: I was back from Switzerland\u2014from the Locarno film festival [where Firstenberg had gone to screen his first film, <\/span><b><i>One More Chance<\/i><\/b><span>]\u2014and <\/span><i><span>boom <\/span><\/i><span>I run into Menahem Golan in the corridors [at Cannon]. He said, \u201cSam! Can you direct action?\u201d<\/span><b>\u00a0<\/b><\/p>\n<p><b>BJH: <\/b><span>Ha!<\/span><b>\u00a0<\/b><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>What happened was: [after directing <\/span><b><i>Enter the Ninja<\/i><\/b><span>] Menahem Golan didn\u2019t want to do it again. He was already busy with the company\u2014with Cannon films\u2014and the company was growing. And he was the head of the company. So for whatever reason, he didn\u2019t want to go and direct another movie like this.\u00a0<\/span><\/p>\n<p><b>BJH:<\/b><span> Gotcha.\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>At this point, I had proven that I can at least direct <\/span><i><span>a <\/span><\/i><span>movie: beginning, middle and end. So he asks, \u201cWill you direct this <\/span><b><i>Revenge of the Ninja<\/i><\/b> <span>for me?\u201d What a question! I\u2019m a young, aspiring director. So I say, \u201cSure!\u201d But Menahem Golan said, \u201cThere is one problem: this is an action movie. Can you do action?\u201d And my answer is, \u201cOf course I can do action!\u201d But I didn\u2019t have a clue how to do action!\u00a0<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"PART_2_%E2%80%9CAnd_this_was_how_suddenly_I_found_myself_a_director_of_action_movies%E2%80%9D\"><\/span><b>PART 2: \u201cAnd this was how, suddenly,\u00a0<\/b><b>I found myself a director of action movies.\u201d<\/b><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><b>SAM FIRSTENBERG: <\/b><span>I mean, I\u2019d <\/span><i><span>worked <\/span><\/i><span>on some action movies in the past but not as director. But I said, \u201cOf course! No problem. I will do it.\u201d So they put me together with the writer, Jim Silke, and Sho Kosugi. Sho Kosugi was already in the deal.\u00a0<\/span><\/p>\n<p><b>BJH: <\/b><span>So what did you do at this point? How did you learn what you needed to learn in order to direct an action movie?\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>First, I saw this first movie, <\/span><b><i>Enter the Ninja<\/i><\/b><span>, and I got the idea of what this is. Then I met Sho Kosugi and let me tell you: up to this point, I never saw a Hong Kong movie or martial arts movie <\/span><i><span>in my life<\/span><\/i><span>. Never ever\u2026but I had seen a lot of samurai movies. I loved samurai movies. I loved Japanese samurai movies\u2026so that was an inspiration for me. And then I went to Sho Kosugi and he took me under his wing in this subject of martial arts. And he started to show me Hong Kong movies. He showed me what this means and what kind of spectacular action was in this cinema. Clever action. And he also taught me about the ninja subject\u2014about \u201cninjutsu.\u201d He recommended a few books. So I bought the books, I read the books.\u00a0<\/span><\/p>\n<p><b>BJH:<\/b><span> Okay, makes sense. Sounds like a good start.\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG:<\/b><span> And in the meantime, Jim Silke is writing the script. So I decide to do a storyboard. [almost as an aside] You know, I had two degrees from two films schools at this point! And I had my experience as an Assistant Director. So I knew <\/span><i><span>something <\/span><\/i><span>about making movies.\u00a0<\/span><\/p>\n<p><b>BJH:<\/b><span> Ha!<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>I\u2019m a cinematic storyteller. That\u2019s not a big problem. And I am working with Sho Kosugi, who in addition to being the star he was also the choreographer for the fights; and I was introduced to stunt coordinator Steve Lambert. So I talked to all of them and I started to build the storyboard\u2014every fight sequence, every action sequence in the movie.\u00a0<\/span><\/p>\n<p><i><span>Then in May 1981, production of <\/span><\/i><b><i>Revenge of the Ninja <\/i><\/b><i><span>began.\u00a0<\/span><\/i><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>It was decided we\u2019d go to Salt Lake City to do the film. For financial reasons. And so we went there. It was not a tiny movie. It was not a small movie. Eight weeks shooting in Salt Lake City. Two units. And I was away from the office, didn\u2019t have to deal with any pressure from the studio. I had some good people around me and together we put together this movie.\u00a0<\/span><\/p>\n<p><b>BJH:<\/b><span> That\u2019s great.\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>Now, you know, movies really come to life in the editing room. So importantly, I had a very good editor: Michael Duthie. He [had] edited the first movie, <\/span><b><i>Enter the Ninja<\/i><\/b><span>, and he\u2019s a really good editor for action. From him I learned a lot. He helped me improve my skills for directing action. Anyway, after eight weeks we finished. We came back and edited the movie. I was sitting with him\u2014with Michael Duthie\u2014and we realized there were some problems. So Cannon gave us an extra week of additional [filming]. So all in all, nine weeks of shooting with six day weeks. That\u2019s a nice schedule. It\u2019s not a major movie schedule, but not bad. And then the movie was completed.\u00a0<\/span><\/p>\n<p><b>BJH: <\/b><span>Amazing. Your first action movie! Then what?\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>So I told you: Cannon was always hoping to get distribution for their movies. So they showed the movie to the studios\u2014hoping to get distribution\u2014and MGM called and said, \u201cWe are picking up <\/span><b><i>Revenge of the Ninja<\/i><\/b><span>.\u201d This was a BIG deal at Cannon. It\u2019s hard to describe\u2026but for an independent small company, this was a big deal.<\/span><\/p>\n<p><b>BJH: <\/b><span>I can imagine! That\u2019s a huge accomplishment. And\u2014if you remember\u2014what did MGM say. What did they like about <\/span><b><i>Revenge of the Ninja<\/i><\/b><span>? Why did they want to pick up <\/span><i><span>this <\/span><\/i><span>movie?\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>So, you know, of course no one disclosed to me the reasons. [laughs]\u00a0 But they saw financial potential\u2014money-making potential in the movie. And they were right! They took the movie, did not change anything. Of course we did the sound mix at MGM, but they didn\u2019t change anything about the picture. And they started with a nice campaign. There is a famous poster\u2014hand-painted\u2014with Sho Kosugi flying against a red sky background.\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>They opened the movie on 80 screens. And [back then] there was a system of distribution called \u201cEast of the Mississippi\u201d and \u201cWest of the Mississippi.\u201d So the movie played at 80 screens in the eastern part of the United States [\u201cEast of the Mississippi\u201d], and then after it was done they\u2019d send those 80 prints across the United States [\u201cWest of the Mississippi\u201d]. Because each print cost a lot of money. Even at that time, each print cost about $1,000.\u00a0<\/span><\/p>\n<p><b>BJH:<\/b><span> Right.\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>So <\/span><b><i>Revenge of the Ninja<\/i><\/b> <span>opens in New York. And right away\u2014the first week!\u2014it was at the top of the charts. It was number one!\u00a0<\/span><\/p>\n<p><b>BJH:<\/b><span> Really? Wow.\u00a0<\/span><\/p>\n<p><b>SAM FIRSTENBERG: <\/b><span>Yeah. It was number one in New York city for two weeks. So now MGM was very excited\u2026and Cannon was very excited. And that was the start of the relationship between Cannon and MGM. Later, MGM distributed a lot of Cannon movies. This was how, suddenly, I found myself a director of action movies.\u00a0<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Continue_Reading_How_Did_This_Get_Made_%3E%3E\"><\/span><strong><strong>Continue Reading How Did This Get Made >><\/strong><\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>                            <strong>Cool Posts From Around the Web:<\/strong><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.slashfilm.com\/ninja-3-the-domination\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a><\/span><\/p>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener noreferrer\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>if you want to watch Movies or Tv Shows go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/dizi.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dizi.BuradaBiliyorum.Com<\/a> <\/span> for forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#How Did This Get Made: A Conversation With Sam Firstenberg, Director of \u2018Ninja 3: The Domination\u2019&#8221; This week, the gang at How Did This Get Made? covered\u00a0Ninja 3: The Domination (1984), the final entry in Cannon Films\u2019 so-called \u201cNinja Trilogy\u201d\u00a0 The director of Ninja 3, Sam Firstenberg, is an interesting guy with many stories about&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[1568,1513,13992,13998,1570,13999,13991,1481,10294,13996,14000,13995,13997,13994,13993,975],"class_list":["post-6952","post","type-post","status-publish","format-standard","hentry","category-social-mediaa","tag-featured-stories-sidebar","tag-action-adventure","tag-director-of-ninja-3-the-domination","tag-director-of-ninja-3-the-domination-appeared-first-on-film","tag-features","tag-how-did-this-get-made","tag-how-did-this-get-made-a-conversation-with-sam-firstenberg","tag-in-fact","tag-interviews","tag-is-an-interesting-guy-with-many-stories-about-his-unlikely-journey-from-jerusalem-to-hollywood-so-many","tag-ninja-3-the-domination","tag-sam-firstenberg","tag-that-were-going-to-save-the-post-how-did-this-get-made-a-conversation-with-sam-firstenberg","tag-the-final-entry-in-cannon-films-so-called-ninja-trilogy-the-director-of-ninja-3","tag-the-gang-at-how-did-this-get-made-covered-ninja-3-the-domination-1984","tag-this-week"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/6952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=6952"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/6952\/revisions"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=6952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=6952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=6952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}