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The Red Sea International Film Festival in Jeddah, Saudi Arabia has picked 12 movies for its Festival Favorites selection of standouts from the fest circuit, including U.K. Oscar submission Santosh, an Indian police procedural about two women who form an unlikely alliance directed by Sandhya Suri, and Chinese auteur Guan Hu’s Black Dog, which won the Un…
As Baby opens, the title character, whose given name is Wellington, has a taste of freedom for the first time in nearly two years. He’s ending his stint in a youth detention center, a place with the grim industrial aura of a high-security prison — but also one where there are occasional breaks for drum-and-brass…
Ryoo Seung-wan has been a pillar of the South Korean film industry for over 20 years, respected there for his keen social observation and thrilling action. But Europe’s great film festivals have feted him conspicuously less than some of his more internationally well-known peers. The Cannes Film Festival recently took a step toward correcting that…
The inaugural Prix Luciole Awards ceremony, celebrating artistic achievements in the field of film poster design, took place Friday at the Le Gray d’Albion hotel in Cannes. Co-sponsored by China’s leading movie ticketing platform, Taopiaopiao, and the Paris-based Alliance Cinéaste Chine-Europe, the Prix Luciole aims to raise awareness of the importance of graphic design in…
After two weeks of nonstop cinema, the moment of truth finally arrived. The winners of the 77th Cannes Film Festival were announced at a gala ceremony on Saturday night. The Palme d’Or, the fest’s top honor, went to Sean Baker‘s sex worker screwball comedy Anora. A nervous and shaking Baker took the stage and thanked…
Sideshow and Janus Films scooped up another buzzy title out of Cannes, acquiring It’s Not Me from French auteur Leos Carax (Holy Motors, Annette) for North America. An autobiographical collage of old and new footage, referencing everything from silent movies and Hollywood Golden Age classics to scenes from his own work and personal home movies,…
Jacques Audiard returned to his stomping grounds at the Cannes Film Festival last weekend to present Emilia Perez, the French auteur’s 10th work and sixth in the main competition. The audience inside the Grand Lumiére Theatre responded with a 10-minute standing ovation after the world premiere of the film, described as a “bracingly original crime…
Netflix is in talks to acquire one of the most talked about titles at this year’s Cannes Film Festival: Emilia Pérez. The movie, from writer-director Jacques Audiard, follows a cartel leader who hires an undervalued lawyer to help him withdraw from his business and realize a plan he has been secretly preparing for years, to…
Belgian director Leonardo Van Dijl’s assured debut feature, Julie Keeps Quiet, builds a riveting psychological drama around the choice of a star player from an elite youth tennis academy not to speak up in the wake of tragedy. In her first acting role, young tennis ace Tessa Van den Broeck internalizes the title character’s brooding…
When New Yorker film critic Pauline Kael wrote a long and heated rave of Bernardo Bertolucci’s Last Tango in Paris after its premiere in 1972, she stated, among other things, that “this is a movie people will be arguing about for as long as there are movies.” Kael may have been overdoing it when she…