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The letters trickled in at first, and then they flooded the community. Nearly every resident of Littlehampton, a small coastal town in England, received an offensive note in 1920. Most of the libelous messages haven’t survived, but the ones that did display a dexterity with foul-mouthed language. They are a window into a different time…
Does Netflix have some sort of stealth ownership stake in Planet Hollywood? Just a couple of months after giving Arnold Schwarzenegger a three-hour puff piece documentary, the streaming giant is set to release Thom Zimny’s feature-length Sly, a documentary in which Sylvester Stallone is exactly as candid and introspective as executive producer Sylvester Stallone wants…
The 48th Toronto International Film Festival, from which I just returned, technically runs through Sunday, but by this point, virtually every film in the lineup has screened at least once. So, I thought I’d seize this opportunity to share some impressions of this year’s fest and the awards hopefuls that played there and also offer…
Elysian Film Group, Anonymous Content and Bleecker Street have jointly acquired the U.K. rights to The Boy and the Heron, the new animated feature from legendary Studio Ghibli director Hayao Miyazaki. Elysian Film Group will release the film in U.K. cinemas later this year. Miyazaki’s first feature in a decade — since The Wind Rises…
Pain Hustlers — David Yates’ entertaining crime drama about Big Pharma’s shadowy sales practices — opens with a character differentiating his company’s misdeeds from a familiar pharmaceutical titan: “We’re not Purdue Pharma. We didn’t kill America.” Sure, the employees of Zanna Therapeutics, a fictional drug company, didn’t peddle their opioid painkiller to the same degree as…
It’s easy to measure your life in accomplishments, to look at the accumulation of honors and accolades, of personal and professional victories, and to say, “This accumulation represents empirical success.” It’s harder to measure your life not necessarily in failures but in potentials left unfulfilled, in half-completed tasks or the stashed items left unused, and…
The first time Frances Fisher’s character appears in The King Tide, she’s stooped, uncommunicative, crushed by life and perhaps by a stroke. When the main action picks up, 10 years later, she’s a glowing picture of New Agey vim and vigor, and the island where she lives has been transformed. Nobody fears illness anymore because…
There’s a game that Malik (Blake Cameron James) and Eric (Gian Knight Ramirez), the protagonists of Minhal Baig’s poignant third feature We Grown Now, like to play. It starts with pilfering mattresses from an empty apartment in their building. They push them down the stairs because the elevators usually don’t work; then, they drag them…
Before the world premiere of his latest film, Next Goal Wins, Taika Waititi offered a few introductory words and a characteristically dopey bit. He thanked his team, and then punched the microphone at the Princess of Wales theater because he was fired-up about imperialism. The microphone broke. The crowd laughed. Before leaving the stage, Waititi…
It’s getting to be that I’m afraid to leave the house. I mean, you never know when you’re going to run into a hitman. If you see movies on a regular basis, you know what I’m talking about. They seem to be everywhere, and they’re often going through personal problems that affect their work. But…