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Stream every standout album released this Friday with The FADER’s weekly roundup. Amber Mark. Photo by Satya Zoa Hyllested Every Friday, The FADER’s writers dive into the most exciting new projects released that week. Today, read our thoughts on Amber Mark’s Loosies EP, U’s Life Isn’t A Fountain?EP, LEYA’s I Forget Everything, and more…
On 4 | 2 | 3, initially conceived for an epic dance piece about the riddle of life, experimental cellist/sound artist MIZU explores the capacities of the body, her instrument, and the human experience. MIZU. Photo by Honglin Cai. The Opener is The FADER’s short-form profile series of casual conversations with exciting new artists….
The experimental producer’s new 26-track album is a work of rare beauty and raw heart. Discover Blogly is The FADER’s curated roundup of our favorite new music discoveries. Writing for The FADER in 2014, Adam Harper explored an exciting movement in underground music dubbed “epic collage,” wherein the artist formerly known as Elysia Crampton, Total…
Songs You Need In Your Life This Week Tracks we love right now, in no particular order. By The FADER Each week, The FADER staff rounds up the songs we can’t get enough of. Here they are, in no particular order. Listen on our Spotify and Apple Music playlists, or hear them all below. YHWH…
Haruomi Hosono’s endless experiment With a new tribute album celebrating the legacy of his solo debut, Hosono House, the Japanese legend’s radical creative energy continues to ripple across borders and generations. By Alex Robert Ross Korigawa Shoji / Press When he was a little kid in Tokyo, Haruomi Hosono lived next door to his maternal…
Body Meat reaches paradise The Philly producer’s critically acclaimed debut album, Starchris, finds self-actualization through bold, video game-inspired music. By Sandra Song Uma Fodar The FADER’s longstanding GEN F series profiles the emerging artists you need to know right now. For the past couple of months, Chris Taylor has been busy “making tracks” about naptime…
Stream every standout album released this Friday with The FADER’s weekly roundup. Freak Slug. Photo by El Hardwick Every Friday, The FADER’s writers dive into the most exciting new projects released that week. Today, read our thoughts on Freak Slug’s I Blow Out Big Candles, Man/Woman/Chainsaw’s Eazy Peazy, Good Sad Happy Bad’s All Kind…
Mount Eerie’s impermanent eternities Phil Elverum discusses motherhood, forces of nature, trolling, and his new album, Night Palace. By Raphael Helfand Phil Elverum (Mount Eerie). Photo by Indigo Free. Phil Elverum likes nature: looking at it, being in it, and using it as an ever-present component of the vast metaphors he conjures in the…
The Necks are keeping it normal As it turns out, Australia’s most renowned free-improvisation trio are just regular guys who like to party. By Raphael Helfand The Necks (from left: Tony Buck, Lloyd Swanton, and Chris Abrahams. Photo by Camille Walsh. When the Necks released their debut album, Sex, in 1989, it didn’t make…
The New York City jazz-rock band’s new album, Enough, is the product of an entirely new approach to making music: expansive, omnivorous, and otherworldly. Ivy Meissner Shortly after finishing work on Big Time Things, his band Office Culture’s third studio album, Winston Cook-Wilson realized he’d pushed his process to its limit. Written alone and rehearsed…