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John Bailey, the cinematographer on Ordinary People, Groundhog Day, As Good as It Gets and dozens of other notable films who endured two “stressful” terms as president of the Academy of Motion Picture Arts and Sciences, died Friday. He was 81. Bailey died in Los Angeles, his wife, Oscar-nominated film editor Carol Littleton (E.T. the…
“#Observations on the Visual Style of Terrence Malick” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on the visual style of Terrence Malick. Saying anything concrete about the work of Terrence Malick is like trying to cup water in your hands. He…
“#’The Tree of Life’ Teaches Us How to Live” When Terrence Malick‘s The Tree of Life premiered at Cannes in 2011, the film was called out for its Christian sensibilities, as if it was a near-three-hour stint of religious propaganda. “People would repeatedly reproach me for my own laudatory notice; this film, they said, was…
“#How They Shot the Locust Scene in ‘Days of Heaven’” Welcome to How’d They Do That? — a bi-monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off. This entry explains how they shot the locust swarm scene in Terrence Malick‘s Days of Heaven. Terrence Malick and cinematographer…
“#Style is Substance in Terrence Malick’s ‘Badlands’ (1973)” Amidst the rapturous critical reception that Terrence Malick’s Badlands received upon its 1974 release, one dissenting voice stood out. While Vincent Canby called Malick’s feature debut “a most important and exciting film” in the New York Times, Pauline Kael turned in a scathing review at the New…
“#The Philosophy of Terrence Malick” Home Columns Movies Meg Shields June 18, 2020 Here’s a video essay that explains what Terrence Malick’s filmography can teach us about the work of Martin Heidegger. Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Before he became a filmmaker, Terrence…