‘I’ll Be Gone in June’ Review: Wispy but Atmospheric Drama Follows a German Student to New Mexico in 2001

‘I’ll Be Gone in June’ Review: Wispy but Atmospheric Drama Follows a German Student to New Mexico in 2001

German teenager Franny (newcomer Naomi Cosma) arrives in New Mexico to spend the 2001-02 academic year at a high school in Las Cruces, living with a local family, just before the terrorist attacks of 9/11 in writer-director Katharina Rivilis’ wispy but engaging debut feature. Even if you didn’t know that this was inspired by Rivilis’…

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‘The Samurai and the Prisoner’ Review: The Verb is Mightier Than the Sword in Kiyoshi Kurosawa’s Dialogue-Laden Historical Mystery   

‘The Samurai and the Prisoner’ Review: The Verb is Mightier Than the Sword in Kiyoshi Kurosawa’s Dialogue-Laden Historical Mystery   

Japanese genre maven Kiyoshi Kurosawa is mostly known outside his homeland for eerie, visually inventive films like Cure, Pulse and Loft that brought the J-horror trend into the arthouse. But he’s also made psychological thrillers (Creepy), serial killer flicks (Serpent’s Path), science-fiction movies (Before We Vanish), a darkly comic anti-capitalist actioner (last year’s Cloud) and…

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‘The Birthday Party’ Review: Hafsia Herzi, Benoît Magimel and Monica Bellucci in Léa Mysius’ Gripping if Uneven Home-Invasion Thriller

‘The Birthday Party’ Review: Hafsia Herzi, Benoît Magimel and Monica Bellucci in Léa Mysius’ Gripping if Uneven Home-Invasion Thriller

Lean, mean and frequently terrifying, The Birthday Party (Histoires de la nuit) is a home-invasion thriller in the vein of films like Funny Games and Speak No Evil, even if it stops well short of the sadistic shocks of either of them. Adapted from a French bestseller by Laurent Mauvignier, writer-director Léa Mysius’ third feature shares its remote setting and appetite…

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My Cannes Moment: Anaïs Demoustier

My Cannes Moment: Anaïs Demoustier

I’ve been back to Cannes something like 15 times. I was there with Valérie Donzelli’s film [Marguerite & Julien in 2015] in Competition and with the closing film [2012’s Thérèse] from Claude Miller. I’ve had films in Critics’ Week and Un Certain Regard. I was President of the Jury that awarded the Camera d’Or [to…

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‘In Waves’ Review: An Eloquent Rendering of First Love, Heart-Crushing Loss and the Joy of Surfing

‘In Waves’ Review: An Eloquent Rendering of First Love, Heart-Crushing Loss and the Joy of Surfing

The first animated film to open the Cannes festival’s Critics’ Week, In Waves is an understated marvel, its elegant hand-drawn simplicity bolstered by a strong emotional throughline. The love story it tells — spirited, tender and wrenching — begins with the clumsy meet-cute in a suburban Los Angeles high school of AJ, an introverted skateboarder,…

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