The term “blockbuster” as of late has taken an entirely different meaning compared to a decade ago, with most “blockbusters” usually involving someone wearing spandex and being a part of an interconnected universe. Original IPs as big summer tentpole releases are few and far between, so it should not be taken lightly when a traditional blockbuster like “Nope” comes around. The spectacle of the film shouldn’t take away from fans of Peele’s body of work having conversations about it, nor should it be seen as a detriment compared to Peele’s previous works. 

Despite not bearing a heavy presence of social commentary like “Us” or “Get Out,” that doesn’t make “Nope” any less thrilling. The pure technical prowess of “Nope” alone is enough to help elevate the film. From the intricate sound design making viewers terrified of whatever is in the UFO’s stomach at the time to the stunning IMAX cinematography giving the film a larger-than-life feel to Michael Abel’s score, providing the film a thrilling western tone, Peele uses every technical aspect to his advantage like never before. Each technical part isn’t without reason, as Peele uses them to blend Western and horror genres, creating a symphony of spectacle with a distinct purpose.