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“#‘Miami Blues’ Brings Sunshine and Humor to the Life of Crime” Home Columns Movies Kieran Fisher September 12, 2020 Alec Baldwin leads this Charles Willeford adaptation, and it’s one of the most entertaining performances of his career. Welcome to The Prime Sublime, a weekly column dedicated to the underseen and underloved films buried beneath page after…
“#Pre-Code Surrealism in ‘The Sin of Nora Moran’” Beyond the Classics is a bi-weekly column in which Emily Kubincanek highlights lesser-known old movies and examines what makes them memorable. In her first entry, she looks at the 1933 melodrama The Sin of Nora Moran. Talking about older Hollywood movies can feel repetitive when we only…
“#Disney Nearly Built a Cinematic Universe from a Bunch of ‘Gargoyles.’” Welcome to Saturday Morning Cartoons, our weekly column where we continue the animated boob tube ritual of yesteryear. Our lives may no longer be scheduled around small screen programming, but that doesn’t mean we should forget the necessary sanctuary of Saturday ‘toons. In this…
“#Brotherhood and Race Drive the Beautifully Executed ‘One Night in Miami’” Home Movies Reviews Kathia Woods September 11, 2020 Regina King shines with her feature directorial debut, which we review via the 2020 Toronto International Film Festival. What happens when four of the most iconic Black men in history get together to celebrate an unforeseen…
“#It Takes a Village to Excuse the Sins of ‘Antebellum’” Race has been front and center in numerous films over the years, but presenting the specific cruelties of slavery on screen requires special attention from the filmmakers. The best films approach the ugliness with purpose. Steve McQueen’s 12 Years a Slave (2013), for example, depicts…
“#How Edgar Wright Foregrounds Sound” Home Columns Movies Meg Shields September 11, 2020 *furious whip-pan noises* Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores the sound of Edgar Wright movies. Sight, sound, bare minimum: this is what makes a…
“#Spy thriller ‘Tenet’ to be screened at Los Angeles drive-ins” Christoper Nolan’s spy thriller, ‘Tenet” is hitting Los Angeles drive-ins, granting fans who have been unable to see the film in the theater a reprieve. Initially, the $200 million flick, starring Robert Pattinson and John David Washington, was off limits at drive ins in any…
“#‘Bill & Ted’ Composer Mark Isham Literally Faces the Music” The Oscar-nominated composer Mark Isham has dealt with vampires, surfers, and vicious clouds of mist during his three decades of film scoring, but his newest challenge is probably his biggest: saving the world while balancing score and songs in Bill & Ted Face the Music….
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video about Hayao Miyazaki’s Howl’s Moving Castle. Comfort food films should never be contentious. Of course, the “comfiness” of a film can, to a degree, be objective. That’s why lists like this one exist. But, ultimately, if a…
“#The 10 Most Obsession-Worthy Shots of Brian De Palma’s Career” To say Brian De Palma is a master of obsession is an understatement. For more than fifty years, he’s demonstrated his skill as one of the best American filmmakers by creating works steeped in paranoia and abound with suspenseful sequences that would have made Hitchcock…