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“#’Memoria’ is Pure, Distilled Meditation in an Affecting Cinematic Experience” Meditation comes in many forms. One might listen to contemplative music, sit in self-reflective silence, commune with nature, get a massage, consider poetry, or watch an Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives, Tropical Malady) film. The Thai writer, producer, director, and…
“#Valérie Lemercier Explains Aline, Her Comedic Movie About Celine Dion” Entering the Discourse is a thrice-weekly column where we dig into who is saying what about new releases and upcoming projects. Today, we share some quotes from Valérie Lemercier on the making of Aline, her fictionalized movie about Celine Dion. Celine Dion is a pop…
“#A Triumph for The Florida Project Director Sean Baker” Mikey Saber is the jet fuel of Red Rocket, the new blue-collar, Texas-set film from writer, director, and producer Sean Baker (Tangerine, The Florida Project). Played by Simon Rex, the chipper thirty-something ex-porn star returns home to find a whole host of folks who don’t care…
“#A Truly Original Thriller from Raw Director Julia Ducournau” By nature, a review for Titane, the sophomore feature from French writer-director Julia Ducournau, should be scant. It’s the kind of movie you’re best off knowing as little about as possible. The kind that shocks, jerks, twists, and stabs its way into wholly unexpected brilliance. You…
“#The Importance of Nature Imagery in After Yang and The Souvenir Part II” Video essayist turned writer-director-editor Kogonada and writer-director-producer Joanna Hogg are at the helm of two of Cannes 2021’s most anticipated features. The former‘s architecturally and visually stunning Columbus took the cinephile world by storm in 2017. So, it’s only natural that his…
“#’Benedetta’ Takes a Brutal but Accurate Angle on Christian History” Benedetta is many things: a lesbian nun thriller, a visceral body horror, a 17th century period piece, a bureaucratic maze, an adapted historical account, and more. But above all, it’s a sharp, stinging critique of the Christian church’s putrid history of manipulation and power-mongering –…
“#A Brief History of the Cannes Film Festival Palme d’Or” Brief History is a column that tells you all you need to know about your favorite — and not so favorite — pop culture topics. This entry looks at the history of the Palme d’Or, the top prize at the Cannes Film Festival. The film…
“#A Spectacle of Mid-Career Innovation” Wes Anderson’s The French Dispatch is a dazzling journalistic spectacle of color, design, and locution comprised of an obituary, a travel guide, and three feature stories. The obituary kicks the vignetted narrative off because it needs to set the stage for the following four sections. Why? Because the founder and…
“#The Truth About Adam Driver’s Oral Sex Musical Number in Annette” Entering the Discourse is a thrice-weekly column where we dig into who is saying what about new releases and upcoming projects. Today, we discuss the buzz around Leoz Carax’s new film Annette and its titillating oral sex scene. Have you heard the news? In Leos…
“#Leos Carax Gives Sparks a Worthy Cinematic Debut” Before we step foot into the narrative of Annette, we meet the film’s creators. The movie has begun, but it hasn’t. Ron Mael and Russell Mael of Sparks stand at the ready in the studio with their backing band. Director and co-writer Leos Carax sits at the…