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Priscilla Presley was trying on clothes in the fitting room of a Beverly Hills boutique when she overheard two women whispering about her. It was the mid-1960s, and Priscilla — who had met Elvis in 1959 when she was 14 and he was 24 — in some people’s eyes was living out the fantasy of…
Ray Price, the respected indie film innovator who served as president of American Zoetrope and First Look Pictures and as a marketing and distribution executive for companies including Landmark Theatres and Trimark Pictures, has died. He was 75. Price died Sunday at Whittier Hospital Medical Center from heart failure after a long battle with cancer,…
Sofia Coppola and Uniqlo Debut New Collection for Fashionable Film Fans If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission. Just in time for International Women’s Day, Sofia Coppola’s cult films are the star of Uniqlo’s new collection. The Japanese basics…
Sundance: Inside Fest’s Hottest Parties and Events (Updating) The beloved Park City film festival returned to in-person festivities this year, bringing with it a packed schedule of parties, events and gatherings. ‘Black Panther: Wakanda Forever’ star Tenoch Huerta, left, and Yalitza Aparicio from ‘Sweatshop Girl,’ dance during the Latinx House Latin American filmmakers cocktail reception…
‘Fairyland’ Review: Emilia Jones and Scoot McNairy Negotiate Spiky Father-Daughter Ties in 1970s and ’80s San Francisco Told from the perspective of a young girl raised by her single gay father to be a woman who is “strong and tolerant and not afraid of this world,” Fairyland reveals the intensely personal nature of its origins…
“#Marie Antoinette and the Argument for Mise en Scène as Film Form” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on the narrative role of mise-en-scène in Sofia Coppola’s Marie Antoinette. There’s definitely an argument to be made that, as…
“#The Ending of Sofia Coppola’s Marie Antoinette Explained” Ending Explained is a recurring series in which we explore the finales, secrets, and themes of interesting movies and shows, both new and old. This time, we parse through the historical and aesthetic implications of Sofia Coppola’s Marie Antoinette. If you go into Sofia Coppola‘s millennial pink,…
“#How Gia Coppola got Andrew Garfield to discover his inner ‘Jackass’” How do you get actor Andrew Garfield — Tony Award winner, former Spider-Man — to tap into his inner Johnny Knoxville? Have the real guy on hand, said director Gia Coppola. The “Jackass” series creator plays a small role in Coppola’s new movie, “Mainstream,” out…
“#‘The Godfather, Coda: The Death of Michael Corleone’ Review: Francis Ford Coppola Offers a ‘Godfather III’ Re-Cut You Can’t Refuse” When it comes to Francis Ford Coppola‘s Godfather trilogy, everyone seems to be in agreement: the first two movies are full-blown masterpieces, and the less said about the third film the better. We shouldn’t cry too…
“#’On The Rocks’ Showcases Sofia Coppola at Her Most Mature” It’s hard to leave your comfort zone. This is true for Laura (Rashida Jones), a Manhattanite writer, wife, and mother of two, who begins to suspect that her husband may have a wandering eye when he returns from a business trip acting distant. It’s also…