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From Full of Hell to Deerhoof, here are the artists we’re excited to catch next month. Left: Full of Hell. Photo courtesy of another side. Center: Special Interest. Photo by Daniel Topete. Right: Deerhoof. Photo by Satoru Eguchi. There are thousands of shows to see in New York City every month which makes keeping…
—__–___ want to wake you from your algorithmic slumber Seth Graham, more eaze, and recovery girl’s new album, Night of Fire, is an antidote to the banal evil of everyday life in America. By Raphael Helfand Left: more eaze, photo by Tomberlin. Top: recovery girl, photo by Galen Tipton. Right: Seth Graham, photo by Zachary…
Inside an Italian label at the forefront of a soft-noise revolution In an era saturated with algorithmic ambient and pop by numbers, OOH-sounds offers an alternative listening experience. By Raphael Helfand From left: more eaze, Pardo, and Glass (Hugo Lamy and Etienne Reimund). Photos courtesy of the artists, collage by Cady Siregar. Paris Paris,…
Stream every standout album released this Friday with The FADER’s weekly roundup. (L) Arushi Jain. Photo by Zara Saraon. (M) Chicano Batman. Photo by Josue Rivas. (R) funk.BR – São Paulo cover art Every Friday, The FADER’s writers dive into the most exciting new projects released that week. Today, read our thoughts on Arushi…
“#Noise goes pop on Claire Rousay and More Eaze’s Never Stop Texting Me” The Texan sound artists’ first bona fide hyperpop record is out today. Photo by Katherine Squier. San Antonio’s Claire Rousay and Austin’s Mari Maurice (More Eaze) are at the forefront of a niche but passionate experimental scene. Their first joint venture,…