#‘Nutcrackers’ Review: Ben Stiller Stumbles Onto an Unexpected Paternal Side in David Gordon Green’s Sweet but Flimsy Fish-Out-of-Water Comedy

#‘Nutcrackers’ Review: Ben Stiller Stumbles Onto an Unexpected Paternal Side in David Gordon Green’s Sweet but Flimsy Fish-Out-of-Water Comedy

In what seems almost like a cleansing ritual after wrestling with studio horror franchises, David Gordon Green’s Nutcrackers sees the director return closer to his indie roots, observing characters that sprout organically from their rural or small-town environments. This cute fish-out-of-water comedy about the unexpected rewards of a found family tries to approximate the naturalism,…

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#TIFF According To: Black Bear’s Michael Heimler

#TIFF According To: Black Bear’s Michael Heimler

Black Bear partner Michael Heimler, the indie outfit’s head of production and operations, has a busy fall festival circuit, having executive-produced Netflix awards play Nyad, Sony’s Dumb Money, and sales title Sing Sing. Ahead of those premieres, Heimler shared with THR what he seeks out (sports bars for the Jets season opener) and what he…

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#‘Backspot’ Review: Devery Jacobs and Evan Rachel Wood in a Perceptive Queer Cheerleading Drama

#‘Backspot’ Review: Devery Jacobs and Evan Rachel Wood in a Perceptive Queer Cheerleading Drama

Cheerleading is brutal business in Backspot. A GoPro-style opening sequence captures its young female athletes at work, sprinting and flipping and pounding the floor so hard it sounds liable to shatter. Later, we get close-ups of blistered feet, bruised arms, a bloody nose plugged up with a tampon. Through director D.W. Waterson’s camera, we register…

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#Toronto: Viggo Mortensen Talks Hollywood Strikes, Directing Vicky Krieps in Feminist Western ‘The Dead Don’t Hurt’

#Toronto: Viggo Mortensen Talks Hollywood Strikes, Directing Vicky Krieps in Feminist Western ‘The Dead Don’t Hurt’

Viggo Mortensen’s second feature as a director, the Western The Dead Don’t Hurt, is dedicated to his late mother, Grace Gamble Atkinson, who poetically lives on somewhat in the film’s lead character, the fiercely independent Vivienne Le Coudy, played by Vicky Krieps. “Vivienne, she’s no wonder woman. But she’s very strong, has an inner strength,…

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