{"id":700220,"date":"2025-11-21T01:05:15","date_gmt":"2025-11-20T22:05:15","guid":{"rendered":"https:\/\/buradabiliyorum.com\/en\/idfa-a-fox-under-a-pink-moon-past-future-continuous-win-amsterdam-doc-fest-awards\/"},"modified":"2025-11-21T01:05:15","modified_gmt":"2025-11-20T22:05:15","slug":"idfa-a-fox-under-a-pink-moon-past-future-continuous-win-amsterdam-doc-fest-awards","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/idfa-a-fox-under-a-pink-moon-past-future-continuous-win-amsterdam-doc-fest-awards\/","title":{"rendered":"IDFA: \u2018A Fox Under a Pink Moon,\u2019 \u2018Past Future Continuous\u2019 Win Amsterdam Doc Fest Awards"},"content":{"rendered":"<div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<em>A Fox Under a Pink Moon<\/em> and <em>Past Future Continuous<\/em> are among the winners of the top awards at the 38th edition of the International Documentary Film Festival Amsterdam\u00a0(IDFA), unveiled at a ceremony held at the Dutch city\u2019s Eye Filmmuseum.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tMehrdad Oskouei\u2019s <em>Pink Moon<\/em>, a self-portrait of 16-year-old Soraya who creates drawings and sculptures, won the honor for best film in the international competition. \u201cThis strong-willed Afghan sculptor and illustrator has been trying for five years to escape Iran and join her mother in Austria,\u201d notes a synopsis.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t\u201cThis film opens a window onto the power of art and hope during the difficult times through which we\u2019re living,\u201d said the jury. \u201cThrough masterful cinematography, often filmed in dangerous conditions, and the protagonist\u2019s radiant energy, this empowering collaboration between an established filmmaker and a young new artist enables her to reclaim identity amid exile and domestic violence, to bloom despite repression, and to find solace through creation.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tMorteza Ahmadvand and Firouzeh Khosrovani\u2019s <em>Past Future Continuous<\/em> won the IDFA Award for best film in the Envision Competition. \u201cMaryam fled\u00a0Iran\u00a0decades ago and settled in the United States,\u201d reads a synopsis for the doc. \u201cHer parents remained in Tehran. Now that they are growing older and political unrest is intensifying, she is concerned,\u201d reads a synopsis. \u201cShe persuades them to install security cameras in every room, so she can stay in direct contact with them from a distance. Maryam finds herself glued to this virtual connection, only now realizing how lonely they must have been all these years.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tNoted the jury: \u201cIn this film, with an outstanding text, the form elevates the subject to another level. Here, time and space are both concrete and suspended. The authors invented and set up a reality where cinematic experience offers emotional truth. The film presents itself as an unusual and poignant cinematic experiment that holds together various lines of reflection: diaspora, exile, historical repetition, and personal memory.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tMeanwhile, the IDFA honor for best first feature was bestowed upon <em>Paikar<\/em> by Dawood Hilmandi. \u201cAfghan artist-filmmaker Dawood Hilmandi is called <em>paikar<\/em> \u2013 the Persian word for \u2018war\u2019 or \u2018warrior\u2019 \u2013 by his family,\u201d reads a summary of the doc on the IDFA website. \u201cHis parents use this nickname proudly, but in this family portrait, it seems more of a burden than a blessing.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAnd the IDFA Award for best Dutch film went to Maasja Ooms for <em>My Word Against Mine<\/em>. With one in 10 people hearing voices, the doc introduces us to five such people. One of them hears a single voice, another hears 19. Some voices want to protect, others are out to berate \u2013 or even kill.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe NPO Doc IDFA Audience Award winner will be unveiled on Friday.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Check out the full list of IDFA 2025 award winners below.<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Best Film \u2013 International Competition<br \/><em>A Fox Under a Pink Moon<\/em>, dir. Mehrdad Oskouei<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Best Directing \u2013 International Competition<br \/><em>The Kartli Kingdom<\/em>, dir. Tamar Kalandadze and Julien Pebrel<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Best Editing \u2013 International Competition<br \/><em>December<\/em>, dir. Lucas Gallo<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Best Cinematography \u2013 International Competition<br \/><em>Silent Flood<\/em>, dir. Dmytro Sukholytkyy-Sobchuk<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSpecial Mention \u2013 International Competition<br \/><em>Flood<\/em>, dir. Katy Scoggin<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Best Film \u2013 Envision Competition<br \/><em>Past Future Continuous<\/em>, dir. Morteza Ahmadvand and Firouzeh Khosrovani<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Best Directing \u2013 Envision Competition<br \/><em>Holy Destructors<\/em>, dir. Aiste \u017degulyt\u0117-Zapolska<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Outstanding Artistic Contribution \u2013 Envision Competition<br \/><em>Am\u00edlcar<\/em>, dir. Miguel Eek<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA DocLab Award for Immersive Non-Fiction<br \/><em>Feedback VR, un musical antifuturista<\/em>, dir. Claudix Vanesix for Collective AMiXR<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSpecial Mention \u2013 IDFA DocLab for Immersive Non-Fiction<br \/><em>Under the Same Sky<\/em>, dir. Khalil Ashawi<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA DocLab Award for Digital Storytelling<br \/><em>Artificial Sex (Ep. 1 &amp; 2)<\/em>, dir. Anan Fries<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSpecial Mention \u2013 IDFA DocLab for Digital Storytelling<br \/><em>Coded Black<\/em>, dir. Maisha Wester<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Best Short Documentary<br \/><em>an open field<\/em>, dir. Teboho Edkins<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSpecial Mention \u2013 Short Documentary<br \/><em>Dreams for a Better Past<\/em>, dir. Albert Kuhn<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Best First Feature<br \/><em>Paikar<\/em>, dir. Dawood Hilmandi<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSpecial Mention \u2013 IDFA Award for Best First Feature<br \/><em>The Kartli Kingdom<\/em>, dir. Tamar Kalandadze and Julien Pebrel<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIDFA Award for Best Dutch Film<br \/><em>My Word Against Mine<\/em>, dir. Maasja Ooms<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSpecial Mention \u2013 IDFA Award for Best Dutch Film<br \/><em>Paikar<\/em>, dir. Dawood Hilmandi<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBeeld &amp; Geluid IDFA ReFrame Award<br \/><em>Remake<\/em>, dir. Ross McElwee<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSpecial Mention \u2013 Beeld &amp; Geluid IDFA ReFrame Award<br \/><em>The Memory of Butterflies<\/em>, dir. Tatiana Fuentes Sadowski<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFIPRESCI Award<br \/><em>Paikar<\/em>, dir. Dawood Hilmandi<\/p>\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" target=\"_blank\" >Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/idfa-2025-awards-winners-docs-a-fox-under-a-pink-moon-1236431558\/\" target=\"_blank\" >Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Fox Under a Pink Moon and Past Future Continuous are among the winners of the top awards at the 38th edition of the International Documentary Film Festival Amsterdam\u00a0(IDFA), unveiled at a ceremony held at the Dutch city\u2019s Eye Filmmuseum. Mehrdad Oskouei\u2019s Pink Moon, a self-portrait of 16-year-old Soraya who creates drawings and sculptures, won&#8230;<\/p>\n","protected":false},"author":1,"featured_media":700221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/11\/Pink-Fox.webp?w=1440&h=810&crop=1","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[147048,124783],"class_list":["post-700220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-idfa","tag-international"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/700220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=700220"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/700220\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/700221"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=700220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=700220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=700220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}