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The extraordinary success of Barbie and Oppenheimer was a needed shot of adrenaline for Hollywood and theater owners as domestic box office revenue hit $311.1 million over the July 21-23 frame, the fourth biggest weekend of all time. Never in history has one movie opened to $100 million or more, and a second one to more…
Barbie‘s phenomenal box office opening in the U.S. wasn’t matched in China — not by a long shot. The Greta Gerwig-directed Warner Bros. blockbuster opened to just $8 million in China, finishing the weekend in fifth place behind a bunch of local Chinese hits. In North America, the film debuted to a record-setting $155 million. The…
Tom Cruise, the star who is credited with saving the box office after Top Gun: Maverick flew to $1.5 billion in global ticket sales, is now facing another kind of reckoning — surviving the Barbenheimer effect. His Mission: Impossible — Dead Reckoning Part One tumbled a franchise-worst 64 percent to $19.5 million in its second…
Greta Gerwig has broken the opening weekend record for a female director, solo or otherwise. Her Barbie movie opened to an estimated $155 million at the North American box office over the July 21-23 weekend, a historic sum that easily surpasses the $103.3 domestic opening of Patty Jenkins’ Wonder Woman. In 2019, Captain Marvel also…
The summer box office just went nuclear. Filmmaker Greta Gerwig’s female-fueled Barbie started off with a stupendous $70.5 million on Friday, including $22.3 million in previews. If early modeling is correct, the Warner Bros. movie is headed for a historic $155 million-plus opening domestically, a threshold usually reserved for male-driven superhero fare or marquee IP…
The Barbenheimer’s box-office dominion does not extend to China, it seems. Greta Gerwig’s Barbie released in China Friday to considerable fanfare, but its pink appeal is proving no match for a slew of local Chinese blockbusters. The Warner Bros. comedy-fantasy is on track to finish its opening day in China in fifth place, having earned only…
It turns out Hayao Miyazaki had nothing to worry about. Prior to the release of his highly anticipated latest feature, The Boy and the Heron, in Japan on Friday, the legendary animator reportedly expressed some worries about Studio Ghibli’s unprecedented plan to do no marketing at all for the movie — no trailers, no TV…
Tom Cruise failed to do the seemingly impossible in China over the weekend: Revive Hollywood’s former box-office muscle at the world’s second-biggest theatrical movie market. Mission: Impossible — Dead Reckoning Part One badly lost its opening weekend in China, debuting in third place behind a pair of holdover Chinese hits. The Paramount and Skydance sequel opened…
Mission: Impossible — Dead Reckoning Part One boasted a five-day debut of $80 million in North America, including $56.2 million for the weekend proper. The Paramount and Skydance pic is the latest summer tentpole to come in behind expectations. Heading into the weekend, Dead Reckoning — starring Tom Cruise — had had been tracking to…
Editor’s Note: Studio Ghibli took the unprecedented step of doing no marketing in Japan for Hayao Miyazaki’s The Boy and the Heron, releasing no trailers and no plot summary. Instead, the fabled studio invited fans to go see the movie with no preconceptions, with producer Toshio Suzuki saying, “Deep down, I think this is what…