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There’s a beguiling dichotomy in Kristen Stewart’s accomplished first feature as writer-director — between the dreamlike haze and fragmentation of memory and the raw wound of trauma so vivid it will always be with you. Adapted from the influential 2011 memoir by Lidia Yuknavitch, The Chronology of Water is challenging material, an unflinching account of…
Art house distributor and streamer Mubi has struck a deal to buy the rights to Lynne Ramsay’s Die My Love, starring Jennifer Lawrence and Robert Pattinson, for North America and additional territories in a first big deal at this year’s Cannes Film Festival. The territories also include the U.K., Ireland, Italy, Spain, Benelux, Latin America, India, Turkey,…
Anne Emond’s Peak Everything (Amour Apocalypse) is a personal letter as much as a movie to recall the Quebec director’s severe COVID-era depression in Montreal. “I would say in the beginning, I had to save myself, a little bit. That’s how it started,” a candid Emond tells The Hollywood Reporter about the inspiration for her…
Sealed with a kiss! Alexander Skarsgard felt the love during an electric seven-minute standing ovation for his Cannes film Pilion, and returned it two-fold with a warm embrace and by planting a wet one on the cheek of a smiling Pedro Pascal who was on his feet. The directorial debut of Harry Lighton had its…
It’s easy to get star-struck by a Wes Anderson cast. There are Oscar winners, screen legends and blockbuster stars all occupying the same, impeccably ornamented space. It’s an entirely different experience getting star-struck by the Anderson troupe when you are the one leading his films. “As a performer, it was amazing to play around within…
In 2018 at the Cannes Film Festival, Kristen Stewart joined Ava DuVernay, Agnes Varda, Jane Fonda and over 80 other women in a protest on the steps of the Palais to draw attention to the lack of female directors programmed in the line-up. That year, only three out of the 21 competition films were directed…
In such a fast-moving industry, it can be easy to forget that, a mere six or so years ago, there was no film scene whatsoever in Saudi Arabia. The country has only been welcoming non-religious tourists since 2019, a year after cinemas reopened following a near 40-year ban. Now there are more than 800 to…
Lynne Ramsay has never shown much interest in making films that are easy to digest, her hard-edged psychological dramas refusing to offer comfort or provide tidy answers for the messy questions arising out of her characters’ upended lives. The uncompromising Scottish director has not gone soft in her jagged fifth feature, Die My Love. Giving…
While Ozploitation dates back to 1970, the predecessor Dangerous Animals calls to mind more than anything is 2005’s Wolf Creek. Only this time, the mayhem happens in open water. Both these sadistic Australian B-movies revolve around a psychotic serial killer preying on travelers and both serve up blood, guts and torture porn, which should provide…
As you walk up The Croisette toward the Palais, there’s a long, winding series of tents overlooking the yachts anchored in the Bay of Cannes. Atop each tent is a flag representing the country that hopes to impress the producers, financiers and executives gathering at Cannes on the hunt for locations (and most importantly, financial…