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“#The Wretched Pleasures and Psychotic Education of ‘Looney Tunes’” Welcome to Saturday Morning Cartoons, our new weekly column where we continue the animated boob tube ritual of yesteryear. Our lives may no longer be scheduled around small screen programming, but that doesn’t mean we should forget the necessary sanctuary of Saturday ‘toons. There is no…
“#Fans of Guy Ritchie’s Cockney Crime Capers Will Enjoy ‘Berlin Job’” Welcome to The Prime Sublime, a weekly column dedicated to the underseen and underloved films buried beneath page after page of far more popular fare on Amazon’s Prime Video collection. We’re not just cherry-picking obscure titles, though, as these are movies that we find beautiful…
“#How ‘Possum’ Uses the Uncanny as a Metaphor for Trauma” Home Columns Meg Shields June 19, 2020 What’s worse than doppelgangers, puppets, and spiders? A combination of all three of course. Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Possum is an unorthodox and unforgettable film. In…
“#‘Search Party’ Season 3 Is a Little Less Intense, But Still Excruciatingly Funny” Hello and welcome to Previously On, a weekly column that fills you in on our favorite returning TV shows. This week Liz Baessler takes a look at the new season of Search Party on HBO Max. This review does contain spoilers for…
“#The Philosophy of Terrence Malick” Home Columns Movies Meg Shields June 18, 2020 Here’s a video essay that explains what Terrence Malick’s filmography can teach us about the work of Martin Heidegger. Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Before he became a filmmaker, Terrence…
“#There Was More Moral Ambiguity to Explore For Cinemax’s ‘Quarry’” Welcome to Petition Worthy, a biweekly column that revisits canceled TV shows that we wish had a longer lifespan. In some cases, we’ll also make a plea for them to be given another chance. Most people live boring and mundane lives, meaning that they’ll never become…
“#Nisha Ganatra on Why She Needed to Celebrate the Vibe of L.A. in ‘The High Note’” Check the Gate is a new column where we go one-on-one with directors in an effort to uncover the reasoning behind their creative decisions. Why that shot? Why that cast? Why that location? Answers are found within. Showbiz tales are…
“#31 Things We Learned from Michael Crichton’s ‘Looker’ Commentary” Sometimes filmmakers and/or film lovers sit down to talk about the movie they’re watching, and it’s called a commentary. Sometimes our Rob Hunter listens to that commentary and shares the most interesting and entertaining parts. Welcome to Commentary Commentary! Ask people to name their favorite Michael Crichton…
“#How to Read ‘Honey Boy’ as an Act of Forgiveness” Home Columns Meg Shields June 18, 2020 Here’s a video essay on why ‘Honey Boy’ operates on empathy. Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Shia LaBeouf describes the experience of making Honey Boy with the…
“#Animating a Manic Episode: The Bold, Beautiful Sundance Short ‘Eli’” Home Columns Short Films Meg Shields June 17, 2020 What we’re watching: a true story that draws from the realms of high strangeness, magical thinking, and manic delusion. Welcome to The Queue — your daily distraction of curated video content sourced from across the web….