#‘Fatal Attraction’ Review: Joshua Jackson and Lizzy Caplan in a Paramount+ Remake That’s Not Worth Obsessing Over

#‘Fatal Attraction’ Review: Joshua Jackson and Lizzy Caplan in a Paramount+ Remake That’s Not Worth Obsessing Over

The reshot ending of Adrian Lyne’s 1987 Fatal Attraction is one of the most successful blunders in Hollywood history. Sure, turning Glenn Close’s scorned Alex Forrest into a nearly unkillable slasher villain undermined anything that was thematically interesting about the character and the movie. But it also produced a rousing climax that left bloodthirsty audiences…

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#Paramount+ Boosts Korean Content Slate With Original Dramas ‘A Bloody Lucky Day’ and ‘Queen Woo’

#Paramount+ Boosts Korean Content Slate With Original Dramas ‘A Bloody Lucky Day’ and ‘Queen Woo’

Paramount+ revealed Thursday that it will be expanding its global Korean originals slate with the launch of two new series exclusively on the service in multiple regions around the world. Forthcoming K-dramas A Bloody Lucky Day and Queen Woo will be available on Paramount+ in the U.S., Canada, U.K., Australia, Latin America, Brazil, Italy, France,…

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#Paramount’s Chris McCarthy on the Future of ‘Daily Show,’ ‘Yellowstone’ Offshoots and Why Showtime Eulogies Are Premature

#Paramount’s Chris McCarthy on the Future of ‘Daily Show,’ ‘Yellowstone’ Offshoots and Why Showtime Eulogies Are Premature

It’s been six months since Chris McCarthy added Showtime to his portfolio, and he knows what a healthy swath of Hollywood has said. He’s read the network eulogies and seen the variations on “RIP Showtime” tweets. He’s even sat with folks who have bemoaned his stated plan to lean into franchises, be it more Billions…

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#Paramount Takes Worldwide Rights on Adam Deacon’s Comeback Feature ‘Sumotherhood’ (Exclusive)

#Paramount Takes Worldwide Rights on Adam Deacon’s Comeback Feature ‘Sumotherhood’ (Exclusive)

Paramount Takes Worldwide Rights on Adam Deacon’s Comeback Feature ‘Sumotherhood’ (Exclusive) Sumotherhood, the upcoming British urban action-comedy that marks the much-anticipated return to filmmaking for BAFTA winner Adam Deacon, is set to hit cinemas later this year following a major worldwide deal with Paramount, The Hollywood Reporter can reveal. Paramount Global Content Distribution and Paramount…

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