Cannes

Cannes Lions CEO Complains: “Creatives Are Feeling Less Confident”

‘The Love That Remains’ Review: Hlynur Pálmason Follows ‘Godland’ With a Snapshot of Marital Dissolution More Elemental Than Affecting

Cannes: Oliver Laxe’s ‘Sirat’ Sells Wide Internationally

‘Romería’ Review: Carla Simón Dives Deep Into Painful Family History in an Act of Reclamation That’s Equal Parts Shimmering and Meandering

‘Magellan’ Review: Gael Garcia Bernal Plays the Famous Explorer in Lav Diaz’s Exquisitely Shot Challenge of an Arthouse Epic

Winners of the 2025 Cannes Film Festival (Updating Live)

Cannes Gives Warm Welcome to Dardennes and ‘Young Mother’s Home’

‘Resurrection’ Review: Director Bi Gan’s Beguiling, Beautifully Realized Journey Through the Life, Death and Possible Rebirth of Cinema

‘A Private Life’ Review: A Delightfully Paired Jodie Foster and Daniel Auteuil Escape Injury in a Messy but Pleasurable Genre Collision

Cannes: Mubi Buys Wagner Moura-Starring ‘The Secret Agent’ for U.K., India, Most of Latin America

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