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Artificial intelligence may be the ultimate moving target. By the time this film arrives it will probably already be out of date, one of the many experts in The AI Doc tells Daniel Roher. The technology is morphing that fast. Fortunately, the film’s directors, Roher and Charlie Tyrell, are less interested in the details of…
For Anna, the 30-something woman at the center of Take Me Home, the smallest change in her routine can set her off. As the movie opens upon her circumscribed suburban life, Anna, who has a cognitive disability and lives with her aging parents, is about to hit an inflection point of monumental proportions. The feature…
At one point in Cookie Queens, a highly engaging documentary about four Girl Scouts selling cookies, the film’s smallest moppet, five-year-old Ara E., meets a prospective client who — given his diabetes — wonders if he should be buying cookies at all. Ara, who has type-1 diabetes herself, empathizes enthusiastically and later bakes some sugar-free…
The South Korean-born video essayist turned filmmaker who goes by the mononym Kogonada emerged in 2017 as an assured new voice with the exquisite contemplation of physical and emotional architecture, Columbus. He confirmed that promise four years later with After Yang, a soulful reflection on identity and connectedness, not to mention a refreshingly open-minded view…
Adam Meeks is living a dream Sundance experience — long before he arrived in Utah. The Brooklyn-based writer-director and graduate of NYU’s Tisch School of the Arts made his feature directorial debut on the indie drama Union County and promptly received what could be the best news of his career thus far: He got into…
While the happy and only barely tortured gay romance of Heated Rivalry sweeps the nation, nay the world, it might be instructive, if depressing, to remind ourselves that there are many young queer people who have a much harder time realizing their desires. The new film Leviticus, from director Adrian Chiarella, is a solemn and…
The British Isles can be treacherously vulnerable to twee overload in movies, though last year’s The Ballad of Wallis Island showed that it can be avoided, remaining a minor-key charmer even while it embraced every oddball eccentricity that writer-stars Tom Basden and Tim Key could concoct. Louis Paxton’s The Incomer is not so resilient. Set…
No, director William David Caballero can’t literally bring people back to life, but he surely has found a way to bring loved ones back to audio and visual life – and capture their spirit. He does so via a mix of audio recordings, animation, stop motion and motion capture technology for his film TheyDream, which…
Kenya may be famous around the world for its wildlife safaris, marathon runners, and tea and coffee. But there are also dark sides, as Kikuyu Land, a new documentary from journalist and Bea Wangondu and U.S. co-director Andrew H. Brown, who also handled cinematography, shows. The doc, which premieres in Sundance’s World Cinema Documentary Competition…
As the lights came on at the Sundance premiere of the documentary The Stringer last January, there was no doubt for many viewers that one of the most important photos in the history of journalism — the Pulitzer Prize–winning 1972 snapshot titled The Terror of War — has been misattributed. In the months since, the…