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“#Lessons in Editing: When Not to Cut” Home Columns Movies Meg Shields September 16, 2020 Aaaaaaaaaaaaaaaand…wait for it….cut! Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores the benefits of holding back on over-editing. What was it that Emperor Joseph…
“#What ‘Get Out’ Can Teach Us About the Banality of Evil” Home Columns Movies Meg Shields September 15, 2020 Hannah Arendt tells us evil comes from a failure to think. So here’s a video essay on how the philosophical theory manifests in ‘Get Out,’ to get you thinking. Welcome to The Queue — your daily…
“#The Harsh Reality Behind ‘Wind River’” Through a Native Lens is a new column from film critic and citizen of the Cherokee Nation of Oklahoma Shea Vassar, who will dive into the nuance of Hollywood’s best and worst cases of Indigenous representation. This entry looks at the crisis of Missing and Murdered Indigenous Women, Girls,…
“#30 Things We Learned from ‘The Lighthouse’ Commentary” Welcome to Commentary Commentary, where we sit and listen to filmmakers talk about their work, then share the most interesting parts. In this edition, Rob Hunter settles in for black & white weirdness with Robert Eggers’ commentary for The Lighthouse! The Witch (2015) was something of a stunner…
“#How Does Rear Projection Work?” Welcome to How’d They Do That? — a bi-monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off. This entry looks into how rear projection works. If you’ve seen a film from before the 1970s, there’s a very good chance you’ve already encountered rear…
“#How Wes Anderson’s Nod to Hitchcock Exemplifies What an Homage Should Be” Home Columns Movies Meg Shields September 14, 2020 What is the difference between a lazy rip-off and an artful homage? Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video about…
“#Zoë Kravitz Finally Steps Into the Spotlight” Welcome to Filmographies, a biweekly column for completists. Every edition brings a working actor’s resumé into focus as we learn about what makes them so compelling. In this entry, we spotlight the film and TV work of Zoë Kravitz. The inimitable Zoë Kravitz has long been touted as a…
“#‘Tarantulas: The Deadly Cargo’ Sends Foreign Spiders Into the Heartland” Home Columns Movies TV Rob Hunter September 13, 2020 “Terror and death sweep through a defenseless town.” Welcome to 4:3 & Forgotten — a weekly column in which Kieran Fisher and I get to look back at TV terrors that scared adults (and the kids they let watch)…
“#The Most Annoying Mad Scientist Cliche is Nathaniel Hawthorne’s Fault” There are many, many, many mad movie scientists out there, and the granddaddy of them all is easily the one and only Dr. Frankenstein. While Mary Shelley deserves a great deal of credit for influencing the development of horror and sci-fi as we know it…
“#‘Miami Blues’ Brings Sunshine and Humor to the Life of Crime” Home Columns Movies Kieran Fisher September 12, 2020 Alec Baldwin leads this Charles Willeford adaptation, and it’s one of the most entertaining performances of his career. Welcome to The Prime Sublime, a weekly column dedicated to the underseen and underloved films buried beneath page after…