{"id":90084,"date":"2020-10-15T21:30:16","date_gmt":"2020-10-15T18:30:16","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/what-canadian-authors-are-reading-during-the-pandemic\/"},"modified":"2020-10-15T21:30:16","modified_gmt":"2020-10-15T18:30:16","slug":"what-canadian-authors-are-reading-during-the-pandemic","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/what-canadian-authors-are-reading-during-the-pandemic\/","title":{"rendered":"#What Canadian authors are reading during the pandemic"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3e70dd6e040\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3e70dd6e040\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/what-canadian-authors-are-reading-during-the-pandemic\/#Cherie_Dimaline_2017_winner_Young_Peoples_Literature_%E2%80%94_Text\" >Cherie Dimaline (2017 winner, Young People\u2019s Literature \u2014 Text)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/what-canadian-authors-are-reading-during-the-pandemic\/#Darrel_McLeod_2018_winner_non-fiction_category\" >Darrel McLeod (2018 winner, non-fiction category)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/what-canadian-authors-are-reading-during-the-pandemic\/#Joan_Thomas_2019_winner_fiction_category\" >Joan Thomas (2019 winner, fiction category)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/what-canadian-authors-are-reading-during-the-pandemic\/#Madeleine_Thien_2016_winner_fiction_category\" >Madeleine Thien (2016 winner, fiction category)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/what-canadian-authors-are-reading-during-the-pandemic\/#David_Alexander_Robertson_2017_winner_young_peoples_literature_%E2%80%94_illustrated_books_category\" >David Alexander Robertson (2017 winner, young people\u2019s literature \u2014 illustrated books category)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/buradabiliyorum.com\/en\/what-canadian-authors-are-reading-during-the-pandemic\/#Cecily_Nicholson_2018_winner_poetry_category\" >Cecily Nicholson (2018 winner, poetry category)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/buradabiliyorum.com\/en\/what-canadian-authors-are-reading-during-the-pandemic\/#Sydney_Smith_2019_winner_young_peoples_literature_%E2%80%94_illustrated_books_category\" >Sydney Smith (2019 winner, young people\u2019s literature \u2014 illustrated books category)<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#What Canadian authors are reading during the pandemic<\/strong>&#8221;<\/p>\n<div>\n<p>Since 1936, GGBooks have been celebrating the best books in Canada across genres. Each year, writers from all corners of the country are nationally recognized for their contributions to Canadian literature, only this year is unlike previous years\u2014due to the COVID-19 pandemic, the Canada Council for the Arts will announce the 2020 GGBooks finalists and winners next spring, rather than this fall.<\/p>\n<p>Under these unique circumstances, and despite there being no gala this year, past winners are taking time to reflect on how their view and consumption of literature has changed throughout the months. In a time when there\u2019s no choice but to sit at home and reflect while trying to carry on, we spoke to past winners to understand how they\u2019re choosing to explore this strange moment in time.<\/p>\n<p>Exploring works of fiction, non-fiction, poetry and children\u2019s literature, each winner\u2019s unique take on what they\u2019re reading is the perfect insight into how so many of us are dealing with the world around us.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Cherie_Dimaline_2017_winner_Young_Peoples_Literature_%E2%80%94_Text\"><\/span><strong>Cherie Dimaline (2017 winner,<\/strong> <strong>Young People\u2019s Literature \u2014 Text)<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div id=\"attachment_1211361\" style=\"width: 1290px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-sizes=\"auto\" class=\"size-full wp-image-1211361 lazyload\" src=\"https:\/\/www.macleans.ca\/wp-content\/uploads\/2020\/10\/INLINE_Cherie.jpg\" alt=\"Cherie Dimaline author headshot\" width=\"1280\" height=\"720\"\/><\/p>\n<p class=\"wp-caption-text\">Photo by Wenzdae Brewster<\/p>\n<\/div>\n<p>Cherie Dimaline, winner of 2017\u2019s children\u2019s literature award with <em>The Marrow Thieves<\/em> and author of <em>Empire of Wild<\/em>, has been taking this time to both escape into new worlds and also hope for a better future.<\/p>\n<p>\u201cI\u2019ve been doing a lot of escaping in <em>Black Water<\/em> by David A. Robertson,\u201d Dimaline says. The memoir, released in September 2020 is a book Dimaline describes as comforting for her. \u201cIt was really intimate but had that universal reconnection we\u2019re all missing right now,\u201d she says from her home in Toronto. Mostly, <em>Black Water <\/em>has given Dimaline time to reflect on our current state. \u201cMaybe this time is giving us a real chance to remember what\u2019s really important.\u201d<\/p>\n<p>On the other end of the spectrum, Dimaline has also been embracing books that are addressing real life issues. <em>Crosshairs<\/em>, a novel by Catherine Hernandez, is one that stands out as both embracing harsh realities of life in a post-apocalyptic setting, but also a message of hope. \u201cIt was especially empowering for me to hear stories that talk about a potential end to these times,\u201d Dimaline says of the novel. \u201cEspecially because of the <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">news<\/a> cycle, it was nice to read something addressing tumultuous times and reminding me that there aren\u2019t just bad guys.\u201d<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Darrel_McLeod_2018_winner_non-fiction_category\"><\/span><strong>Darrel McLeod (2018 winner, non-fiction category)<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" data-sizes=\"auto\" class=\"aligncenter size-full wp-image-1211359 lazyload\" src=\"https:\/\/www.macleans.ca\/wp-content\/uploads\/2020\/10\/INLINE_Darrel.jpg\" alt=\"Darrel McLeod headshot\" width=\"1280\" height=\"720\"\/>Winning the 2018 award for non-fiction, Darrel McLeod\u2019s debut memoir <em>Mamaskatch: A Cree Coming of Age <\/em>told the story of his childhood and being raised by his mother, a residential school survivor. Currently, McLeod is preparing for the 2021 release of <em>Peyakow: Reclaiming Cree Dignity, a Memoir<\/em>.<\/p>\n<p>\u201cI\u2019m always reading a few books at the same time,\u201d says McLeod on what he\u2019s been consuming over the last six months. When it comes to reading, McLeod speaks of how he sees literature as a way to learn about his own writing. \u201cI always learned from the books that I read about my writing, and I was intrigued by character development in the structure of her book, and I kind of studied it for that.\u201d<\/p>\n<p>For McLeod, what he reads is intricately linked to what he\u2019s writing and admits throughout the pandemic he\u2019s been in a sort of \u201creading casket\u201d tearing through books like <em>Petra <\/em>by Shaena Lambert. \u201cBut I have been looking for an escape through listening to comedy,\u201d said McLeod of how he\u2019s trying to relax. \u201cI\u2019ve been listening to comedy every night and have so much fun with it, I myself am a trained co<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a>n.\u201d And while some might be surprised by his past as a comedian McLeod says, \u201cIt <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ears in <em>Peyakow<\/em> and with the release of that book, I\u2019m going to come out as a comedian\u2014as a funny guy.\u201d<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Joan_Thomas_2019_winner_fiction_category\"><\/span><strong>Joan Thomas (2019 winner, fiction category)<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" data-sizes=\"auto\" class=\"aligncenter size-full wp-image-1211363 lazyload\" src=\"https:\/\/www.macleans.ca\/wp-content\/uploads\/2020\/10\/INLINE_Joan.jpg\" alt=\"Joan Thomas author headshot\" width=\"1280\" height=\"720\"\/>As last year\u2019s winner for fiction with <em>Five Wives <\/em>and 2014\u2019s finalist for fiction <em>The Opening Sky,<\/em> Joan Thomas has been spending her pandemic thinking about how writers are dealing with these times. \u201cI think that these huge global events like the pandemic and the climate crisis are hugely challenging to writers,\u201d Thomas said from her home in Manitoba. When it comes to what she\u2019s consuming, Thomas isn\u2019t looking to forget about the world around her, \u201cI\u2019m looking for writers who take on the current situation.\u201d<\/p>\n<p>This means reading from writers who Thomas believes are taking on the current situation and the world at large. \u201cI just read <em>Songs for the End of the World <\/em>by Saleema Nawaz, which has gotten a lot of attention because it deals with a pandemic,\u201d Thomas says of the book. But beyond the timely premise of a pandemic, Thomas was drawn to its six degrees of separation structure, \u201cIt reminds us how linked we are as human beings, which is something really emphasized by a contagious virus.\u201d<\/p>\n<p><em>Petra <\/em>by Shaena Lambert is another pick of Thomas\u2019s, following the story of 1980\u2019s political activist Petra Kelly, Thomas speaks of how the book follows the example of how the past can illuminate the present with regards to the climate crisis.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Madeleine_Thien_2016_winner_fiction_category\"><\/span><strong>Madeleine Thien (2016 winner, fiction category)<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div id=\"attachment_1211358\" style=\"width: 1290px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-sizes=\"auto\" class=\"size-full wp-image-1211358 lazyload\" src=\"https:\/\/www.macleans.ca\/wp-content\/uploads\/2020\/10\/INLINE_Madeleine.jpg\" alt=\"Madeleine Thien headshot\" width=\"1280\" height=\"720\"\/><\/p>\n<p class=\"wp-caption-text\">Photo by Rawi Hage<\/p>\n<\/div>\n<p>In 2016, Madeleine Thien won the award for fiction for her novel <em>Do Not Say We Have Nothing, <\/em>and currently she\u2019s working on what she calls, \u201ca pretty big novel.\u201d<\/p>\n<p>Like many of the authors interviewed, she adored <em>Petra <\/em>by Schaena Lambert, and spent much of the last six months reading short fiction collections, something she calls, \u201cIntegral to Canadian literature.\u201d Based in Montreal, Thien cites three collections in particular that made a mark: <em>Good Citizens Need Not Fear <\/em>by Maria Reva, <em>Dominoes at the Crossroads<\/em> by Kaie Kellough, and <em>How to Pronounce Knife <\/em>by Souvankham Tammavongsa. \u201cThose three are so remarkably different from each other but exciting because they\u2019re all first collections of stories,\u201d Thien says. But what they do have in common is that, \u201cThey\u2019re bringing something bold and innovative to the world.\u201d<\/p>\n<p>Thinking about the current state of the world, these collections also brought her closer to the current moment\u2014something Thien believes is especially important when reading the news feels particularly heavy.<\/p>\n<p>\u201cThese works are really in tune and crystalized with right now,\u201d Thien remarks. But most importantly, these writers aren\u2019t trying to be of the moment. \u201cThese are clearly writers that have been thinking about these issues for years.\u201d<\/p>\n<h2><span class=\"ez-toc-section\" id=\"David_Alexander_Robertson_2017_winner_young_peoples_literature_%E2%80%94_illustrated_books_category\"><\/span><strong>David Alexander Robertson (2017 winner, young people\u2019s literature \u2014 illustrated books category)<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" data-sizes=\"auto\" class=\"aligncenter size-full wp-image-1211362 lazyload\" src=\"https:\/\/www.macleans.ca\/wp-content\/uploads\/2020\/10\/INLINE_Davidson.jpg\" alt=\"David Robertson author headshot\" width=\"1280\" height=\"720\"\/>As the author of over 25 books spanning young adult literature, children\u2019s literature and graphic novels, David Alexander Robertson was given the award for young people\u2019s literature \u2013 illustrated books for <em>We are Not Alone. <\/em><\/p>\n<p>For Robertson, what he\u2019s been reading has been influenced by the current moment. \u201cMy main reading choice was heavily influenced by what feels like a dystopian future right now,\u201d Robertson says of what he\u2019s been consuming lately, \u201cI\u2019ve been pretty selective of what I\u2019ve been reading but what has stuck with me the most has been <em>Empire of Wild <\/em>by Cherie Dimaline.\u201d<\/p>\n<p>Having read it in 2019 upon its release, Robertson says the novel stuck with him for a number of reasons leading him to re-read it recently. \u201cI love the way that she world builds,\u201d he says of Dimaline\u2019s novel. Not only that, but her incorporation of Metis and Indigenous legends into her text. \u201cIt\u2019s juxtaposed against this obvious discussion on Christian or Catholic influences on indigenous peoples, and the whole idea of colonialism,\u201d Robertson says of it mirroring current issues.<\/p>\n<p>As someone who\u2019s currently and always working on new content whether it be books or other deadlines, Robertson echoes what many feel about consuming literature during the pandemic, \u201cI\u2019d say it\u2019s more distraction, it\u2019s a really anxious time and a tough time so it\u2019s been an exercise of being busy to distract myself from anxiety.\u201d<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Cecily_Nicholson_2018_winner_poetry_category\"><\/span><strong>Cecily Nicholson (2018 winner, poetry category)<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" data-sizes=\"auto\" class=\"aligncenter size-full wp-image-1211360 lazyload\" src=\"https:\/\/www.macleans.ca\/wp-content\/uploads\/2020\/10\/INLINE_Cecily.jpg\" alt=\"Cecily Nicholson author headshot\" width=\"1280\" height=\"720\"\/>The winner of 2018\u2019s award for poetry for her collection <em>Wayside Song<\/em>, Cecily Nicholson believes what she\u2019s most interested in reading has been preparing her for these challenging times.<\/p>\n<p>\u201c<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">General<\/a>ly my reading passion is divided between sci-fi, poetry and a lot of long form journalism,\u201d Nicholson explains from her home in British Columbia. But in terms of what has really been standing out for her, she has been thinking particularly about poetry.<\/p>\n<p>\u201cMostly, I\u2019ve been thinking about a book that\u2019s coming out now from someone in my community,\u201d Nicholson explains. \u201c<em>Eat Salt \u2013 Gaze at Ocean<\/em> by Junie D\u00e9sil is one I think about particularly because of the content of the book itself and the subject matter.<\/p>\n<p>The book, which was released this September, speaks of Haitian blackness in the Canadian landscape. The debut poetry collection is one Nicholson calls, \u201cstunning\u201d for how it articulates the black experience in Canada. \u201cWe\u2019re in this heightened place, we\u2019re deeply rooted in a diasporic sense across North America, of course and the African diaspora.\u201d Rooted in family narratives and using the Haitian zombie lore metaphorically for the treatment of black people, Nicholson believes the book is perfect for this moment.<\/p>\n<p>\u201cThe work itself is coming out, in a moment when I\u2019m watching and witnessing a real presence and engagement with black people and what we\u2019ve created,\u201d Nicholson says. \u201cA part of it is just putting into words a range of sensory experience and atmosphere, things that are hard to articulate about the black experience.\u201d<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Sydney_Smith_2019_winner_young_peoples_literature_%E2%80%94_illustrated_books_category\"><\/span><strong>Sydney Smith (2019 winner, young people\u2019s literature \u2014 illustrated books category)<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div id=\"attachment_1211357\" style=\"width: 1290px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-sizes=\"auto\" class=\"size-full wp-image-1211357 lazyload\" src=\"https:\/\/www.macleans.ca\/wp-content\/uploads\/2020\/10\/INLINE_Sydney.jpg\" alt=\"Headshot of Sydney Smith\" width=\"1280\" height=\"720\"\/><\/p>\n<p class=\"wp-caption-text\">Photo by Steve Farmer<\/p>\n<\/div>\n<p>Winning the 2019 award for young people\u2019s literature \u2014 illustrated books for his book <em>Small in the City, <\/em>Halifax-based writer and illustrator Sydney Smith has only found time to read books his young children will also find fascinating. \u201cThe only time I get to read is when I\u2019m reading to them,\u201d he says. For Smith, this means reading <em>Our Little Kitchen <\/em>by Jillian Tamaki.<\/p>\n<p>But for Smith, that also means reflecting on his own responsibilities as an author of picture books. \u201cI\u2019ve been thinking a lot lately about my own job and the kinds of books that feel important for kids right now,\u201d Smith says of his pandemic reading.<\/p>\n<p>\u201cEspecially because they\u2019re so isolated, and even confused at home,\u201d He says of reading to his children, \u201cIt feels like it\u2019s maybe more important now for people to be telling stories of community and telling stories of people helping each other,\u201d He says of Tamaki\u2019s book.<\/p>\n<p>\u201cIt\u2019s such a good, beautiful book about a group of people at a community kitchen preparing a meal and it\u2019s beautifully illustrated,\u201d Smith explained. But most importantly, it shows a huge spectrum of people and characters, \u201cThey all have one mission which is to create a meal out of very little for a group of people, and it\u2019s just so beautiful.\u201d<br \/>\n<span class=\"ctx-article-root\"><!-- --><\/span><\/p><\/div>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more News articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/general\/\" target=\"_blank\" rel=\"noopener noreferrer\">General category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.macleans.ca\/culture\/books\/what-past-governor-generals-literary-award-winners-are-reading-in-pandemic\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#What Canadian authors are reading during the pandemic&#8221; Since 1936, GGBooks have been celebrating the best books in Canada across genres. Each year, writers from all corners of the country are nationally recognized for their contributions to Canadian literature, only this year is unlike previous years\u2014due to the COVID-19 pandemic, the Canada Council for the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":90085,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.macleans.ca\/wp-content\/uploads\/2020\/10\/FEATURE_GGBooks.jpg","fifu_image_alt":"","footnotes":""},"categories":[1],"tags":[17209,75931],"class_list":["post-90084","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","tag-books","tag-ggbooks1020"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/90084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=90084"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/90084\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/90085"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=90084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=90084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=90084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}