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“#A Color Theory Reading of Olivier Assayas’ ‘Irma Vep’” In our new column Color Code, Luke Hicks chooses a handful of shots from a favorite film and analyzes them in detail to draw out the meaning behind specific colors and how they play into their scene and the film as a whole. Inspecting color is like…
“#19 Things We Learned from the ‘Tales from the Darkside: The Movie’ Commentary” Welcome to Commentary Commentary, where we sit and listen to filmmakers talk about their work, then share the most interesting parts. In this edition, Rob Hunter revisits the commentary for a horror anthology based on an underrated television show, Tales from the Darkside:…
“#Jay Keitel Shaped Amy Seimetz’s Dread into Action in ‘She Dies Tomorrow’” Welcome to World Builders, our new ongoing series of conversations with the most productive and thoughtful behind-the-scenes craftspeople in the industry. In this entry, we chat with She Dies Tomorrow cinematographer Jay Keitel about depicting the organic elements of dread. The end is inevitable….
“#Every Movie Should End Like Jackie Chan’s ‘Police Story’” Home Columns Movies Meg Shields August 19, 2020 (Chanting) Montage! Montage! Montagae! Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores the end credits of Police Story. Opening credits get all…
“#Slime and Space Dust: How They Built ‘The Blob’” Welcome to How’d They Do That? — a bi-monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off. This entry looks into the making of The Blob. The texture of horror films in the 1980s was goop. Viscous, visceral,…
“#A Nickelodeon Classic Returns as Our Pick of the Week” Streaming might be the future, but physical media is still the present. It’s also awesome, depending on the title, the label, and the release, so each week we take a look at the new Blu-rays and DVDs making their way into the world. Welcome to…
“#There are Action Directors and Then There’s John Woo” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores the action movie mastery of John Woo. Every now and then you run into an over-edited action sequence. A punch ’em up…
“#The Harrowing and Hypocritical Humanity of Folk Horror” Welcome to Carnage Classified, a monthly column where we break down the historical and social influence of all things horror, then rank the films of each month’s category accordingly. Franchises, movements, filmmakers, sub-genres, etc…It’s all here! This entry is about folk horror films. Is there anything more…
“#Breaking Down the Visual Humor of ‘An American Pickle’” The HBO Max comedy An American Pickle is about many things: intergenerational conflict; tradition versus modernity; different approaches to grieving; how much money a Brooklynite will spend on a single pickle (apparently $4). The film follows an Eastern-European Jewish immigrant who falls into a vat of…
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores a preferred alternative to the found footage subgenre of horror films. Found footage is one of those subgenres that you either love or you hate. Or, perhaps more accurately, it’s one of those…