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If the name Eva Victor is unfamiliar to you, it may not be for long. A winning, at times strikingly strong big-screen debut, Sorry, Baby positions the writer/director/star as a triple threat, with a specific, fully formed voice blending irony and earnestness to beguiling effect. Despite some familiar U.S. indie beats (Sundance is Sundance), the…
“#Michelle Pfeiffer Goes Broke and Heads to Paris – /Film” The French Exit trailer is here, and it wants you to know one thing: Michelle Pfeiffer is great. Perhaps you didn’t need to be reminded of that (I sure didn’t), but that seems to be the film’s biggest selling point. “Hey, Michelle Pfeiffer is in our…
“#Soderbergh At Sea – /Film” Can you even imagine going on a cruise again? I’m sure some people are perfectly fine with the idea – heck, some people would be willing to go right now, this very second, if they could. But here in the age of the coronavirus, cruises seem like floating Petri dishes; isolated…
“#Meryl Streep Stars in Steven Soderbergh’s Film – /Film” Remember when Steven Soderbergh was supposed to be retired? It seems like that never lasted very long, no matter how many times he said it. In the past few years, he’s directed Logan Lucky, Unsane, High-Flying Bird, and The Laundromat, and now he’s back with a…
![#‘French Exit’ Review: The Discreet Smarm of the Bourgeoisie [NYFF]](https://d13ezvd6yrslxm.cloudfront.net/wp/wp-content/images/French-Exit-Review.jpg "#‘French Exit’ Review: The Discreet Smarm of the Bourgeoisie [NYFF]")
“#‘French Exit’ Review: The Discreet Smarm of the Bourgeoisie [NYFF]” Azazel Jacobs’ previous film, The Lovers, establishes its overarching and consistent tone from the time the opening studio logo appears. A self-consciously melodramatic piece of score cues the audience to recognize Jacobs’ perspective. He humorously heightens the stakes for an otherwise mundane story of aging…
“#’French Exit’ is an Absurd Satire Better Enjoyed at Another Time” In 2017, Azazel Jacobs delivered a poignant and illuminating look at the peculiarities of life with his film The Lovers. He aims to achieve the same with his 2020 follow-up, French Exit, but while the absurd class satire is funny at times, it never…