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Hala Matar is the first of her kind. The director tells The Hollywood Reporter she is the first female Bahraini director to make a feature film. After growing up in the Middle East and studying theater at school, Matar studied in America at the University of Virginia. By mistake, she enrolled in a cinematography class,…
Julia Stuart, the director of Sky Original Film, heads up a team that acquires exclusive rights and commissions original feature productions for Sky Cinema’s platform as well as theatrical release. Stuart and her team have brought several major titles to Sky, including Michael Mann’s Ferrari, May December starring Julianne Moore and Natalie Portman, and The…
The 81st Venice Film Festival awards ceremony is in full swing after a sweltering week and a half on the Lido. The prestigious Golden Lion, awarded to the best film, is up for grabs, as are best director, best actor and actress, best screenplay and the grand jury prize, led by French actress and this…
Director Zia Anger discusses her feature debut and the decade she spent working out how to feel about it. It would be easy to classify Always All Ways, Anne Marie, director Zia Anger’s first directorial feature, as “abandoned,” just as IMDB does. But her new project My First Film, streaming on MUBI starting September 6,…
Co-directors Angela Patton and Natalie Rae discuss the creation of their poignant new documentary. The hallmarks of a daddy-daughter dance are all there from the beginning of the new documentary film Daughters: pretty dresses, smart suits, a lot of Beyoncé songs. But there is one key difference. All of the fathers depicted in the film…
In her breakout role, Collias plays a daughter whose impression of her father changes dramatically during a camping trip. Lily Collias. Photo via publicist. Early into Good One, Matt (Danny McCarthy) begins complaining to his buddy Chris (James Le Gros). They’re driving to the Catskills for a weekend camping trip and were meant to…
Baby Assassin marks a collision of two major, contrasting artists. Now, will it be worth watching? Edglrd The logline for the upcoming Harmony Korine film Baby Invasion, set to premiere at this year’s Venice Film Festival, is as Harmony Korine as you’d expect. The new feature billed as a video game where viewers are players…
The Japanese composer discusses the circuitous path to her score for Ryusuke Hamaguchi’s Evil Does Not Exist. Eiko Ishibashi. Photo by Jim O’Rourke. We open on a long, steady tracking shot through the woods, the camera peering upward through a thin tree canopy into a bright winter sky. Gently swung cymbal triplets trickle up…
Brooks Ginnan is self-actualizing, in spite of the trolls. Brooks Ginnan in thumbnail for JPEGMAFIA’s “don’t rely on other men” music video, directed by Logan Fields. When Brooks Ginnan saw their face in the thumbnail of the “don’t rely on other men” video, the first thing they felt was a flicker of worry. The…
Director Jane Schoenbrun, plus L’Rain, Florist, and Sloppy Jane, discuss the making of the soundtrack to A24’s latest cult classic. I Saw The TV Glow A24 In Jane Schoenbrun’s films, ecstasy and annihilation coexist on the other side of a screen. Their 2021 debut We’re All Going To The World’s Fair took the chokehold…