#Wheatley Teases Insanely Large Action – /Film

#Wheatley Teases Insanely Large Action – /Film

“#Wheatley Teases Insanely Large Action – /Film” Ben Wheatley, the director behind Kill List, High-Rise, Free Fire, and the upcoming In the Earth, will next helm The Meg 2, the sequel to the 2018 giant shark movie starring Jason Statham and directed by Jon Turteltaub. While we still don’t know a lot about The Meg 2, in a recent interview, Wheatley talked about…

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#Take a Trip With Ben Wheatley – /Film

#Take a Trip With Ben Wheatley – /Film

“#Take a Trip With Ben Wheatley – /Film” Ben Wheatley‘s latest horror oddity is on the way, and here’s a disturbing trailer to give you just a tiny glimpse of the madness he has in store. If you’ve seen a Wheatley horror flick you have some idea of what to expect from In the Earth, which arrives…

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#In the Earth Review: Sundance 2021 – /Film

#In the Earth Review: Sundance 2021 – /Film

“#In the Earth Review: Sundance 2021 – /Film” “People get a bit funny in the woods,” a character says early on in Ben Wheatley‘s In the Earth, and that line could double as the movie’s mantra. Like the filmmaker’s A Field in England, it follows characters lost in nature, slowly going out of their minds as they…

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#Alfred Hitchcock vs. Ben Wheatley

#Alfred Hitchcock vs. Ben Wheatley

“#Alfred Hitchcock vs. Ben Wheatley” According to IMDb, Daphne du Maurier’s hit 1938 novel Rebecca has been adapted for the screen fifteen times, including the latest version for Netflix (never mind the number of stage and radio productions). And each of them since the first one has been compared to the original, which was directed by…

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#‘Rebecca’ Review: Ben Wheatley’s Slick Update on the Gothic Romance Fails to Thrill

#‘Rebecca’ Review: Ben Wheatley’s Slick Update on the Gothic Romance Fails to Thrill

“#‘Rebecca’ Review: Ben Wheatley’s Slick Update on the Gothic Romance Fails to Thrill” It’s never a good idea to remake Hitchcock, even though several have tried. And while Ben Wheatley‘s new Netflix Rebecca is technically not a remake, but rather a new adaptation of Daphne du Maurier’s classic novel, it can’t escape the Hitchock film’s legacy. Like its main…

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