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Pity the poor horror movie hero. Should they be fortunate enough to survive their unimaginably horrific ordeal with enough ingenuity and panache, odds are good the movie gods will only force them to endure it all over again, at higher intensity and to lower acclaim. And so it is that Grace (Samara Weaving), who ended…
Boots Riley, the punkish filmmaker behind Sorry to Bother You and Amazon’s I’m a Virgo, has a proven knack for creating surreal realities that feel truer, somehow, than the ones we can see outside our window. His latest feature, I Love Boosters, is set in a version of the Bay Area where the floors of…
Premiering at SXSW, Marq Evans’ film delves into the debate surrounding a famous piece of footage and offers an answer to the question of whether it’s genuine. If you liked the article, do not forget to share it with your friends. Follow us on Google News too, click on the star and choose us from your favorites….
Stans director Steven Leckart was gushing over music legend Eminem at the world premiere of their new documentary on Monday, kicking off the inaugural SXSW London. The festival, founded in 1987 in Austin, has pledged to showcase industry leaders and emerging talent from the world of music, film, tech, arts and fashion in the U.K….
Welcome back to Week in Review! I’m Karyne Levy, TechCrunch’s deputy managing editor, and I’ll be writing this newsletter from here on out. Thrilled to be here! This week we’re checking out everything at SXSW; Waymo’s expansion into Silicon Valley; Intel’s new CEO; TikTok’s new suitor; and why DeepSeek isn’t taking VC money. Let’s get…
In The Rivals of Amziah King, Andrew Patterson crafts a loving portrait of an Oklahoma community around the sweet relationship between a beekeeper and his estranged foster daughter. The director borrows from different genres — nostalgic Westerns, propulsive crime thrillers, high-stakes heist films and even musicals — to tell this winding tale about what makes…
In Christopher Landon’s Drop, a widowed mother bravely returns to the dating scene only to find herself caught in an awful game of cat and mouse. Following in the footsteps of films like Phone Booth, Red Eye and, more recently, Carry-On, this Blumhouse production, which premiered at SXSW before its theatrical release in April, balances…
The CEO of Colossal, a startup that aims to use genetic editing techniques to bring back extinct species, including the wooly mammoth, assured audiences at SXSW that the company has no plans to create a real-life Jurassic Park — lest there was any doubt. “Modern conservation isn’t working […] and we’re gonna need a ‘de-extinction’…
In documentaries, “accuracy” is informational — the presentation of data or testimony in a way that’s persuasive and unimpeachable. “Legitimacy,” however, is aesthetic — the presentation of data or testimony in a way that looks truthful. The Age of Disclosure The Bottom Line A sensationalistic wolf in understated sheep’s clothing. Venue: SXSW Film Festival (Documentary…
At the center of The Secret of Me is Jim Ambrose, who grew up as Kristi. Looking into the camera as he begins to tell his story, he says, to be clear, that he is not transgender. He is intersex and was in the dark about that fact until he was 19 and discovered the…