SIGN/e: Writing music with moving shapes and colors

SIGN/e: Writing music with moving shapes and colors

How can electronic music best be scored, music that’s made not from staves, clefs and notes on the page but by physical gestures like turning a dial on a console or sweeping a hand across a synthesizer? And if that music is the result of “controlled accidents,” where the musician intentionally triggers sonic surprises, can the unpredictability somehow be written down?

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