{"id":730176,"date":"2026-05-29T04:15:14","date_gmt":"2026-05-29T01:15:14","guid":{"rendered":"https:\/\/buradabiliyorum.com\/en\/kim-petras-on-detour-going-indie-and-putting-art-first\/"},"modified":"2026-05-29T04:15:14","modified_gmt":"2026-05-29T01:15:14","slug":"kim-petras-on-detour-going-indie-and-putting-art-first","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/kim-petras-on-detour-going-indie-and-putting-art-first\/","title":{"rendered":"Kim Petras on \u2019Detour,\u2019 going indie, and putting art first"},"content":{"rendered":"<div class=\"content_blocks\">\n<style>\n<\/style>\n<style>\n<p> article.custom .custom-title, article.custom .custom-media .caption {\n   color: ;\n }<\/p>\n<p> article.custom .custom-attribution, article.custom .custom-attribution a {\n   color: ;\n }<\/p>\n<\/style>\n<div id=\"content_block-280792\" class=\"content_block flush title center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"custom-title\">\n      Kim Petras debuts for real this time\n    <\/div>\n<div class=\"custom-description\">\n      The German singer talks her career, going independent, and making her most fearless album to date.\n    <\/div>\n<div class=\"custom-attribution\">\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Tobias Hess<\/span><br \/>\n  <\/span><\/div>\n<div class=\"photographer\">Photographer <span class=\"credit_name\">Ethan Holland<\/span><\/div>\n<\/p><\/div>\n<div class=\"custom-media\">\n<div class=\"triple_gutter_left triple_gutter_right image center_align\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_15_doxd1s\/kim-petras-detour-interview.jpg 2400w,\" sizes=\"100vw\" alt=\"Kim Petras on \u2019Detour,\u2019 going indie, and putting art first\"><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"custom_share_buttons_top \" style=\"\">\n<div id=\"new_socials_bottom\" class=\"new_socials_footer  \">\n<p>      <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"40\" height=\"40\" src=\"https:\/\/www.thefader.com\/assets\/FDR_SocialSharing_Facebook-747312c39722d47504a80f02500b8d4ad2e36acf922bad1c83799db1bc77f605.png\"><br \/>\n      <!-- <span>Share<\/span> --><\/p>\n<p>  <a rel=\"nofollow\" target=\"_blank\" target='\"new\"' href=\"https:\/\/twitter.com\/intent\/tweet?url=https%3A%2F%2Fwww.thefader.com%2F2026%2F05%2F28%2Fkim-petras-detour-interview%3Futm_source%3Df%26utm_medium%3Dtw%26utm_campaign%3Dshare&amp;text=Kim%20Petras%20on%20%E2%80%99Detour,%E2%80%99%20going%20indie,%20and%20putting%20art%20first&amp;via=thefader\" class=\"new_social_footer_button twitter new_social_share_button\" data-ga-event-category=\"Social Share\" data-ga-event-label=\"Twitter\" data-ga-on=\"click\" data-ga-event-action=\"cilck\"><\/p>\n<p>    <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"40\" height=\"40\" src=\"https:\/\/www.thefader.com\/assets\/FDR_SocialSharing_Twitter-8d78f695280aa3f8a4461702c68e9fcbfd6042af1600c62d49fdec4b735fb57a.png\"><br \/>\n    <!-- <span>Tweet<\/span> --><br \/>\n  <\/a><\/p>\n<\/div><\/div>\n<style>\n<\/style>\n<div id=\"content_block-280764\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            \u201cYou become a product and you become a joke.\u201d\n          <\/p>\n<p>\n            Kim Petras is warning me of the dangers of misaligned pop stardom, or what can h<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>en when the <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a> corporate powers that be force you to sideline your artistry for the company line. Petras named her 2023 album <i>Feed The Beast<\/i> after the monstrous music business she found herself prey to after her Grammy-winning mega-hit with Sam Smith, \u201cUnholy,&#8221; made her \u201csuddenly successful,\u201d she says with air quotes.\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>\n            \u201cI thought that it would be like a meta-joke,\u201d she says of the <i>Feed The Beast<\/i> title and era, which featured many hallmarks of major label pop releases, including a verse from Nicki Minaj (before her MAGA and transphobic turn) and a press tour around \u201cUnholy\u201d that made Petras fleetingly ubiquitous. \u201cI did the full fantasy of what you dream about as a kid when I signed to a label,\u201d she says. Despite the pomp, though, Petras says that it all \u201cfelt pointless.\u201d It made her feel less inspired and more disillusioned by her career path than ever before. That was the beginning of the end: her exit from the major-label machine to prioritize emotional expression and earnest storytelling.\n          <\/p>\n<p>\n            Cue <i>Detour<\/i>, her forthcoming self-released album that finds her working with underground-pop darlings like Margo XS, Frost Children, and Porches, and, for the first time, musically reflecting on her struggles in an often brutal industry, and opening up about her childhood with moving candor on songs like \u201cBrutalist,\u201d a track thick with metaphor that may well be the first time she&#8217;s ever spoken directly about her trans identity.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280789\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Kim Petras - I Like Ur Look (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/E4JPoTK1mqs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-280769\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            On this project she isn\u2019t the bimbo sex bot of <i>Slut Pop<\/i> or the pop troll of <i>Problematique<\/i>, but Kim: \u201cA German immigrant who came here at 19 and got signed up by, like, so many people, and was just like, <i>Fuck it, I\u2019m gonna do whatever it takes to get a chance at having a hit,<\/i>\u201d she says of the new record.\n          <\/p>\n<p>\n            Petras left her former label, Republic Records, sometime in 2026 and is footing the bill of this new chapter. \u201cThe consequences are there,\u201d she says vaguely, of her recent label negotiations. But for longtime listeners, fans and skeptics alike, there\u2019s going to be an undeniable thrill in hearing Petras speak so plainly, and at times movingly, about her own ambition, moxie, and pain.\n          <\/p>\n<p>\n            Petras stopped by The FADER for a wide-ranging and honest conversation about her career thus far, reclaiming her narrative, and committing to her art above all. Watch the full interview below and on <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">YouTube<\/a>, and read the transcript.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280804\" class=\"content_block breaker triple_gutter_right triple_gutter_left embed\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Kim Petras on &amp;apos;Detour&amp;apos; and putting her art first: The FADER Interview\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/FyYdoo-bb3E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280793\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<hr>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280770\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>The FADER: You\u2019ve been through a few different album cycles, and many different eras in your career, but this obviously feels distinct. What\u2019s standing out to you about this process, with this album, that\u2019s different from the last?<\/b>\n          <\/p>\n<p>\n            KIM PETRAS: It&#8217;s very different. [<i>Detour<\/i>] felt like a secret project. I really got to reinvent myself and re-find why I do this. That\u2019s been really incredible. It\u2019s been a longer journey to it than I wish it would have been. It was frustrating and depressing to sit on an album that you love and be told, \u201cWe love it,\u201d and then not get a release date. That was really frustrating. It feels really great to have creative freedom over what I do and to drop an album that I top-to-bottom love, my friends love, and that isn\u2019t catering to any specific thing.\n          <\/p>\n<p>\n            <b>Can you tell me about what the early days of writing this record were like and what was going on in your mind coming off the last record?<\/b>\n          <\/p>\n<p>\n            It started with a physical thing. I tore a tendon. I couldn\u2019t walk. That stopped me from performing. I canceled a bunch of festivals. Honestly, I had been feeling tired and drained from feeling like a product. I didn\u2019t have much control over what I do on stage or what I say in interviews. I was losing my will to want to go to the studio and make stuff. I wasn&#8217;t making [music] with friends, it was more industry [people]. I had started out [my career by] finding friends and working with them. Somewhere along the way that kind of got lost and I was missing it so much.\n          <\/p>\n<p>\n            It started [this record] with Margo XS, who\u2019s a really important part of this album. I met her at a party and we just hit it off, talking about music and philosophizing about synth textures and nerdy stuff. After official sessions, I had her over at my house and we started making music and that music felt really exciting.\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>\n            It wasn\u2019t met with much excitement from everyone on my team at the time. I did this double-dipping thing where I was doing big pop sessions during the day, like &#8217;80s nostalgia that felt forced, and then in the evenings I was making music with Margo. I fired my management and found management who were like, \u201cWe like this.\u201d\n          <\/p>\n<p>\n            And then the Frost Children came on board. I DM&#8217;d them. I felt like I needed a team of producers to do this together with, artists who I respected and loved and who I feel like stand for the same kind of stuff that I stand for. Porches came along, who\u2019s an amazing artist, and nightfeelings. Porches and I made a grunge album. Frost Children and I made an EDM album; Margo and I made a pop album that felt almost <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/anime-manga\/\" data-internallinksmanager029f6b8e52c=\"6\" title=\"Anime || Manga\" target=\"_blank\" rel=\"noopener\">anime<\/a>-esque. We combined all of those into this album, kind of secretly. We presented it to everyone. And then everyone was like, \u201cThis is the most cohesive body of work you\u2019ve made, wow \u2026\u201d \n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280771\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Kim Petras - Jeep (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/V_-rrLLkxas?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280772\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>\u201cBut let\u2019s not release it?\u201d<\/b>\n          <\/p>\n<p>\n            Yeah. I just couldn\u2019t release it. I was like, \u201cOkay, well let me start with a song.\u201d I then dropped two songs [\u201cPolo\u201d and \u201cFreak It\u201d]. Then it became like, \u201cWe don\u2019t want to pay for the mixing and the production.\u201d I was like, \u201cFine, I\u2019ll pay for it.\u201d [They said,] \u201cWe don\u2019t want to make music videos.\u201d [I said,] \u201cFine, I\u2019ll make the music video.\u201d And then it came to a stop and they wouldn\u2019t let me release anything from it anymore.\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>\n            I had to go. I\u2019m happy they let me out. It was a sacrifice. I can\u2019t really talk about it, but I\u2019m just so happy that I can drop music. That\u2019s all I want to do and even if I just get to put this album out, that feels like as much of a success to me as having a number one song or a Grammy: that is cool, but I want to put out a cohesive body of work. That\u2019s why I\u2019m doing this.\n          <\/p>\n<p>\n            I thought that if I had a hit that would give me freedom to do whatever I wanted. [I had a hit] and then that didn\u2019t happen. I\u2019m really grateful to my new management team, my friends, and my creative director. I just wanna keep making music with people who are cool.\n          <\/p>\n<p>\n            <b>In the notes to your album you said that you played the <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/game\/\" data-internallinksmanager029f6b8e52c=\"7\" title=\"Game\" target=\"_blank\" rel=\"noopener\">game<\/a> and there \u201cwas a price to it.\u201d I\u2019m curious to hear what not playing the game looks like?<\/b>\n          <\/p>\n<p>\n            It means not going to festivals or into rooms where I wouldn\u2019t go myself, to meetings and types of press that I felt uncomfortable with \u2026 [avoiding the] boxes I felt like I had to be put in while being on a major label. \u201cYou\u2019re our first trans artist.\u201d That felt icky. It just didn\u2019t feel good, being paraded. I want to be an artist. It just means not doing things that don\u2019t fulfill me, like I just played Berghain and that was amazing.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280799\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_3_vmhgue\/kim-petras-detour-interview.jpg 2400w,\" sizes=\"100vw\" alt=\"Kim Petras on \u2019Detour,\u2019 going indie, and putting art first\"><\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-280785\" class=\"content_block breaker triple_gutter_right triple_gutter_left pull_quote\">\n<div class=\"media_wrapper\">\n<blockquote class=\"pull_quote\"><p>\u201cI want to put out a cohesive body of work. That\u2019s why I\u2019m doing this.\u201d<\/p><\/blockquote><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280773\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>What was that like?<\/b>\n          <\/p>\n<p>\n            It\u2019s always been like a goal of mine secretly. It took me so long to do it. I love DJing with my friends. I love going to parties where it\u2019s not just taking pictures and socializing. This album is more about that for me.\n          <\/p>\n<p>\n            [Not playing the game means] not having to answer to a committee to get a release date and wait for however long they decide, to keep making songs until there\u2019s one song that could be a big song, and <i>then<\/i> your album gets greenlit because [of that]. The album should be a good album. I don\u2019t think it needs [a hit], really. The landscape has fully changed what a hit can look like. <br \/>[This album] is going back to my roots, releasing things unconventionally, week by week, month by month. [Releasing] projects, concept EPs, albums \u2026 I never called them albums or EPs [early in my career] because then it counts under a contract. Then there\u2019s a real pressure on it and people\u2019s eyes are on it. Then it\u2019s measured if you\u2019re worthy to continue investing in, or it\u2019s going to be a limbo situation, which I had seen before in other artists. So I was like, \u201cI\u2019m not gonna sign to major labels or anything like that before I have real traction and a real fan base that likes my stuff. Then I\u2019ll feel brave enough to do it.\u201d But in my case, [later in my career] it was just like, \u201cLet\u2019s make you into something different,\u201d you know?\n          <\/p>\n<p>\n            That defeated the purpose of the fan base that I built. I thought that it would be like a meta-joke if I called my album <i>Feed the Beast<\/i> and work with all the biggest producers who I\u2019ve been a big fan of my entire life. I am proud that I got to work with them, but then there were political things like, \u201cThis [producer] needs to have this many songs on this,\u201d [came up]. I thought that if I named it [<i>Feed the Beast<\/i> ] and I made it the aesthetic of the album, it would be kind of like a joke.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-280784\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Kim Petras - &quot;Pop Sound&quot; (Pretour)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/ifOuca8eQ2g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<p><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      &#8220;Pop Sound&#8221; was released on <i>Pretour<\/i>, a project teasing <i>Detour<\/i><br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280774\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>But how can it be a joke when you\u2019re doing it day in and day out?<\/b>\n          <\/p>\n<p>\n            No, totally. It didn\u2019t really work.\n          <\/p>\n<p>\n            <b>Didn\u2019t work creatively? Commercially?<\/b>\n          <\/p>\n<p>\n            Creatively, fully. And commercially for them too. That\u2019s cool, too, you know? I got the last Nicki [Minaj] feature that\u2019s acceptable at this point. [<i>Laughs<\/i>]. I got to do a David Guetta collab and David Guetta\u2019s a GOAT.\n          <\/p>\n<p>\n            I did the full fantasy of what you dream about as a kid like when I signed to a label. So I\u2019m grateful, and I&#8217;m grateful they let me out. It felt really pointless and not the same as this [album], which has a purpose to connect with people. This is a real try for me to let people know me, which is really rare because I love hiding behind a concept. I love escapist pop. The bridges on this album are a multidimensional view to the full picture [of me]. [It\u2019s more] than me playing this character that\u2019s super horny, or this person who kills people. This is combining all of those into a person.\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>\n            <b>I felt that throughout the entire record, especially on &#8220;Brutalist.&#8221; Can you share the thoughts and feelings that were going through your mind as you were writing it?<\/b>\n          <\/p>\n<p>\n            It\u2019s the story of my dad and I driving around in Germany to get my hormone therapy when I was a kid. He used to show me buildings along the way and teach me about architecture. There was this particular brutalist post office that we were obsessed with. It was something we could bond over. We came back to the city every few months or so to get psychological assessments of how [the treatment is] going. I\u2019m from a really small town so we used to have to drive to a big city, which in that case was Hamburg in Germany. [One day we noticed] they knocked [the post office] down and built an apartment building that was a classic modern apartment building. We were like, \u201cUgh, they ruined the city,\u201d you know?\n          <\/p>\n<p>\n            In recent years, there\u2019s been so much talk about \u2026 honestly from the beginning of my transition when I talked about [my transition in the German media]. I was 12 talking about it, which I kind of regret because privacy was really blurred, [but] I was really unashamed of talking about it because I was a kid and I was like, \u201cThis is the way it is.\u201d Now that I\u2019m in America, there\u2019s so much shame around sex, sexual education is such a taboo, and it\u2019s such a weird climate right now especially about trans kids in particular. They\u2019re the enemy right now. In this political climate I\u2019m happy I can stand for [the idea that] trans kids can transition and then be a grown up and happy and make [those] choices. I made the right choices that I\u2019m proud of to this day.\n          <\/p>\n<p>\n            But [at the same time] I have people saying I ruined my body and I ruined my life. They don\u2019t know me at all. They don\u2019t know my history, that I went to so many psychologists and so many doctors and that it was a real thing that had an assessment and [they gave me] an answer [about] why I got to [get hormone treatment]. It saved my life and then there\u2019s people who are like, \u201cThis saved your life, but you ruined everything,\u201d\n          <\/p>\n<p>\n            I felt like my dad and I were guilty [of that with the apartment]. There\u2019s people living in this modern apartment building now probably like, \u201cWe love it here,\u201d and we\u2019re like, \u201cNah, it\u2019s basic and y\u2019all ruined it.\u201d I thought it was interesting to compare the two. What does it mean if something\u2019s ruined but other people love it and it\u2019s subjective. People are saying that you fucked it all up. That relates so much, too, to [how I\u2019m] getting away from the pop formula.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div class=\"content_block flush image\" id=\"content_block-280800\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_12_jggndn\/kim-petras-detour-interview.jpg 2400w,\" sizes=\"100vw\" alt=\"Kim Petras on \u2019Detour,\u2019 going indie, and putting art first\"><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280786\" class=\"content_block breaker triple_gutter_right triple_gutter_left pull_quote\">\n<div class=\"media_wrapper\">\n<blockquote class=\"pull_quote\"><p>\u201cI\u2019m happy I can stand for [the idea that] trans kids can transition and then be a grown up and happy. I made the right choices that I\u2019m proud of to this day.\u201d <\/p><\/blockquote><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280778\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>That\u2019s what came to my mind too. There\u2019s this theme throughout the album of wanting this thing and wondering, \u201cDid I ruin it all?\u201d<\/b>\n          <\/p>\n<p>\n            Totally! That feeling is across the whole thing. It\u2019s the image of diving off the cliff. <i>Need for Speed<\/i> is really the start visually of this because it just felt like I wanted to throw [my pop career] away, because it didn\u2019t feel good anymore. I was like, \u201cMaybe I\u2019ll just move to the middle of nowhere and do drugs and that\u2019s all I\u2019m gonna do. And maybe I\u2019m fine with that and maybe I  wasn\u2019t meant for this at all.\u201d That feeling led me to be okay with any outcome. If I make something that storytelling-wise I love, that I want to listen to from front to back, then whatever it does is awesome, you know?\n          <\/p>\n<p>\n            Pop artists in recent years have had something to do with [my mindset changing]. I obviously collaborated with Charli and seeing what she did when she just stopped caring was amazing. She started doing her own thing. It was super inspiring to see.\n          <\/p>\n<p>\n            [The idea of perfect pop has] changed so much. I used to care so much about the perfect vocal and doing 500 takes of something until it was perfect. Vocal resting for like three days until I could get like this ad-lib. And then someone comes into the studio and tells you your \u201cvoice isn\u2019t at 100 today. Let\u2019s book another day in a month.\u201d And then you wait a month to finish this song. And sometimes [you\u2019re] being fucking yelled at if you can\u2019t like hit a note in the first three takes, which is so trash and makes you feel so bad.\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>\n            In this scenario it was me, Margo [XS], [Frost Children] Lulu and Angel, [Porches] Aaron [Maine] and all these wonderful people who have this love for storytelling and aesthetics. They have such a specific world of their own, and a culture of their own that they\u2019re in the process of building. It felt so much more worth it to be in a collective of likeminded people and all collaborate in a true way.\n          <\/p>\n<p>\n            [On this album,] sometimes [we picked] the not perfect vocal because it\u2019s more emotional. Or not perfectly timing it because the timing felt cool or rushed, or mispronouncing a bunch of stuff felt really important, like a storytelling device. That\u2019s what I\u2019m most passionate about in pop: the storytelling of it all.\n          <\/p>\n<p>\n            I definitely have a story to tell in pop because I\u2019m this German immigrant who came here at 19 and got signed up by so many people, and was just like, \u201cFuck it, I\u2019m gonna do whatever it takes to like get a chance at having a hit.\u201d And then I had a hit. I love Sam and I love the song [\u201cUnholy\u201d], but I hate that now all of a sudden everyone thinks I\u2019m successful and before that I was apparently not. Even though I was selling out shows. I liked that a lot more. Even if it was smaller venues, I liked it a lot more to just sing to my fans and actually make a safe space. So I was like, \u201cFuck it.\u201d It\u2019s been hard to do that and the consequences are there and I can\u2019t really talk about them.\n          <\/p>\n<p>\n            <b>You got sponsors like Oatly and MISTR to fund your videos. Is that what making it work as an indie pop artist looks like now?<\/b>\n          <\/p>\n<p>\n            I\u2019m really grateful [for the sponsors] because that was the only reason [I could do it]. I do actually like all the products. But [having the sponsors] made so much sense because me and my friends were honestly so drunk and up until seven in the morning one night and coming up with this concept of how to tell this story without writing it out. I feel like I did in a really fun way that basically sums up everything. [My team and I are] like, \u201cOkay we\u2019re gonna get out of this and release this album because we all really believe in it at kind of any cost.\u201d\n          <\/p>\n<p>\n            It doesn\u2019t have a marketing budget but it\u2019s amazing so I\u2019m making the marketing budget happen by partnering up with people and going to things and putting the money back into it. I\u2019ve gone broke on tours before just because I wanted the tour to look dope, because I care more about the creative. That\u2019s just what I\u2019m doing now too.\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280765\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Kim Petras - Need For Speed (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3xwk3Fb_Uis?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280803\" class=\"content_block breaker triple_gutter_right triple_gutter_left pull_quote\">\n<div class=\"media_wrapper\">\n<blockquote class=\"pull_quote\"><p>\u201cI was like, \u2019Maybe I\u2019ll just move to the middle of nowhere and do drugs and that\u2019s all I\u2019m gonna do &#8230; maybe I  wasn\u2019t meant for this at all.\u2019 That feeling led me to be okay with any outcome. \u201d<\/p><\/blockquote><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280801\" class=\"content_block diptych triple_gutter_right triple_gutter_left\">\n<div class=\"media_wrapper half_gutter_right gutter_btm\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_760,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_19_mhqbe4\/kim-petras-detour-interview.jpg 2400w,\" sizes=\"(max-width: 768px) 100vw, 50vw\" alt=\"Kim Petras on \u2019Detour,\u2019 going indie, and putting art first\"><\/p><\/div>\n<div class=\"media_wrapper half_gutter_left\" style=\"\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_760,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:eco\/Kim_Petras___The_FADER_18_qkmutf\/kim-petras-detour-interview.jpg 2400w,\" sizes=\"(max-width: 768px) 100vw, 50vw\" alt=\"Kim Petras on \u2019Detour,\u2019 going indie, and putting art first\"><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280780\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>Part of me feels like you\u2019re learning the lesson that so many of your peers in pop have, which is when you start doing what you love, everything falls into place. I\u2019m curious from your perspective of someone who\u2019s been through this label system: why doesn\u2019t the industry seem to see that as the best way forward as well? <\/b>\n          <\/p>\n<p>\n            If you work with the wrong people who don\u2019t care about the artist and the artistry first, it becomes about money. You become a product and you become a joke in many ways. That\u2019s what it felt like to me. There are people who surround themselves with teams who truly do let you be your greatest as an artist and don\u2019t try to sway you into being less of an artist because they think it\u2019s going to sell better.\n          <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>\n            I learned my lesson in people, in friends, in producers \u2026 Do they care about themselves or do they care about this project? [I learned it] in songwriters: do they care about the song being great or do they care about having a percentage on this song? You really gotta watch out and be able to read people.\n          <\/p>\n<p>\n            I honestly would have done anything for a chance to be a pop star. I think that\u2019s endearing and I think that many kids that are talented feel like that. Walking that line and coming out of it as someone who\u2019s admirable, whose actions are cool, is so important to me. I don\u2019t want to feed into that and I don\u2019t want to become a part of that and I don\u2019t want to \u2026\n          <\/p>\n<p>\n            <b>Feed the beast?<\/b>\n          <\/p>\n<p>\n            Totally! Or let other stuff come in the way of art. It\u2019s about fighting off anyone who wants to get in the way of art and pervert it in a way, and make it not pure because like, \u201cOh, if we change this, then more people will understand it, because I think that people are stupid and that they don\u2019t know this word or that they can\u2019t figure out this melody. That\u2019s why we have to repeat it 50 times.\u201d It\u2019s not for the purpose of repeating it because that\u2019s for the emotion of the song.  I\u2019m not saying repetition is necessarily bad or stupid. I love repetition. But when it\u2019s like, \u201cI think people are stupid and I want Suzy in, I don\u2019t fucking know, Kentucky to understand what this is.\u201d It\u2019s like, \u201cOkay, so you think she\u2019s stupid?\u201d That\u2019s just so disrespectful to people and to art and people\u2019s interest in art.<br \/>I think that my fans are really smart. Ultimately it\u2019s about trying to connect with your fans and trying to not feel alone. I started out that way and I feel like I\u2019m back on track of telling my story and connecting with people. It feels awesome, but I also feel like I just woke up from being brainwashed a little bit. It feels awesome, but honestly waiting on a record for a year was not fun, probably the most depressing experience ever and it changed me for real. It sucked but here we are.\n          <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-280802\" class=\"content_block paragraph image triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Kim_Petras___The_FADER_14_gekerj\/kim-petras-detour-interview.jpg 2400w,\" sizes=\"(max-width: 768px) 100vw, 640px\" alt=\"Kim Petras on \u2019Detour,\u2019 going indie, and putting art first\"><\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Tobias Hess<\/span><br \/>\n  <\/span><\/div>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" target=\"_blank\" >Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2026\/05\/28\/kim-petras-detour-interview\" target=\"_blank\" >Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kim Petras debuts for real this time The German singer talks her career, going independent, and making her most fearless album to date. By Tobias Hess Photographer Ethan Holland \u201cYou become a product and you become a joke.\u201d Kim Petras is warning me of the dangers of misaligned pop stardom, or what can happen when&#8230;<\/p>\n","protected":false},"author":1,"featured_media":730177,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_516,w_991,x_22,y_107,f_auto,q_auto:eco\/Kim_Petras___The_FADER_15_sf4pjn\/Kim_Petras___The_FADER_15_sf4pjn.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[28101,160598,121024,112445],"class_list":["post-730176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-pop","tag-frost-children","tag-kim-petras","tag-porches"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/730176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=730176"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/730176\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/730177"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=730176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=730176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=730176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}