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“#Jay Keitel Shaped Amy Seimetz’s Dread into Action in ‘She Dies Tomorrow’” Welcome to World Builders, our new ongoing series of conversations with the most productive and thoughtful behind-the-scenes craftspeople in the industry. In this entry, we chat with She Dies Tomorrow cinematographer Jay Keitel about depicting the organic elements of dread. The end is inevitable….
“#Every Movie Should End Like Jackie Chan’s ‘Police Story’” Home Columns Movies Meg Shields August 19, 2020 (Chanting) Montage! Montage! Montagae! Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores the end credits of Police Story. Opening credits get all…
“#Slime and Space Dust: How They Built ‘The Blob’” Welcome to How’d They Do That? — a bi-monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off. This entry looks into the making of The Blob. The texture of horror films in the 1980s was goop. Viscous, visceral,…
“#A Nickelodeon Classic Returns as Our Pick of the Week” Streaming might be the future, but physical media is still the present. It’s also awesome, depending on the title, the label, and the release, so each week we take a look at the new Blu-rays and DVDs making their way into the world. Welcome to…
“#There are Action Directors and Then There’s John Woo” Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores the action movie mastery of John Woo. Every now and then you run into an over-edited action sequence. A punch ’em up…
“#The Harrowing and Hypocritical Humanity of Folk Horror” Welcome to Carnage Classified, a monthly column where we break down the historical and social influence of all things horror, then rank the films of each month’s category accordingly. Franchises, movements, filmmakers, sub-genres, etc…It’s all here! This entry is about folk horror films. Is there anything more…
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores a preferred alternative to the found footage subgenre of horror films. Found footage is one of those subgenres that you either love or you hate. Or, perhaps more accurately, it’s one of those…
“#Ava Berkofsky Discusses the Evolution of Self and Style in ‘Insecure’” Welcome to World Builders, our new ongoing series of conversations with the most productive and thoughtful behind-the-scenes craftspeople in the industry. In this entry, we chat with cinematographer Ava Berkofsky about the evolving visual language of Insecure. Two women sit across from each other…
“#The Ending of ‘Project Power’ Explained” Ending Explained is a recurring series in which we explore the finales, secrets, and themes of interesting movies and shows, both new and old. This time, we dig into the ending of Project Power. How awkward is it when a movie teases the possibility of a sequel, and that…
“#‘Spectre’ Blends Sex and the Supernatural Into Something Special” Welcome to 4:3 & Forgotten — a weekly column in which Kieran Fisher and I get to look back at TV terrors that scared adults (and the kids they let watch) across the limited airwaves of the ’70s. This week we head to jolly old England for a precursor…