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‘White Plastic Sky’ Review: From Hungary, Richly Realized Dystopian World-Building Impressively bleak animated Hungarian sci-fi feature White Plastic Sky imagines a grim dystopia a hundred years from now where, like in Soylent Green (1973), older people are harvested at age 50, turned into trees so that they can become food for the younger generation. Except…
Berlin: Teddy Award for Nigerian Drama ‘All The Colors in the World Are Between Black and White’ All the Colours of the World Are Between Black and White, the debut feature from director Babatunde Apalow, has won the 2023 Berlin Film Festival’s Teddy Award for best LGBTQIA+ film at this year’s Berlinale. Apalow’s drama follows…
Berlin: ‘Kokomo City,’ ‘Sira’ Win Panorama Audience Awards D. Smith’s Sundance audience award winner Kokomo City has won over Berlin cinemagoers as well, winning the audience award for best documentary in Berlin’s Panorama section. Apolline Traoré’s Sira won the audience prize for best narrative feature. A raw depiction of the lives of four Black trans…
Berlin: ‘The Quiet Migration’ Wins Critics’ Fipresci Award The Quiet Migration, the narrative feature debut of director Malene Choi (The Return), has won the prize for best film at the 2023 Berlin International Film Festival awarded by Fipresci, the association of international film critics. The Quiet Migration had its world premiere in Berlin in the…
‘Art College 1994’ Review: Chinese Director Liu Jian Looks Back in a Wistful Animated Film Art College 1994, a deadpan slice of comic-sad social realism from Chinese animator Liu Jian (Have a Nice Day), offers reassuring evidence that although cultural specificities can shape artistic traditions — and fashion and tastes fluctuate — art students are…
‘Bad Living’ (‘Mal Viver’) Review: A Miserable Melodrama of Female Cruelty Anabela Moreira, Rita Blanco and Madalena Almeida star as three generations of women perpetually at odds with one another in Portuguese auteur Joao Canijo’s film. If you liked the article, do not forget to share it with your friends. Follow us on Google News too, click…
‘Boom! Boom! The World vs. Boris Becker’ Review: Alex Gibney’s Tennis Doc Is for Fans Only Prolific documentarian Alex Gibney hates liars. He hates when companies lie (Enron: The Smartest Guys in the Room); he hates when religions lie (Going Clear, Mea Maxima Culpa); he hates when authority figures lie (The Inventor, Client 9). The…
‘Golda’ Review: Helen Mirren Makes a Commanding Golda Meir in Square but Serviceable Biopic Helen Mirren hasn’t played that many historical characters in her storied career. But somehow when she has, she not only brings exemplary acting skill but also an imposing regality, obviously handy when she’s playing monarchs like queens Elizabeth I and II…
‘Seneca — On the Creation of Earthquakes’ Review: John Malkovich Travels Back to Nero’s Rome in Misconceived Historical Fantasy There is one thing to be said for Seneca — On the Creation of Earthquakes, which has its world premiere in Berlin this week. It may be the first major film set in ancient Rome in…
‘Kiss the Future’ Review: Stirring Doc Depicts How U2 Inspired War-Torn Sarajevo The ongoing war in Ukraine adds a timely resonance to Nenad Cicin-Sain’s documentary about the underground art and music movement that sprung up in Sarajevo during the 1990s Bosnian War. Not that it was needed, since Kiss the Future would have the same…