#What Eiko Ishibashi gains in translation
The Japanese composer discusses the circuitous path to her score for Ryusuke Hamaguchi’s Evil Does Not Exist. Eiko Ishibashi. Photo by Jim O’Rourke. We open on a long, steady tracking shot through the woods, the camera peering upward through a thin tree canopy into a bright winter sky. Gently swung cymbal triplets trickle up…