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“#”Hey, Standing Rock” and the Anti-Native Harm of ‘The New Mutants’” Through a Native Lens is a column from film critic and citizen of the Cherokee Nation of Oklahoma Shea Vassar, who will dive into the nuance of cinema’s best and worst cases of Indigenous representation. This entry looks at the insulting anti-Native dialogue in…
“#Chief’s Dynamic Change in One Flew Over the Cuckoo’s Nest” Through a Native Lens is a column from film critic and citizen of the Cherokee Nation of Oklahoma Shea Vassar, who will dive into the nuance of cinema’s best and worst cases of Indigenous representation. This entry looks at the most important character in One…
“#’Rhymes for Young Ghouls’ and the Legacy of Residential Schools” Through a Native Lens is a new column from film critic and citizen of the Cherokee Nation of Oklahoma Shea Vassar, who will dive into the nuance of cinema’s best and worst cases of Indigenous representation. This entry looks at Jeff Barnaby’s Rhymes for Young…
“#The Harsh Reality Behind ‘Wind River’” Through a Native Lens is a new column from film critic and citizen of the Cherokee Nation of Oklahoma Shea Vassar, who will dive into the nuance of Hollywood’s best and worst cases of Indigenous representation. This entry looks at the crisis of Missing and Murdered Indigenous Women, Girls,…
“#The Harsh Reality Behind ‘Wind River’” Through a Native Lens is a new column from film critic and citizen of the Cherokee Nation of Oklahoma Shea Vassar, who will dive into the nuance of Hollywood’s best and worst cases of Indigenous representation. This entry looks at the crisis of Missing and Murdered Indigenous Women, Girls,…
“#John Dunbar’s Mystical Transformation in ‘Dances with Wolves’” Through a Native Lens is a new column from film critic and citizen of the Cherokee Nation of Oklahoma Shea Vassar, who will dive into the nuance of Hollywood’s best and worst cases of Indigenous representation. This first entry examines the use of Native identity in the…