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“#Mediation, Artifice, and the Anxious Digital Format of Bo Burnham: Inside” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on the format and structure of Bo Burnham’s comedy special Inside. However you feel about Bo Burnham: Inside, you must admit: the acclaimed…
“#Marie Antoinette and the Argument for Mise en Scène as Film Form” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on the narrative role of mise-en-scène in Sofia Coppola’s Marie Antoinette. There’s definitely an argument to be made that, as…
“#Why We Love the Disney Animated Version of Robin Hood the Most” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on why Disney’s Robin Hood rules. When an animated film becomes a “timeless classic,” it can be easy to forget…
“#What a Gaffer Does On a Movie Set” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay that offers a breakdown of what a gaffer does on a film set. The term “gaffer” has a confused etymological history. There’s a line…
“#Warmth, Wonder, and the Wild Cinematic Shelf Life of The Rocketeer” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on the strange cinematic life of the 1991 Disney movie The Rocketeer. Wait a minute, the Rocke-who? If you’re a millennial…
“#Stanley Kubrick, David Lynch, and the Darker Side of Auteur Theory” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay that compares Stanley Kubrick’s The Shining with David Lynch’s Lost Highway to underline the darker side of auteur theory. Deep down…
“#A Titan of Movie Title Design” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on the movie title design and opening title sequences of Pablo Ferro. An immigrant from Antilla, Cuba, the late Pablo Ferro (1935-2018) deserves to take up…
“#How Going Big Can Make a Scene Better” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on how overacting can enhance a scene. Previously in this column, we’ve discussed how the primary mode of communication in Mandy is sound. Paired…
“#What Makes ‘Ghost World’ Such a Successful Comic Book Adaptation” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on what the movie Ghost World can teach us about big-screen comic book adaptations. Different mediums have different strengths. The interactivity that…
“#A Brief History of Soviet Animation” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on the history of the animation output of the Soviet Union. Animation created under Soviet rule is a little bit like porn: you know it when…