#‘Bridget Jones: Mad About the Boy’ Review: Renée Zellweger Shines in Poignant Moments of Closing Chapter Flush With Fan-Service
It’s been almost a quarter-century since Renée Zellweger first stepped into the shoes of the wine-guzzling, smoking, babbling, pratfall-prone and terminally awkward title character in Bridget Jones’s Diary. Over the course of four movies, the erstwhile singleton, forever sorting out complicated romantic entanglements and riddled with self-doubt, has become a virtual compendium of tics and mannerisms…
