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![#How We Got to Sesame Street Documentary Review [Sundance 2021] – /Film](https://d13ezvd6yrslxm.cloudfront.net/wp/wp-content/images/streetgang-henson-oz-bert-ernie.jpg "#How We Got to Sesame Street Documentary Review [Sundance 2021] – /Film")
“#How We Got to Sesame Street Documentary Review [Sundance 2021] – /Film” Documentaries like I Am Big Bird: The Carroll Spinney Story and Being Elmo: A Puppeteer’s Journey have already dug into a couple slices of the magic that makes Sesame Street so beloved by children and adults alike. Now Marilyn Agrelo‘s new film Street…
“#Mia Goth Leads a Group of Warring Lost Girls – /Film” “Mary, Alpha, Yankee, Delta, Alpha, Yankee…” a woman’s voice lazily repeats over radio static, as a man parachutes from a helicopter amid a freak storm. That refrain echoes throughout Karen Cinorre‘s surreal drama: “Mayday, mayday” the woman calls, not appearing to need much help…
“#Romeo and Juliet Retold Across Phone Screens – /Film” Using the same Screenlife technology that powered films like 2018’s innovative Searching, director Carey Williams reimagines William Shakespeare’s classic tragedy Romeo and Juliet through phone screens and social media accounts in his debut feature R#J. That approach might sound obnoxious, but for the most part, it works surprisingly…
“#’The Sparks Brothers’ is an Engrossing Celebration of Unsung Music Icons” “Sparks are a part of the ecosystem of music,” says a fan, who happens to be Beck, on the lasting influence of a band that’s been sowing seeds across the music industry since the late 1960s. Other famous fans of Sparks, including Jason Schwartzman, …
“#Passing Review: Sundance 2021 – /Film” Irene (Tessa Thompson) and Clare (Ruth Negga) meet in the restaurant of a posh New York hotel, spotting each other from across the room. Irene mistakes Clare for a stranger at first, but as it turns out, the women grew up together. But as Irene looks Clare over during…
![#Caught in the Tides of Change [Sundance 2021] – /Film](https://d13ezvd6yrslxm.cloudfront.net/wp/wp-content/images/luzzu-e1612107509169-768x342.jpg "#Caught in the Tides of Change [Sundance 2021] – /Film")
“#Caught in the Tides of Change [Sundance 2021] – /Film” Flitting around the giant industrial trawlers that haul in hundreds of fish every day are the bright, colorful luzzus, the small but sturdy traditional fishing boats of the Maltese islands, painted in vibrant yellows, and blues, and reds that create beautiful little beacons scattered throughout…
“#‘Superior’ is Beautiful and Bland” A film’s style is crucial in establishing its tone and atmosphere, informing the viewer about what to expect, at least aesthetically. It can be a feast for the eyes and can transport the viewer into the film’s world. But unfortunately relying solely on style cannot save a movie. Such is…
“#Devastating Drama Unfolds Between Four Parents in the Aftermath of a School Shooting – /Film” Fran Kranz made a breakthrough performance as the amusing stoner in the meta horror movie Cabin in the Woods. Now a new chapter in Kranz’s career has triumphantly begun with his quiet, confident, and devastating feature writing and directorial debut…
“#Boyd Holbrook Hunts Werewolves – /Film” Werewolf stories frequently involve allegorical explorations of the duality of man: the clash between the “civilized” surface layer and the violent beast within. But unlike so many other films in this genre, writer/director Sean Ellis‘s new werewolf thriller Eight for Silver does not fixate on a gruesome physical transformation to illustrate that…
“#’How It Ends’ is a Warm, if Overly Cutesy, Apocalypse Comedy” What if we knew when the world was going to end? How would we spend our last day? These questions are nothing new in terms of hypotheticals, but they’re two of the questions asked in Zoe Lister-Jones and Daryl Wein‘s affable How It Ends, an…